Difference between revisions of "Port Elizabeth Ballet Club"
| Line 2: | Line 2: | ||
The Port Elizabeth Ballet Club was founded by a small group of enthusiastic people in April 1946 who were determined to promote a public interest in an art not previously represented in the City. | The Port Elizabeth Ballet Club was founded by a small group of enthusiastic people in April 1946 who were determined to promote a public interest in an art not previously represented in the City. | ||
| − | The chairman was [[Hal Venter]] and Mrs [[J M Paton]] | + | The chairman was [[Hal Venter]] and Mrs [[J M Paton]], secretary with committee members [[Lili Hamber]], Mrs [[Ian Smith]], Miss [[Olivia Castignani]], and [[Daphne Mann]] wife of famous cricketer Tufty Mann. |
During its first year, the Club presented a Russian exponent of the impressionistic modern school and folk dancing, [[Masha Arseneiva]], who was accompanied by her husband, [[Boris Ignaff]] and [[Estelle de la Ville]]. | During its first year, the Club presented a Russian exponent of the impressionistic modern school and folk dancing, [[Masha Arseneiva]], who was accompanied by her husband, [[Boris Ignaff]] and [[Estelle de la Ville]]. | ||
| − | The Club’s next venture, in March 1947, was | + | The Club’s next venture, in March 1947, was four performances at the [[Port Elizabeth Opera House]] of the Cape Town University Ballet Company under the direction of [[Dulcie Howes]]. Dancers included student [[Editha Mills]] from Queenstown, student [[Mary-Jane Harris]], student [[Myrtle Martin]] and teaching assistant [[Renee Feller]] from East London. [[Frieda Smallhorne]] teaches dancing in Cape Town. |
| + | |||
| + | "[[St Valentine's Night]]," "[[Our Lady's Mercy]]," "[[Suite]]'" and "[[Pliaska]]" provided the highlights of the evening. | ||
Port Elizabeth expressed its appreciation of the first-ever ballet season with such warmth to demonstrate that the Club had fulfilled a public service. | Port Elizabeth expressed its appreciation of the first-ever ballet season with such warmth to demonstrate that the Club had fulfilled a public service. | ||
Revision as of 18:10, 1 July 2021
Contents
Founding and early history
The Port Elizabeth Ballet Club was founded by a small group of enthusiastic people in April 1946 who were determined to promote a public interest in an art not previously represented in the City. The chairman was Hal Venter and Mrs J M Paton, secretary with committee members Lili Hamber, Mrs Ian Smith, Miss Olivia Castignani, and Daphne Mann wife of famous cricketer Tufty Mann.
During its first year, the Club presented a Russian exponent of the impressionistic modern school and folk dancing, Masha Arseneiva, who was accompanied by her husband, Boris Ignaff and Estelle de la Ville.
The Club’s next venture, in March 1947, was four performances at the Port Elizabeth Opera House of the Cape Town University Ballet Company under the direction of Dulcie Howes. Dancers included student Editha Mills from Queenstown, student Mary-Jane Harris, student Myrtle Martin and teaching assistant Renee Feller from East London. Frieda Smallhorne teaches dancing in Cape Town.
"St Valentine's Night," "Our Lady's Mercy," "Suite'" and "Pliaska" provided the highlights of the evening.
Port Elizabeth expressed its appreciation of the first-ever ballet season with such warmth to demonstrate that the Club had fulfilled a public service.
At the conclusion of the season, Dulcie Howes graciously accepted the position of Honorary Life Presidency of the Club.
As the first season drew to a close the Club arranged for the world famous interpreter of Spanish music, Adrina Otero, to come to Port Elizabeth where, supported by Estelle de la Ville, they thrilled the audience with their vivacious and polished exhibition.
Masha Arseneiva returned to Port Elizabeth for the second season and the world-renowned artists, Markova and Dolin gave an exhibition of classic and modern ballet.
On May 8 - 12, 1950, the Cape Town University Ballet, under the direction of Dulcie Howes, returned for a series of performances at the Opera House, Port Elizabeth.
The Club held regular meetings with demonstrations and classes by dancing members under the direction of teaching members.
Exhibitions were held which illustrated some of the necessary training required of a ballerina.
Aims and function
The aims were to promote interest in the art of ballet by affording opportunities for students to take part in classic and modern ballet.
Current status
Impact on SA theatre, film, media and/or performance
1953: The Club was one of the organisations which participated in the play King Henry VIII which was staged at the Feather Market Hall to commemorate the Coronation of Queen Elizabeth II.
Sources
Saturday Post, March 29, 1947.
Port Elizabeth Ballet Club theatre programme - 1950
Go to the ESAT Bibliography
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to South_African_Festivals
Return to The ESAT Entries
Return to Main Page
