ESAT Bibliography Bri-Bru

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Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.

Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.

Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6:29-44.

Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2):38-41.

Brink, André P. 1971. Censorship – Climate of Fear. Contrast, 7(2).

Brink, André P. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5):35-36.

Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre Quarterly, 7(28):71-76.

Brink, André P. 1986. Aspekte van die Nuwe Drama. Pretoria: Academica.

Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4):104-105.

Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is Dead and the dilemma of political drama in South Africa. Twentieth Century Literature, 39(4) :438-454.

Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96:45.

Brink, André P. 1997. Challenge and response: the changing face of theater in South Africa. Twentieth-Century Literature, 43(2):162-176.

Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481.

Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.

Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.

Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.

Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.

Brooke, Michael 1985. The Limelight and Contacts, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.

The Brooke Theatre. 1978. Scenaria, June/July:6-7.

Brooks, Richard 2006. Not redundant after all (interview with Athol Fugard). New Statesman, 135(4784):28-29. March 20.

Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.

Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.

Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.

Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.

Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.

Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82.

Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist, 132(1797):13.

Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.

Brummer, Willemien 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.

Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.

Brustein, Robert 2002. The Good Hope of the Cape (Pieter-Dirk Uys). New Republic, 226(5):27-28.

Brustein, Robert 2003. Fronting (Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring). New Republic, 228(6):25-27.

Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned (Antony Sher). New Republic, 232(7):25-26.

Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.

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