Difference between revisions of "Sarah Sylvia"
| Line 11: | Line 11: | ||
She was a star of the Jewish theatre, who brought a company to South Africa to produce a season of theatre at the [[Standard Theatre]] in Johannesburg in the 1940s, followed by seasons at the [[Colosseum]] and [[His Majesty's Theatre]] over the years. Her company also did the first production of [[Arthur Miller]]'s ''[[Death of a Salesman]]'' (1951). (See also the [[Sarah Sylvia Company]] in Section 3.) | She was a star of the Jewish theatre, who brought a company to South Africa to produce a season of theatre at the [[Standard Theatre]] in Johannesburg in the 1940s, followed by seasons at the [[Colosseum]] and [[His Majesty's Theatre]] over the years. Her company also did the first production of [[Arthur Miller]]'s ''[[Death of a Salesman]]'' (1951). (See also the [[Sarah Sylvia Company]] in Section 3.) | ||
| − | She went on to make various appearances as actress in South Africa over the years, including ''[[The Same Sky]]'' (1952, with [[Leon Gluckman]]), ''[[The World of Shalom Aleichem]]'' (in 1957 with [[David Kossof]] and [[Joyce Grant]], directed by [[Cecil Williams]]), ''[[Romanoff and Juliet]]'' (1958), ''[[A Majority of One]]'' (in 1960 with [[Frank Wise]], directed by [[Leonard Schach]]) and ''[[Come Blow Your Horn]]'' (in 1962, with [[Fyvel Zygelbaum]] and local performers [[Gordon Mulholland]], [[Clive Parnell]] and [[Jane Fenn]].) | + | She went on to make various appearances as actress in South Africa over the years, including ''[[The Same Sky]]'' (1952, with [[Leon Gluckman]]), ''[[The World of Shalom Aleichem]]'' (in 1957 with [[David Kossof]] and [[Joyce Grant]], directed by [[Cecil Williams]]), ''[[Romanoff and Juliet]]'' (1958), ''[[A Majority of One]]'' (in 1960 with [[Frank Wise]], directed by [[Leonard Schach]]) and ''[[Come Blow Your Horn]]'' (in 1962, with [[Fyvel Zygelbaum]] and local performers [[Gordon Mulholland]], [[Clive Parnell]] and [[Jane Fenn]].), ''[[Barmy Days]]'' (1966). |
| + | |||
| + | Her son was the promotor and musical impressario [[Alfred Herbert]] (Alf). | ||
Film roles include ''[[The Professor and the Beauty Queen]]'' (1967), ''[[Stadig oor die Klippe]]'' (1969) and ''[[Hans en die Rooinek]]'' (1961). | Film roles include ''[[The Professor and the Beauty Queen]]'' (1967), ''[[Stadig oor die Klippe]]'' (1969) and ''[[Hans en die Rooinek]]'' (1961). | ||
Revision as of 16:32, 29 July 2020
Sarah Sylvia (real name Serke Goldstein?) (18**-19**). Actress.
Contribution to SA theatre, film, media and/or performance
Sarah Sylvia was the acknowledged leading Jewish actress in South Africa. Under the auspices of African Theatres Ltd, she presented a week of different plays in the Yiddish language each night at the Opera House in Port Elizabeth during the first week in March 1921. These included comedies, operas, and tragedies. She staged Madame X, a four-act play by A Beson.
She acted in Leon Kobrin's Minkie and the Cook, a comedy with musical numbers and dancing, at the Opera House in March 1921. Starring Sarah Sylvia (Minkie) and her Jewish Players.
She also acted in Joseph Schwartzberg's Home Sweet Home, a comedy with musical numbers and dancing, at the Opera House in March 1921. Starring Sarah Sylvia (Stella) and her Jewish Players, Z Libin's Blind Love, an emotional drama, at the Opera House in March 1921. Starring Sarah Sylvia and her Jewish Players, Jacob Cloreea's (spelling?) The Orphan, a standard drama, at the Opera House in March 1921. Money, Love & Shame, a drama of modern times at the Opera House in March 1921.
She was a star of the Jewish theatre, who brought a company to South Africa to produce a season of theatre at the Standard Theatre in Johannesburg in the 1940s, followed by seasons at the Colosseum and His Majesty's Theatre over the years. Her company also did the first production of Arthur Miller's Death of a Salesman (1951). (See also the Sarah Sylvia Company in Section 3.)
She went on to make various appearances as actress in South Africa over the years, including The Same Sky (1952, with Leon Gluckman), The World of Shalom Aleichem (in 1957 with David Kossof and Joyce Grant, directed by Cecil Williams), Romanoff and Juliet (1958), A Majority of One (in 1960 with Frank Wise, directed by Leonard Schach) and Come Blow Your Horn (in 1962, with Fyvel Zygelbaum and local performers Gordon Mulholland, Clive Parnell and Jane Fenn.), Barmy Days (1966).
Her son was the promotor and musical impressario Alfred Herbert (Alf).
Film roles include The Professor and the Beauty Queen (1967), Stadig oor die Klippe (1969) and Hans en die Rooinek (1961).
Sources
Tucker, 1997.
IMDb [1].
Material held by NELM.
Return to
Return to ESAT Personalities S
Return to South African Theatre Personalities
Return to Main Page
DO NAMES AND PLAYS Ạ
