Difference between revisions of "Institute for Languages, Literature and Arts"
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| − | The playwright and academic [[P.G. du Plessis]] was apponted the first Director of the Institute, with Nienaber as the first Curator of the [[National Documentation Centre for Afrikaans Literature]] (He was later followed by [[Pirow Bekker]]). Three more Documentation Centres were gradually developed, namely the [[National Documentation Centre for Music]] (director initially P.J. Nienaber, later [[J.P. Malan]], the author of the ''SA Music Encyclopaedia'', in his turn followed by Cosmo Hattingh, author of ''Graaff Reinet: a Cultural History''), the National Documentation Centre for Art (director Murray Schoonraad, followed by Liliana Daneel) and [[National Documentation Centre for Performing Arts]] (director initially [[P.P.B. Breytenbach]], former director of [[NTO]] and [[PACT]], followed by [[Rinie Stead]]). There was also a research programme on sociolinguistics (headed by Karel Prinsloo) and a National Centre for Onomastics (headed by Peter Raper). | + | The playwright and academic [[P.G. du Plessis]] was apponted the first Director of the Institute, with Nienaber as the first Curator of the [[National Documentation Centre for Afrikaans Literature]] (He was later followed by [[Pirow Bekker]]). Three more Documentation Centres were gradually developed, namely the [[National Documentation Centre for Music]] (director initially P.J. Nienaber, later [[J.P. Malan]], the author of the ''SA Music Encyclopaedia'', in his turn followed by Cosmo Hattingh, author of ''Graaff Reinet: a Cultural History''), the National Documentation Centre for Art (director Murray Schoonraad, followed by Liliana Daneel) and [[National Documentation Centre for the Performing Arts]] (director initially [[P.P.B. Breytenbach]], former director of [[NTO]] and [[PACT]], followed by [[Rinie Stead]]). There was also a research programme on sociolinguistics (headed by Karel Prinsloo) and a National Centre for Onomastics (headed by Peter Raper). |
== Research in the arts == | == Research in the arts == | ||
Revision as of 16:16, 12 November 2013
This was one of the original institutes of the Human Sciences Research Council, a autonimous institution founded by the South African government in 1969 to undertake research in the humanities in South Africa.
The Institute was the brainchild of P.J. Nienaber, a strong advocate of Afrikaans literature and a compulsive collector of Africana. As a chairman of the SA Akademie vir Wetenskap en Kuns ("SA Academy of Arts and Sciences") and a member of the HSRC board, he agitated to have an institute founded to collect material on the languages and arts of South Africa and to undertake research in these fields.
Contents
Documenting the arts
The playwright and academic P.G. du Plessis was apponted the first Director of the Institute, with Nienaber as the first Curator of the National Documentation Centre for Afrikaans Literature (He was later followed by Pirow Bekker). Three more Documentation Centres were gradually developed, namely the National Documentation Centre for Music (director initially P.J. Nienaber, later J.P. Malan, the author of the SA Music Encyclopaedia, in his turn followed by Cosmo Hattingh, author of Graaff Reinet: a Cultural History), the National Documentation Centre for Art (director Murray Schoonraad, followed by Liliana Daneel) and National Documentation Centre for the Performing Arts (director initially P.P.B. Breytenbach, former director of NTO and PACT, followed by Rinie Stead). There was also a research programme on sociolinguistics (headed by Karel Prinsloo) and a National Centre for Onomastics (headed by Peter Raper).
Research in the arts
Karel Prinsloo later followed Du Plessis as Director and shifted the Documentation Centres away from pure collection and archival work, to more active research. Thus the National Documentation Centre for the Performing Arts became the Centre for South African Theatre Research (CESAT) (directed by Temple Hauptfleisch), the National Documentation Centre for Afrikaans Literature became the Centre for South African Literatures (CENSAL) (directed by Charles Malan).
Disbandment
As the HSRC moved to a differently structured and more flexible organisation in the late 1980’s under the leadership of Johan Garbers, the Institute was broken up into a variety of focussed interdisciplinary projects, and its documentation centres disbanded and the materials moved to the State Archives in Pretoria.
Impact
Over the years the HSRC and the Institute spawned a number of linked institutions concerned with research and documentation in theatre and performance. See for example the National English Literary Museum (NELM) and the Nasionale Afrikaanse Letterkunde Museum en Dokumentasiesentrum (NALN).
Sources
For more information
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Return to South African Theatre Venues, Companies, Societies, etc
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