Difference between revisions of "Playing with Fire"
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==The original text== | ==The original text== | ||
| − | Written in 1892, the short play it tells of an artist's wife who nearly goes off with his best friend. It was one of three plays written when Strindberg's first marriage was in the process of breaking up. All three works are fuelled by sexual tension and typify Strindberg's enduring theme: the constant and consuming battle for power between the sexes. ''[[The Father]]'' (1887) | + | Written in 1892, the short play it tells of an artist's wife who nearly goes off with his best friend. It was one of three plays written when Strindberg's first marriage was in the process of breaking up. All three works are fuelled by sexual tension and typify Strindberg's enduring theme: the constant and consuming battle for power between the sexes. The dark tragedy of ''[[The Father]]'' (1887) makes it a compelling one-act play while and [[Lady Julie]] (1888) has become one of the core masterpieces of 20th century theatre. By contrast ''[[Playing With Fire]]'' (1892), written when the couple were battling in court over the custody of their children, is less widely known, but also a gem of a one-act play. |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 05:43, 25 June 2019
Playing with Fire (original Swedish title Leka med elden) is a one act play by August Strindberg (1849-1912)
Contents
The original text
Written in 1892, the short play it tells of an artist's wife who nearly goes off with his best friend. It was one of three plays written when Strindberg's first marriage was in the process of breaking up. All three works are fuelled by sexual tension and typify Strindberg's enduring theme: the constant and consuming battle for power between the sexes. The dark tragedy of The Father (1887) makes it a compelling one-act play while and Lady Julie (1888) has become one of the core masterpieces of 20th century theatre. By contrast Playing With Fire (1892), written when the couple were battling in court over the custody of their children, is less widely known, but also a gem of a one-act play.
Translations and adaptations
Translated into Afrikaans as Wie Met Vuur Speel for the radio by S.J. Pretorius, adapted for the stage by Herman Pretorius.
Performance history in South Africa
1967/8? A production of the English text was done by the Drama Department of the University of the Orange Free State, directed by Marlene Kotzen with Schalk Jacobsz, Temple Hauptfleisch, Hudson Earp and two female students.
1983: A production of the English text was done by the Baxter Theatre in association with Minotaurus, directed by Dieter Reible, starring Chris van Niekerk, Mitzi Booysen, Michael Drin, Megan Kruskal, Marthinus Basson. The first performance in the Baxter Studio was on 13 April 1983.
1986: Wie Met Vuur Speel was presented by Universiteitsteater Stellenbosch in the H.B. Thom Theatre in September 1986, directed by Juanita Swanepoel with drama stuudents. Decor by Emile Aucamp, costumes by Elaine Aucamp.
Sources
https://en.wikipedia.org/wiki/August_Strindberg
https://www.stageplays.com/products/the_father_lady_julie_playing_with_fire/August%20Strindberg
Recollections of a Bloemfontein production by Temple Hauptfleisch
Barrow, Brian & Williams-Short, Yvonne (eds.). 1988. Theatre Alive! The Baxter Story 1977-1987.
Playing with Fire theatre programme, 1983.
World Drama by Allardyce Nicoll. Harrap, 1949.
UTS theatre programme
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