Difference between revisions of "National Arts Council"
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| − | == National Arts Council | + | == National Arts Council == |
| + | Generally referred to simply as the [[NAC]] or the [[National Arts Council]], the formal name is the [[National Arts Council of South Africa]] and it is a statutory public entity with the [[Department of Arts and Culture]] (DAC) as its executive authority. The institution is subject to a complex governance framework that includes the [[NAC Act (1997)]] and the Public Finance Management Act (PFMA) amongst others. The NAC is governed by a Council whose members are appointed by the Minister of Arts and Culture after a process of public nominations. | ||
| − | + | ==Formation== | |
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Established in April 1997 by the [[Department of Arts, Culture, Science and Technology]] (DACST), as result of the [[White Paper on Arts, Culture and Heritage]] (issued by '''DACST''', Pretoria, 4 June 1996). It replaced the former [[Performing Arts Councils]], which were then phased out. Its establishement was intended to make provision for a more encompassing and equitable funding system for all arts and crafts, and provision was made for a gradual scaling down of state funding for the old [[Performing Arts Councils]] while increasing funding to other companies and venues (such as the [[Market Theatre]] and the [[Baxter Theatre]]). From its very inception however it was embroiled in controversy, though many artists benefited from sponsorship. Indeed, from early in the new millenium, dissilusion with the ability of the NAC to sustain a true "state theatre" began to grow rpidly and calls were once more heard for a more direct involvement of the state in founding a national (or a few national) companies, to employ performers and build a theatre tradition. | Established in April 1997 by the [[Department of Arts, Culture, Science and Technology]] (DACST), as result of the [[White Paper on Arts, Culture and Heritage]] (issued by '''DACST''', Pretoria, 4 June 1996). It replaced the former [[Performing Arts Councils]], which were then phased out. Its establishement was intended to make provision for a more encompassing and equitable funding system for all arts and crafts, and provision was made for a gradual scaling down of state funding for the old [[Performing Arts Councils]] while increasing funding to other companies and venues (such as the [[Market Theatre]] and the [[Baxter Theatre]]). From its very inception however it was embroiled in controversy, though many artists benefited from sponsorship. Indeed, from early in the new millenium, dissilusion with the ability of the NAC to sustain a true "state theatre" began to grow rpidly and calls were once more heard for a more direct involvement of the state in founding a national (or a few national) companies, to employ performers and build a theatre tradition. | ||
The [[NAC]] is one of the a founding members of [[International Federation of Arts Councils and Culture Agencies]], and one of the Council's major projects was the organisation of the [[4th World Summit on Arts and Culture]], Johannesburg, 2009 for [[IFACCA]]. | The [[NAC]] is one of the a founding members of [[International Federation of Arts Councils and Culture Agencies]], and one of the Council's major projects was the organisation of the [[4th World Summit on Arts and Culture]], Johannesburg, 2009 for [[IFACCA]]. | ||
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== the National Arts Council of South Africa == | == the National Arts Council of South Africa == | ||
Revision as of 14:22, 12 January 2024
Contents
National Arts Council
Generally referred to simply as the NAC or the National Arts Council, the formal name is the National Arts Council of South Africa and it is a statutory public entity with the Department of Arts and Culture (DAC) as its executive authority. The institution is subject to a complex governance framework that includes the NAC Act (1997) and the Public Finance Management Act (PFMA) amongst others. The NAC is governed by a Council whose members are appointed by the Minister of Arts and Culture after a process of public nominations.
Formation
Established in April 1997 by the Department of Arts, Culture, Science and Technology (DACST), as result of the White Paper on Arts, Culture and Heritage (issued by DACST, Pretoria, 4 June 1996). It replaced the former Performing Arts Councils, which were then phased out. Its establishement was intended to make provision for a more encompassing and equitable funding system for all arts and crafts, and provision was made for a gradual scaling down of state funding for the old Performing Arts Councils while increasing funding to other companies and venues (such as the Market Theatre and the Baxter Theatre). From its very inception however it was embroiled in controversy, though many artists benefited from sponsorship. Indeed, from early in the new millenium, dissilusion with the ability of the NAC to sustain a true "state theatre" began to grow rpidly and calls were once more heard for a more direct involvement of the state in founding a national (or a few national) companies, to employ performers and build a theatre tradition.
The NAC is one of the a founding members of International Federation of Arts Councils and Culture Agencies, and one of the Council's major projects was the organisation of the 4th World Summit on Arts and Culture, Johannesburg, 2009 for IFACCA.
the National Arts Council of South Africa
Generally referred to simply as the NAC or the National Arts Council, the formal name is the National Arts Council of South Africa
World Summit on Arts and Culture
NAC 4th World Summit on Arts and Culture, Johannesburg, 2009.
Organised by the National Arts Council of South Africa, a founding member of IFACCA, from 28 September to 01 October 2009, after a competitive bidding process. The NAC was supported by the national Department of Arts and Culture, the Province of Gauteng (Department of Sport, Arts, and Recreation) and the City of Johannesburg (Directorate of Arts, Culture and Heritage and the Johannesburg Tourism Company) The theme of the Summit was “The role of the arts in promoting inter-cultural dialogue”. (See also World Summit on Arts and Culture in Part 3, Section 1)
Sources
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