Difference between revisions of "Don Juan"
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− | Below are the titles (with links) to a number of texts or adaptations bearing the title ''[[Don Juan]]'', using Don Juan, or a person with Don Juan-like characteristics, as a character; which were produced in , or have links with, South Africa. | + | Below are some of the titles (with links) to a number of texts or adaptations bearing the title ''[[Don Juan]]'', using Don Juan, or a person with Don Juan-like characteristics, as a character; which were produced in , or have links with, South Africa. |
− | (For many other examples see for instance Armand E. Singer's excellent 1993 bibliography and Oscar Mandel's useful 1986 book, both listed under "Sources" below.). | + | (For many other examples see for instance Armand E. Singer's excellent 1993 bibliography and Oscar Mandel's useful 1986 book, both listed under "Sources" below. See also the [[Wikipedia]] entry on Gluck's ballet[https://en.wikipedia.org/wiki/Don_Juan_(ballet)]). |
'''For more information on these plays, especially South African performances of the texts, go to the particular entry by clicking on the appropriate item.''' | '''For more information on these plays, especially South African performances of the texts, go to the particular entry by clicking on the appropriate item.''' | ||
− | |||
''[[Dom Juan, ou Le Festin de Pierre]]'' (Molière, 1665). | ''[[Dom Juan, ou Le Festin de Pierre]]'' (Molière, 1665). |
Revision as of 06:06, 4 September 2019
Don Juan is the name of a fictional character about whom many literary and other works have been created.
The character
The original creation
The character Don Juan was created by Spanish playwright, Tirso de Molina[1], in his 1630 play El burlador de Sevilla y convidado de piedra ("The Trickster of Seville and the Stone Guest")[2], and the name of the character has since become common metaphor for concepts such as "libertine", "seducer" and "womaniser".
English titles for the De Molina play include The Trickster of Seville and the Stone Guest, The Seducer of Seville and the Stone Guest and The Playboy of Seville and the Stone Guest.
Various versions of the Don Juan myth
Besides Tirso de Molina's initial version, there have been numerous works written and produced about the character and tapping into the notion of the "Don Juan" in society.
Titles containing the name Don Juan
Below are some of the titles (with links) to a number of texts or adaptations bearing the title Don Juan, using Don Juan, or a person with Don Juan-like characteristics, as a character; which were produced in , or have links with, South Africa.
(For many other examples see for instance Armand E. Singer's excellent 1993 bibliography and Oscar Mandel's useful 1986 book, both listed under "Sources" below. See also the Wikipedia entry on Gluck's ballet[3]).
For more information on these plays, especially South African performances of the texts, go to the particular entry by clicking on the appropriate item.
Dom Juan, ou Le Festin de Pierre (Molière, 1665).
Don Giovanni[4] (Mozart and Da Ponte, 1787)
Don Juan, or The Libertine Destroyed (Delpini, 1790).
Little Don Giovanni, or Leporello and the Stone Statue (J.H. Byron, 1865)
Don Juan in Hell (George Bernard Shaw, 1907)
Don Juan oder Die Liebe zur Geometrie (Max Frisch, 1953)
Don Juan onder die Boere (Bartho Smit, 1960)
Don Juan or 'The Nightmare of Venus' (Chris Pretorius)
Don Gxubane Onner die Boere (Charles Fourie)
Other titles, but also based on the Don Juan myth
The Libertine (Thomas Shadwell, 1676)
The Joker of Seville (Derek Walcott, 1974).
Sources
https://en.wikipedia.org/wiki/Adventures_of_Don_Juan
Armand E. Singer. 1993. The Don Juan Theme: An Annotated Bibliography of Versions, Analogues, Uses, and Adaptions. West Virginia University Press[5]
Oscar Mandel.1986.The Theatre of Don Juan: A Collection of Plays and Views, 1630-1963, published by the University of Nebraska Press[6]).
Go to the ESAT Bibliography
Plays entitled Don Juan
Don Juan the ballet
Dom Juan or The Feast with the Statue Dom Juan, ou Le Festin de Pierre (Dom Juan or The Feast with the Statue) is a French comedy in five acts by Molière,
Also known as simply Don Juan, ou Le Festin de Pierre, Le Festin de Pierre or Don Juan.
The original text
Based on Molière's play, it is a ballet by Ranieri de' Calzabigi (libretto) and Christoph Willibald von Gluck (music), originally choreographed by Gasparo Angiolini Don Juan, ou Le Festin de Pierre (Don Juan, or the Stone Guest's Banquet) is a ballet by Ranieri de' Calzabigi (libretto) and Christoph Willibald von Gluck (music), originally choreographed by Gasparo Angiolini and first performed in Vienna, Austria on Saturday, 17 October 1761, at the Theater am Kärntnertor. The work tells of Don Juan's descent into Hell after killing his lover's father in a duel.
Performances in South Africa
Don Juan by Lord Byron
This was a satiric poem[7] by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women.
Translations and adaptations
Adapted for the stage in South Africa by Roberta Durrant
Performances in South Africa
1980: Performed as a play at the Market Theatre Upstairs in June, directed by Roberta Durrant, with Vanessa Cooke, Nigel Daly, David Eppel, Janice Honeyman and Terry Norton. Lighting designs were by John White-Spunner, choreography by Dinah Eppel, and stage management by Margaret Ramsay.
Sources
https://en.wikipedia.org/wiki/Don_Juan_(Byron)
Pat Schwartz, 1988: p. 235
Don Juan by Max Frisch
This is the Afrikaans title used for Don Juan oder Die Liebe zur Geometrie, a German comedy in five acts by Max Frisch[8] (1911-1991).
Translated into Afrikaans as Don Juan by Nerina Ferreira in 1974 and performed in 1975 by CAPAB starring Jana Cilliers.
See Don Juan oder Die Liebe zur Geometrie for more details on the the original play, the translation and productions.
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