Difference between revisions of "Windybrow Arts Festival"
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In 1994, the [[Windybrow Arts Festival]] took over productions from the [[Funda Arts Centre]]. This was of benefit to Soweto arts practitioners in that the festival was supported by the [[Performing Arts Council of the Transvaal]] ([[PACT]]) as well as by the [[Dramatic, Artistic and Literary Rights Organisation]] ([[DALRO]]) and also by [[First National Bank]] who sponsored five awards directed | In 1994, the [[Windybrow Arts Festival]] took over productions from the [[Funda Arts Centre]]. This was of benefit to Soweto arts practitioners in that the festival was supported by the [[Performing Arts Council of the Transvaal]] ([[PACT]]) as well as by the [[Dramatic, Artistic and Literary Rights Organisation]] ([[DALRO]]) and also by [[First National Bank]] who sponsored five awards directed | ||
| − | specifically at [[Funda Art Centre]] productions. Productions included ''[[Ikasi]]'', ''[[Igazi]]'' | + | specifically at [[Funda Art Centre]] productions. Productions included ''[[Ikasi]]'', ''[[Igazi]]'', and ''[[Roadhouse]]''. |
See '''[[Windybrow Theatre Complex]]''' | See '''[[Windybrow Theatre Complex]]''' | ||
Revision as of 13:22, 30 January 2024
An annual festival, which runs in March. Theatre companies from Ethiopia, Zambia, Zimbabwe, Belgium, the US, Japan and Cuba participate in the festival at the Windybrow Centre for the Arts.
In 1994, the Windybrow Arts Festival took over productions from the Funda Arts Centre. This was of benefit to Soweto arts practitioners in that the festival was supported by the Performing Arts Council of the Transvaal (PACT) as well as by the Dramatic, Artistic and Literary Rights Organisation (DALRO) and also by First National Bank who sponsored five awards directed specifically at Funda Art Centre productions. Productions included Ikasi, Igazi, and Roadhouse.
See also Festivals
Sources
Xaba, Andile. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis.
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