Difference between revisions of "Koos Kombuis"
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Rene Marais. 1983. "Tagtig is great, no doubt, and Letoit its prophet" | Rene Marais. 1983. "Tagtig is great, no doubt, and Letoit its prophet" | ||
− | (met apologie aan T.T. Cloete), ''[[Ensovoort]]'' (Vol 3, No 1) https://repository.up.ac.za/bitstream/handle/2263/41237/Marais_Tagtig_1983.pdf?sequence=3 | + | (met apologie aan T.T. Cloete), ''[[Ensovoort]]'' (Vol 3, No 1) [https://repository.up.ac.za/bitstream/handle/2263/41237/Marais_Tagtig_1983.pdf?sequence=3] |
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Latest revision as of 11:19, 28 February 2022
Koos Kombuis (1954-) Anarchic Afrikaans poet, writer, storyteller, singer, cabaret writer and bohemian cult figure.
Also known as André Leroux du Toit', André Letoit, Koos A. Kombuis or simply Koos Kombuis. ,
Contents
Biography
Born André le Roux du Toit on 5 November 1954 in Cape Town, he completed his schooling in Pretoria. He attended a number of universities, but never completed his studies.
Publications
Raka – Die roman, (Human en Rousseau, 2005)
Contribution to South African Theatre, Film, Media and Performance
His writings formed the basis for the seminal Afrikaans rock-cabaret of 1988* entitled Piekniek by Dingaan (directed by Gerrit Schoonhoven), the banning of which caused a furore at CAPAB, and which went on to become a sensation at the Grahamstown Festival of that year and enjoy a successful and influential private run at the Baxter Theatre. In many ways the production, following on the more intellectual cabarets of Hennie Aucamp, signalled the arrival of a really aggressive Afrikaans anti-apartheid protest theatre.
In 199* he wrote another cabaret for the University of Stellenbosch Drama Department entitled ****, which was performed in ***. His lyrics and songs are also used widely in satirical and other cabaret and revue work.
He wrote Raka: Die Musical under the name Andre Letoit, a performance text published by DALRO [2005?]
Sources
https://af.wikipedia.org/wiki/Koos_Kombuis
Rene Marais. 1983. "Tagtig is great, no doubt, and Letoit its prophet" (met apologie aan T.T. Cloete), Ensovoort (Vol 3, No 1) [1]
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