Difference between revisions of "Bongani Ndodana-Breen"
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==Training== | ==Training== | ||
| − | + | Matriculated at St Andrew’s College, Grahamstown, and in 1994 won a [[South African Music Rights Organisation]] ([[SAMRO]]) bursary to [[Rhodes University]]. Ndodana-Breen graduated from [[Rhodes University]] with a PhD in Music Composition. | |
| − | Ndodana-Breen graduated from [[Rhodes University]] with a PhD in Music Composition. | ||
==Career== | ==Career== | ||
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Official website. https://www.ndodanabreen.com/bio/ | Official website. https://www.ndodanabreen.com/bio/ | ||
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| + | Denise Louw. 'SA’s first Xhosa opera'. [[Mail & Guardian]]. 13 December 1996. | ||
==Return to== | ==Return to== | ||
Revision as of 15:44, 7 December 2024
Bongani Ndodana-Breen Composer.
Contents
Biography
Training
Matriculated at St Andrew’s College, Grahamstown, and in 1994 won a South African Music Rights Organisation (SAMRO) bursary to Rhodes University. Ndodana-Breen graduated from Rhodes University with a PhD in Music Composition.
Career
He was Director of the Canadian new music organization Ensemble Noir from 1999 – 2007 touring to Ghana, Nigeria and South Africa. He returned to South Africa in 2007 after working in Canada for a decade.
Contribution to SA theatre, film, media and/or performance
Bongani Ndodana-Breen has written a wide range of music encompassing symphonic work, opera, chamber music and vocal music, including:
- Themba and Seliba (1997)
- Uhambo (1998)
- Lives of African Women: Umuntu, Threnody & Dances (2000)
- Hani (2010)
- Winnie, the Opera (2011)
- Credo (2013)
Awards
He was awarded the Standard Bank Young Artist Award for Music in 1998 and selected as one of the Mail & Guardian 200 Young South Africans of 2011.
Sources
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Official website. https://www.ndodanabreen.com/bio/
Denise Louw. 'SA’s first Xhosa opera'. Mail & Guardian. 13 December 1996.
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