Difference between revisions of "ESAT Bibliography Rid-Rol"
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[[F.M. Ringwood|Ringwood, F.M.]] 2010. Othello: theatre reviews. (A review of Othello, directed by [[John Kani]] and [[Sarah Roberts]] and performed at the Wits Amphitheatre with an all-student cast at the University of the Witwatersrand, Johannesburg, during April, 2010). ''Shakespeare in Southern Africa'', 22:42-54. | [[F.M. Ringwood|Ringwood, F.M.]] 2010. Othello: theatre reviews. (A review of Othello, directed by [[John Kani]] and [[Sarah Roberts]] and performed at the Wits Amphitheatre with an all-student cast at the University of the Witwatersrand, Johannesburg, during April, 2010). ''Shakespeare in Southern Africa'', 22:42-54. | ||
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| + | [[Richard Rive|Rive, Richard]] 1978. Around the back: ''[[The Orange Earth]]'', by [[Adam Small]]. Reviewed in: ''Speak'', 1(5):54-55. | ||
[[Frank Rizzo|Rizzo, Frank]] 2009. You can go home again. ''American Theatre'', 26(1):30. | [[Frank Rizzo|Rizzo, Frank]] 2009. You can go home again. ''American Theatre'', 26(1):30. | ||
Revision as of 15:10, 12 October 2011
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Ringwood, F.M. 2010. Othello: theatre reviews. (A review of Othello, directed by John Kani and Sarah Roberts and performed at the Wits Amphitheatre with an all-student cast at the University of the Witwatersrand, Johannesburg, during April, 2010). Shakespeare in Southern Africa, 22:42-54.
Rive, Richard 1978. Around the back: The Orange Earth, by Adam Small. Reviewed in: Speak, 1(5):54-55.
Rizzo, Frank 2009. You can go home again. American Theatre, 26(1):30.
Roberts, Sheila 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English Studies, 10(3):85-86. September.
Roberts, Sheila 1980. South African bilingual and multilingual drama of the seventies. Canadian Drama, 6(1):134-150.
Roberts, Sheila 1982. “No lessons learnt”: reading the texts of Fugard’s A Lesson From Aloes and Master Harold … and the Boys. English in Africa, 9(2):27-33.
Roberts, Sheila 1998. Silence in my father's house: memory, nationalism, and narratives of the body, in Nuttall, Sarah & Coetzee, Carli (eds.). Negotiating the Past. The Making of Memory in South Africa. Cape Town: Oxford University Press.
Robinson, Helen 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.
Robinson, H. 2006. Rene Ahrenson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish Affairs, 61(4):73-78.
Roets, Ninon 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Rogaly, Frank 1947. South African audiences like to laugh. Outspan, 42(1077):29. October 17.
Rogers Sydney Martin 1988. Die bydrae wat Anna Cloete (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Unpublished honours thesis. Pretoria: University of Pretoria.
Rogoff. A.E. 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. Unpublished master’s thesis. San Francisco State University.
Rolfes, C. 1982. Pascual – olé ! Fair Lady, 18(1):142-148. November 3. (Costume design).
Click on the appropriate letters of the alphabet in the sub-list below.
Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
