Difference between revisions of "Hagar"
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− | Though the idea was generated much earlier, the text was written in 1977-8, after the success of [[Die Keiser]]'' in 1977. When submitted to Francois Swart and Chris Barnard for comment however, it was turned down, and not performed or published. The text was donated to the archives of the [[HSRC]]'s [[Centre for South African Theatre Research]] ([[CESAT]]), and is now part of the [[CESAT]] holdings in the South African [[National Archives]] in Pretoria. | + | Though the idea was generated much earlier, the text was written in 1977-8, after the success of ''[[Die Keiser]]'' in 1977. When submitted to Francois Swart and Chris Barnard for comment however, it was turned down, and not performed or published. The text was donated to the archives of the [[HSRC]]'s [[Centre for South African Theatre Research]] ([[CESAT]]), and is now part of the [[CESAT]] holdings in the South African [[National Archives]] in Pretoria. |
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==Translations and adaptations== | ==Translations and adaptations== |
Revision as of 16:31, 24 August 2020
Hagar is a play by Bartho Smit ()
Contents
The original text
Though the idea was generated much earlier, the text was written in 1977-8, after the success of Die Keiser in 1977. When submitted to Francois Swart and Chris Barnard for comment however, it was turned down, and not performed or published. The text was donated to the archives of the HSRC's Centre for South African Theatre Research (CESAT), and is now part of the CESAT holdings in the South African National Archives in Pretoria.
Translations and adaptations
Performance history in South Africa
1866: Performed as Lucretia Borgia by the Le Roy-Duret Company in the Harrington Street Theatre, Cape Town, on
Sources
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
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