Difference between revisions of "Maishe Maponya"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | + | Maponya writes serious political theatre, and calls his plays “theatre of the dispossessed”, believing that theatre is one of the most dynamic ways of raising the consciousness of Black people in South Africa. | |
| − | + | In 1975 he founded the [[Bahumutsi Players|Bahumutsi Drama Group]] of Soweto, thenceforth writing and producing his plays for them. During the 1980s the plays were also performed at the [[Market Theatre]], and in 1983 ''[[The Hungry Earth]]'' (now directed by [[Ian Steadman]]) played at the National Theatre in London as a platform performance , and subsequently toured Britain and Germany along with ''[[Umongikazi]]''. Harrassed and intimidated by security police during the Apartheid years, he was refused a passport in 1984 to accompany his plays abroad. | |
His plays include ''[[The Cry]]'' (1975), ''[[Peace and Forgive]]'' (1977), ''[[The Hungry Earth]]'' (written and produced 1979, pub 1981, 1984), ''[[Umongikazi: The Nurse]]'' (The Nurse) (1982), ''[[Dirty Work]]'' (1984, pub 1995), ''[[Gangsters]]'' (perf 1984, pub 1986), ''[[Busang Meropa]]'' (1986) and ''[[Return the Drum]]'' (19**), ''[[Jika]]''. | His plays include ''[[The Cry]]'' (1975), ''[[Peace and Forgive]]'' (1977), ''[[The Hungry Earth]]'' (written and produced 1979, pub 1981, 1984), ''[[Umongikazi: The Nurse]]'' (The Nurse) (1982), ''[[Dirty Work]]'' (1984, pub 1995), ''[[Gangsters]]'' (perf 1984, pub 1986), ''[[Busang Meropa]]'' (1986) and ''[[Return the Drum]]'' (19**), ''[[Jika]]''. | ||
| − | + | Besides often directing his own work, he also directed plays by other writers, such as ''[[Two Can Play]]'' (1992) and in 2008 ''[[Place of the Rock – How The Land Was Taken]]'' (a one man play, based on the writings of [[Sol T. Plaatje]]). | |
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== Awards, etc == | == Awards, etc == | ||
Revision as of 06:20, 12 February 2019
Maishe Maponya (1951-). Playwright, poet, lecturer, actor and director.
Contents
Biography
Born Isaiah Maishe Maponya, the son of a painter in Alexandra township. When Maishe was 11, the family was forcibly removed to Diepkloof under the Apartheid laws. He became an insurance clerk and began writing for the theatre in 1975.
He completed a masters degree in Theatre Studies at Leeds University and became a lecturer at the University of the Witwatersrand Drama Department in 199*.
In 2001 he was appointed Director of Arts and Culture, with the Department of Arts, Culture, Technology and Science.
Contribution to SA theatre, film, media and/or performance
Maponya writes serious political theatre, and calls his plays “theatre of the dispossessed”, believing that theatre is one of the most dynamic ways of raising the consciousness of Black people in South Africa.
In 1975 he founded the Bahumutsi Drama Group of Soweto, thenceforth writing and producing his plays for them. During the 1980s the plays were also performed at the Market Theatre, and in 1983 The Hungry Earth (now directed by Ian Steadman) played at the National Theatre in London as a platform performance , and subsequently toured Britain and Germany along with Umongikazi. Harrassed and intimidated by security police during the Apartheid years, he was refused a passport in 1984 to accompany his plays abroad.
His plays include The Cry (1975), Peace and Forgive (1977), The Hungry Earth (written and produced 1979, pub 1981, 1984), Umongikazi: The Nurse (The Nurse) (1982), Dirty Work (1984, pub 1995), Gangsters (perf 1984, pub 1986), Busang Meropa (1986) and Return the Drum (19**), Jika.
Besides often directing his own work, he also directed plays by other writers, such as Two Can Play (1992) and in 2008 Place of the Rock – How The Land Was Taken (a one man play, based on the writings of Sol T. Plaatje).
Awards, etc
In 19** he was awarded a British Council scholarship and visited Britain to observe theatre, including a visit to the Edinburgh Festival.
In 1985 he won the Standard Bank Young Artist’s Award for Drama at the Standard Bank National Arts Festival
Sources
Gosher, 1988; Steadman, 19**, Hauptfleisch and Steadman, 1994, Kruger, 1997, et al
New Nation, 25-31 May 1990.
Various entries in the NELM catalogue.
Go to South African Theatre/Bibliography
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