Difference between revisions of "The Momentous Question"

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== Sources ==
 
== Sources ==
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Facsimile version of the text, [[HathiTrust Digital Library]][https://babel.hathitrust.org/cgi/pt?id=uiug.30112117745684&view=1up&seq=5]
  
 
''The New Monthly Belle Assemblée'', "A Magazine of Literature and Fashion"Volume 21, July-December, 1844: p. 60, Google E-Book[https://books.google.co.za/books?id=0EIFAAAAQAAJ&pg=PA60&lpg=PA60&dq=The+Momentous+Question+a+play+by&source=bl&ots=0gUmp7LVU8&sig=ACfU3U0vZ-GLb1ZX77LD_FAAGIfLQIQrpw&hl=en&sa=X&ved=2ahUKEwiyu8vTyP3jAhWTUBUIHedqDMU4ChDoATABegQICRAB#v=onepage&q=The%20Momentous%20Question%20a%20play%20by&f=false].  
 
''The New Monthly Belle Assemblée'', "A Magazine of Literature and Fashion"Volume 21, July-December, 1844: p. 60, Google E-Book[https://books.google.co.za/books?id=0EIFAAAAQAAJ&pg=PA60&lpg=PA60&dq=The+Momentous+Question+a+play+by&source=bl&ots=0gUmp7LVU8&sig=ACfU3U0vZ-GLb1ZX77LD_FAAGIfLQIQrpw&hl=en&sa=X&ved=2ahUKEwiyu8vTyP3jAhWTUBUIHedqDMU4ChDoATABegQICRAB#v=onepage&q=The%20Momentous%20Question%20a%20play%20by&f=false].  

Revision as of 17:12, 12 August 2019

The Momentous Question is a domestic drama, in two acts, by Edward Fitzball ()[].

Also found as The Momentous Question, or Woman's Devotion

The original text

Based on a story from George Crabbe's Tales of the Hall (1820), the play was first performed as The Momentous Question in the Lyceum Theatre, London , in 1844 and later in the Federal Street Theatre in Boston in 1847.


Published in Boston by W.V. Spencer, 1856.

Translations and adaptations

Performance history in South Africa

1866: Performed as The Momentous Question, or Woman's Devotion by the Le Roy-Duret Company in the Harrington Street Theatre, Cape Town, on

Sources

Facsimile version of the text, HathiTrust Digital Library[1]

The New Monthly Belle Assemblée, "A Magazine of Literature and Fashion"Volume 21, July-December, 1844: p. 60, Google E-Book[2].

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205

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