Difference between revisions of "Border plays"
Jump to navigation
Jump to search
| Line 11: | Line 11: | ||
* ''[[Somewhere on the Border]]'' by [[Anthony Akerman]] (1983) | * ''[[Somewhere on the Border]]'' by [[Anthony Akerman]] (1983) | ||
| − | * ''[[Môre is ‘n Lang Dag]]'' by [[Deon Opperman]] (1984) | + | * ''[[Môre is ‘n Lang Dag]]'' by [[Deon Opperman]] (1984) |
* ''[[Ons Sal Offer Wat Jy Vra]]'' by [[Allan Munro]] (1990) | * ''[[Ons Sal Offer Wat Jy Vra]]'' by [[Allan Munro]] (1990) | ||
Revision as of 16:55, 21 May 2025
Border plays are a genre of dramas, a sub-section of the so-called “border literature” [“grensliteratuur”], written mostly in Afrikaans, but also in English, that deal with the war on South Africa’s borders in the 1970s and 1980s.
Examples include:
- Hitlers Slaap Ook by Pirow Bekker (1979)
- National Madness by James Whyle (1981)
- Rehearsal in Progress by Brendan Butler (1983)
- Somewhere on the Border by Anthony Akerman (1983)
- Môre is ‘n Lang Dag by Deon Opperman (1984)
- Ons Sal Offer Wat Jy Vra by Allan Munro (1990)
- The Dead Wait by Paul Herzberg (1997)
Sources
[Van Heerden (2008)][1]. p 105.
Return to
Return to South African Theatre/Terminology and Thematic Entries
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
