Difference between revisions of "Koos Kombuis"
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(195*-) Anarchic [[Afrikaans]] poet, writer, storyteller, singer, cabaret writer and bohemian cult figure. (Also known as [[André Leroux du Toit]] or [[André Letoit]].) | (195*-) Anarchic [[Afrikaans]] poet, writer, storyteller, singer, cabaret writer and bohemian cult figure. (Also known as [[André Leroux du Toit]] or [[André Letoit]].) | ||
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| + | ''Raka – Die roman'', [[Human en Rousseau]] (2005) | ||
== Contribution to South African Theatre, Film, Media and Performance == | == Contribution to South African Theatre, Film, Media and Performance == | ||
Revision as of 10:54, 15 October 2018
(195*-) Anarchic Afrikaans poet, writer, storyteller, singer, cabaret writer and bohemian cult figure. (Also known as André Leroux du Toit or André Letoit.)
Raka – Die roman, Human en Rousseau (2005)
Contribution to South African Theatre, Film, Media and Performance
His writings formed the basis for the seminal Afrikaans rock-cabaret of 1988* entitled Piekniek by Dingaan (directed by Gerrit Schoonhoven), the banning of which caused a furore at CAPAB, and which went on to become a sensation at the Grahamstown Festival of that year and enjoy a successful and influential private run at the Baxter Theatre. In many ways the production, following on the more intellectual cabarets of Hennie Aucamp, signalled the arrival of a really aggressive Afrikaans anti-apartheid protest theatre.
In 199* he wrote another cabaret for the University of Stellenbosch Drama Department entitled ****, which was performed in ***. His lyrics and songs are also used widely in satirical and other cabaret and revue work.
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