Difference between revisions of "ESAT Bibliography Bat-Bet"

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[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
 
[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
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To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella
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. Grahamstown: Rhodes University. (M.A. (Fine Art) thesis).
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Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258): 37. April 6.
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Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332): 53. September 5.
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Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297): 25. January 4.
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Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Durban: University of Natal. (MA (Cultural & Media Studies) thesis).
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Baxter, Veronica 2000 Unizima Lomthawala:  Satisfying everyone all of the time in drama and theatre as education. South African theatre journal, 14: 55-72.
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Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African theatre journal, 20: 48-64.
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The Baxter theatre. 1977. Scenaria, August/ September: 12-13.
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Baxter theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6): 54-63. September.
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Baxter’s first five years. 1982. Scenaria, (32): 17-19.
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Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14: 59-60.
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Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys.Potchefstroom: Potchefstroom University for C.H.E. (MA thesis.).
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Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Potchefstroom: Potchefstroomse Universiteit vir Christelike Ho?r Onderwys. (M.A. (Toneelkunde) thesis).
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Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Potchefstroom: PU vir CHO. (D.Litt. thesis).
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Bekker, S. and Leilde, A. (2003) ‘Is Multiculturalism a Workable Policy in South Africa?’ International Journal on Multicultural Societies (IJMS) Vol. 5, No. 2. bladsye??
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Belasting op die toneel. 1945. Huisgenoot, 30(1225): 5. September 14.
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Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Durban: University of Natal. (M.Ed. thesis).
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Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.
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Belling, Veronica Penkin  2004. A Yiddish actor in Port Elizabeth [Henry Ariel]. Jewish affairs, 59(1): 40-42.
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Belling, Veronica Penkin  2006. Yiddish theatre in South Africa. Jewish affairs, 61(4): 5-16.
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Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the                        late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.
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Bellingan, M.1982. Anneline se maltrapvennoot. Rooi rose, 38(29): 22-5. September 8. Oor Marianne Fassler as kostuumontwerper.
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Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353): 15. February 27.
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Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Johannesburg: Rand Afrikaans University. (D.Phil. thesis).
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Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling. . In: Malan, Charles (ed.) Spel en spieël. besprekings van die moderne Afrikaanse drama en teater.  Johannesburg: Perskor. p. 51-63.
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Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co.
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Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973): 55-62
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Benson, Mary.1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre quarterly 7(28): 77-83.
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Benson, Mary 1997. Athol Fugard and Barney Simon: bare stage, a few props, great theatre. Johannesburg: Ravan Press.
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Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal affairs, 33(389): 31-37. January.
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Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5): 29. April 3.
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Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Cape Town: University of Cape Town. (MA (Theatre and Performance) thesis).
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Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Johannesburg: University of the Witwatersrand. Unpublished B.Dram. Hons Essay.
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Berold, Ralph et al. 2000. Interactive drama for environmental educators. Howick: Share-net.
  
  
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[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
 
[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
−
 
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below

Revision as of 11:23, 1 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella . Grahamstown: Rhodes University. (M.A. (Fine Art) thesis).

Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258): 37. April 6.

Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332): 53. September 5.

Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297): 25. January 4.

Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Durban: University of Natal. (MA (Cultural & Media Studies) thesis).

Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African theatre journal, 14: 55-72.

Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African theatre journal, 20: 48-64.

The Baxter theatre. 1977. Scenaria, August/ September: 12-13.

Baxter theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6): 54-63. September.

Baxter’s first five years. 1982. Scenaria, (32): 17-19.

Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14: 59-60.

Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys.Potchefstroom: Potchefstroom University for C.H.E. (MA thesis.).

Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Potchefstroom: Potchefstroomse Universiteit vir Christelike Ho?r Onderwys. (M.A. (Toneelkunde) thesis).

Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Potchefstroom: PU vir CHO. (D.Litt. thesis).

Bekker, S. and Leilde, A. (2003) ‘Is Multiculturalism a Workable Policy in South Africa?’ International Journal on Multicultural Societies (IJMS) Vol. 5, No. 2. bladsye??

Belasting op die toneel. 1945. Huisgenoot, 30(1225): 5. September 14.

Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Durban: University of Natal. (M.Ed. thesis).

Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.

Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth [Henry Ariel]. Jewish affairs, 59(1): 40-42.

Belling, Veronica Penkin 2006. Yiddish theatre in South Africa. Jewish affairs, 61(4): 5-16.

Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.

Bellingan, M.1982. Anneline se maltrapvennoot. Rooi rose, 38(29): 22-5. September 8. Oor Marianne Fassler as kostuumontwerper.

Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353): 15. February 27.


Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Johannesburg: Rand Afrikaans University. (D.Phil. thesis).

Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling. . In: Malan, Charles (ed.) Spel en spieël. besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 51-63.

Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co.

Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973): 55-62

Benson, Mary.1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre quarterly 7(28): 77-83.

Benson, Mary 1997. Athol Fugard and Barney Simon: bare stage, a few props, great theatre. Johannesburg: Ravan Press.

Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal affairs, 33(389): 31-37. January.

Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5): 29. April 3.

Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Cape Town: University of Cape Town. (MA (Theatre and Performance) thesis).

Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Johannesburg: University of the Witwatersrand. Unpublished B.Dram. Hons Essay.

Berold, Ralph et al. 2000. Interactive drama for environmental educators. Howick: Share-net.


Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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