ESAT Bibliography A-Al

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Aaron, G. 1984. Ken Leach. Fair Lady, 19(5): 12. February 22.

Abrahams, L. 1973. Athol Fugard, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 86-87.

Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African Theatre Journal, 5(2):92-103.

Acoustic design for the Nico Malan Theatre. 1972. Plan, 57(8): 34. August.

Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue:53, 55.

Acoustical design of the Roodepoort Civic Theatre. 1981. Municipal Engineer, 12(1): 99.

Acting is not all glamour. (Elizabeth Meyer). 1964. Personality, 135-137. March 19.

Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46):29-32.

Adam Small, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 98-101.

Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. The Drama Review, 43(2):94-117.

Adams, Willie 2010. Leonard Koza: 20 September 1941 - 20 Februarie 2010 : huldeblyk. Tydskrif vir Letterkunde, 47(2):146-148.

Addison, C. 2002. Island encounters: Intercultural communication in the Western literary tradition. Alternation: Journal of the Centre for the Study of Southern African Literature and Languages, 9(1):74-86.

Adler, Tony 1993. Return to Paton’s place (Alan Paton). American Theatre, 10(7-8):8-9.

Ahmed, J. 1990. Culture in South Africa: the challenge of transformation, in De Kock, I. & Press, K. (eds.). Spring is Rebellious. Cape Town: Buchu Books. 121-125.

Adey, D., Beeton, R., Chapman, M. & Pereira, E. (eds.). 1986. Companion to South African English Literature. Johannesburg: Ad Donker.

Afrikaans Equus 1978. Scenaria, February/March: 44.

Afrikaans stage. 1941. Forum, 3(41): 5. January 4.

Afrikaans stage. 1941 Forum, 3(44): 5. January 25.

Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4):31-32. April 26.

Afrikaans urge towards local drama. 1942. Forum, 5(7):19. March 16.

Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.

Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6):3.

Afrikaanse toneelfees op Krugersdorp. (FATSSA). 1946. Filma, 3(9):18,23. , Afrikaners is Plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir Geesteswetenskappe, 14:217-218. September.

Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2):35-39.

Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre Quarterly, 7(28):54-57.

Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre Quarterly, 7(28):67-70.

Akerman, Anthony 1989. The last bastion of freedom under siege: a reflection on theatre, in Campschreur, Willem & Divendal, Joost (eds.). Culture in Another South Africa. London: Zed Books. 50-57.

Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African Theatre Journal, 7(2):117-131.

Akerman, Anthony 1995. The Road to Mecca in Mexico. South African Theatre Journal, 9(2):117-136.

Akerman, Anthony 1996. Theatre in exile, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 89-100.

Akerman, Anthony 2002. Introduction, in Fugard Athol Sorrows and Rejoicings. Johannesburg: Witwatersrand University Press. vii-xxiv.

Akerman, Anthony 2003. Dark Outsider: writing the dramatic life of Roy Campbell. English in Africa, 30(1):5-20.

Akteur. 1981. My Loopbaan, 32:3-10.

Alcock, David 1999. Somatic emphasis in South African theatre: intervention in the body politic, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 49-57.

Alex ’81 [theatrical company]. 1981. Scenaria, (24):21-22.

Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3):20.

Alexander, P. 2006. Globalization and new social identities: A jigsaw puzzle from Johannesburg, in Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds.). Globalization and new identities. A view from the middle. Johannesburg: Jacana Media. 13-65.

Alexander, Peter F. 2000. Alan Paton, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 328-345.

All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11): 21-22.

Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16):17-19.

Allen, Keith 1993. Getting the message across. Animations, 16(3):15.

Allen, Lara 2008. In Township Tonight! South Africa's Black City Music and Theatre, by David B. Coplan. Reviewed in: The World of Music, 50(3):129-132.

Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4):28-31.

Allen, Vivien 1990. Du Val Tonight! :The Story of a Showman. Worcester, England: Square One Publications.

Altena, Ina 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Unpublished master’s thesis. Cape Town: University of Cape Town.

Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth Essays and Studies (CE&S), 7 (1):80-93.

Click on the appropriate letters of the alphabet in the sub-list below.

A-Al Am-Ap Ar-Az

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance