Difference between revisions of "L'affaire du Courrier de Lyon"
| Line 12: | Line 12: | ||
===The original text=== | ===The original text=== | ||
| − | A French play in five acts and eight tableaux written by Eugène Moreau (1806-1876), Paul Siraudin and Alfred Delacour, it was first performed in the Théâtre de la Gaîté, Paris, on 15 March, 1850. Published Michel Lévy fr. in 1850 (as Volume 61 of ''Théâtre contemporain illustré''). | + | A French play in five acts and eight tableaux written by Eugène Moreau (1806-1876)[http://worldcat.org/identities/lccn-n82157900/], Paul Siraudin and Alfred Delacour, it was first performed in the Théâtre de la Gaîté, Paris, on 15 March, 1850. Published Michel Lévy fr. in 1850 (as Volume 61 of ''Théâtre contemporain illustré''). |
===Translations and adaptations=== | ===Translations and adaptations=== | ||
Revision as of 11:15, 21 April 2020
A number of plays and other works have been written about the infamous French criminal case generally known as "L'affaire du Courrier de Lyon" (or sometimes the "Courrier de Lyon" case in English)[1].
Contents
The original event
The L'affaire du Courrier de Lyon refers to a famous French criminal case known as "l'Affaire du courrier de Lyon" (or the "Courrier de Lyon" case in English[2], that occurred during the French Revolution. During the night of 27 and 28 April 1796, a mail coach on its way to Lyon and carrying money for the Army of Italy, was ambushed outside Paris by several armed men. Both the driver and the armed guard were brutally killed, along with other people.
Plays based on the case
Le Courrier de Lyon, ou L'attaque de la Malle-Poste by Moreau, Siraudin and Delacour (1850)
The original text
A French play in five acts and eight tableaux written by Eugène Moreau (1806-1876)[3], Paul Siraudin and Alfred Delacour, it was first performed in the Théâtre de la Gaîté, Paris, on 15 March, 1850. Published Michel Lévy fr. in 1850 (as Volume 61 of Théâtre contemporain illustré).
Translations and adaptations
The French play later formed the basis of the French film Affaire du courrier de Lyon by Claude Autant-Lara and Maurice Lehmann (1937[4]).
Performance history in South Africa
The Courier of Lyons by Charles Reade (1854)
The original text
In 1854 Charles Reade (1814-1884)[5] wrote an English play in three acts called The Courier of Lyons[6], inspired by the French play. (Read's play is also found under the title The Lyons Mail.) Written specifically for the actor Charles Keane, it opened on 26 June 1854, running for twenty-six performances. Frequently revived, the play spawned many pirated versions in the 19th century.
Translations and adaptations
Reade's play was turned into a silent film called The Lyons Mail in 1916[7] and a sound version (also named The Lyons Mail and also known as Courrier de Lyon) in 1931[8].
Performance history in South Africa
1878: Performed as The Lyons Mail in the Theatre Royal, Cape Town, on 18 March by Disney Roebuck and his company, with a "Burlesque Extravaganza" called Ill Treated Il Trovatore, or The Mother, The Maiden and The Musician (Byron), a "dance on the High Pedestal" by the The Kickapoos Kickapoos and the one act play A Phenomenon in a Smock Frock (Brough).
L'Affaire du Courrier de Lyon by Marcel Dubois (1953)
L'Affaire du Courrier de Lyon is a drama in five acts and six tableaux by Marcel Dubois (1891-)[9]
The original text
Published on Paris by Editions de l'Amicale in 1953.
Translations and adaptation
Performance history in South Africa
Sources
Facsimile version of the original French text of Le Courrier de Lyon, ou L'attaque de la Malle-Poste, BnF Gallica[10]
https://en.wikipedia.org/wiki/Charles_Reade
https://en.wikipedia.org/wiki/The_Courier_of_Lyons
https://data.bnf.fr/fr/11900794/marcel_dubois/
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.366, Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
