Difference between revisions of "Don't Let the Summer Come"
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(Source: Photograph - NELM Manuscripts - [Collection: FLETCHER, Jill]: 2005. 75. 19. 50). | (Source: Photograph - NELM Manuscripts - [Collection: FLETCHER, Jill]: 2005. 75. 19. 50). | ||
| − | ''Don't Let Summer Come'', by the British playwright Terence Feely (1928-2000). Opened in the [[Hofmeyr Theatre]] on 14 September 1968, directed by [[Mavis Taylor]] for [[CAPAB]]. It is an off-beat play which has as its theme the inability of the protagonist to come to terms with reality, and his consequent efforts to escape from the society in which he finds himself. It was first performed at the Mermaid Theatre, London, in 1964. (Source: ''[[Teater SA]]'', 1(1), 1968). | + | ''Don't Let Summer Come'', by the British playwright Terence Feely (1928-2000). Opened in the [[Hofmeyr Theatre]] on 14 September 1968, directed by [[Mavis Taylor]] for [[CAPAB]]. With [[Lyn Hooker]], [[Tirzah Lowenstein]], [[Ken Leach]]. Decor by [[Mavis Taylor]] and [[Peter Benade]], costumes by [[Jennifer Craig]]. It is an off-beat play which has as its theme the inability of the protagonist to come to terms with reality, and his consequent efforts to escape from the society in which he finds himself. It was first performed at the Mermaid Theatre, London, in 1964. (Source: ''[[Teater SA]]'', 1(1) and (2), 1968). |
Revision as of 15:01, 4 April 2013
Don't Let the Summer Come, by ***. Directed by Brian Astbury for CAPAB, 1968. Cast included Ken Leach, Lyn Hooker, Tirzah Loewenstein and Mavis Taylor.
(Source: Photograph - NELM Manuscripts - [Collection: FLETCHER, Jill]: 2005. 75. 19. 50).
Don't Let Summer Come, by the British playwright Terence Feely (1928-2000). Opened in the Hofmeyr Theatre on 14 September 1968, directed by Mavis Taylor for CAPAB. With Lyn Hooker, Tirzah Lowenstein, Ken Leach. Decor by Mavis Taylor and Peter Benade, costumes by Jennifer Craig. It is an off-beat play which has as its theme the inability of the protagonist to come to terms with reality, and his consequent efforts to escape from the society in which he finds himself. It was first performed at the Mermaid Theatre, London, in 1964. (Source: Teater SA, 1(1) and (2), 1968).
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