Difference between revisions of "ESAT Bibliography Cor-Cri"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Coray-Dapretto, L. 1995. Le théˆatre communautaire sud-africain: thé^atre intertextuelle par excellence. Grenoble: Université Stendhal. (Doctoral thesis).
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Cornell, Carohn 1988. Cape Town scenes: using short plays in class. Crux, 22(2): 4-9. April.
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Cornell, Carohn 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Cape Town: University of Cape Town. (M.Phil. (Education) thesis).
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Corporate sponsorship of the arts. 1981. Scenaria, (26): 27.
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The Corsair Drama Group and Siener in die suburbs. 1978. Scenaria, (9) : 37, 39.
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Cosser, Michael 1991.  Dramatic discourse in the foreground of The Hill. South African theatre journal, 5(2): 66-79.
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Counihan, G. & De Bruin, W. 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. Finance week, 27(90042): 33-35.
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Counihan, G. & De Bruin, W. 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. Finansies & tegniek, 159(9): 33-35.
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Couzens, Tim 1985. The new African:a study of the life and work of H.I.E. Dhlomo. Johannesburg: Ravan Press.
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Couzens, Tim 1988. A moment in the past: William Tsikinya-Chaka. Shakespeare in Southern Africa, 2: 60-66.
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Coveney, M. 1973. Challenging the silence (interview). Plays and players 21 (2): 34-37.
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Cox, Frances Jayne 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Grahamstown: Rhodes University. (M.A.(Drama) thesis).
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Coyne, Pareick 1988. Play production in the primary school. Crux, 22(4): 2-10. October.
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Crail, Archie 1993. In search of a character. Canadian theatre review, 74 : 73-77.
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Crake, A.M. 1986. The Port Elizabeth Opera House : the architect’s view. Scenaria,  (62) : 13-15.
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Creux, A. 1965. Shakespeare at Maynardville. Lantern, 15(1): 55-59.
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Crewe, J.V. 1972.  Place for Manson? Standpunte, 25(3): 19-31. February.
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Crewe, J. 1973. H W D Manson. In Lennox-Short, Alan (ed.). English and South Africa. Cape Town: Nasou. p. 87-89.
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Crisis of African theatre. 1973. Business South Africa, 8(4): 32-33. April.
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Crisis of African theatre: discussion. 1973. Business South Africa, 8(5): 7.
  
  

Revision as of 13:12, 2 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Coray-Dapretto, L. 1995. Le théˆatre communautaire sud-africain: thé^atre intertextuelle par excellence. Grenoble: Université Stendhal. (Doctoral thesis).

Cornell, Carohn 1988. Cape Town scenes: using short plays in class. Crux, 22(2): 4-9. April.

Cornell, Carohn 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Cape Town: University of Cape Town. (M.Phil. (Education) thesis).

Corporate sponsorship of the arts. 1981. Scenaria, (26): 27.

The Corsair Drama Group and Siener in die suburbs. 1978. Scenaria, (9) : 37, 39.

Cosser, Michael 1991. Dramatic discourse in the foreground of The Hill. South African theatre journal, 5(2): 66-79.

Counihan, G. & De Bruin, W. 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. Finance week, 27(90042): 33-35.

Counihan, G. & De Bruin, W. 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. Finansies & tegniek, 159(9): 33-35.

Couzens, Tim 1985. The new African:a study of the life and work of H.I.E. Dhlomo. Johannesburg: Ravan Press.

Couzens, Tim 1988. A moment in the past: William Tsikinya-Chaka. Shakespeare in Southern Africa, 2: 60-66.

Coveney, M. 1973. Challenging the silence (interview). Plays and players 21 (2): 34-37.

Cox, Frances Jayne 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Grahamstown: Rhodes University. (M.A.(Drama) thesis).

Coyne, Pareick 1988. Play production in the primary school. Crux, 22(4): 2-10. October.

Crail, Archie 1993. In search of a character. Canadian theatre review, 74 : 73-77.

Crake, A.M. 1986. The Port Elizabeth Opera House : the architect’s view. Scenaria, (62) : 13-15.

Creux, A. 1965. Shakespeare at Maynardville. Lantern, 15(1): 55-59.

Crewe, J.V. 1972. Place for Manson? Standpunte, 25(3): 19-31. February.

Crewe, J. 1973. H W D Manson. In Lennox-Short, Alan (ed.). English and South Africa. Cape Town: Nasou. p. 87-89.

Crisis of African theatre. 1973. Business South Africa, 8(4): 32-33. April.

Crisis of African theatre: discussion. 1973. Business South Africa, 8(5): 7.


Click on the appropriate letters of the alphabet in the sub-list below.

Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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