Difference between revisions of "ESAT Bibliography Hom-How"
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[[Andrew Horn|Horn, Andrew]] 1986b. South African theatre; ideology and rebellion, in Barber, K. (ed.). ''Readings in African Popular Culture''. Bloomington, Ind: Indiana University Press. 73-80. | [[Andrew Horn|Horn, Andrew]] 1986b. South African theatre; ideology and rebellion, in Barber, K. (ed.). ''Readings in African Popular Culture''. Bloomington, Ind: Indiana University Press. 73-80. | ||
| − | [[Andrew Horn|Horn, Andrew]] 1990. Introduction to ''The Plays of [[ | + | [[Andrew Horn|Horn, Andrew]] 1990. Introduction to ''The Plays of [[Zakes Mda]]'' by Zakes Mda. Johannesburg: Ravan Press. |
[[M. Horn|Horn, M.]] 1988. Theater as a weapon. ''U.S. News & World Report'', 105(1):50. | [[M. Horn|Horn, M.]] 1988. Theater as a weapon. ''U.S. News & World Report'', 105(1):50. | ||
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[[Peter Horn|Horn, Peter]] 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 115-131. | [[Peter Horn|Horn, Peter]] 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 115-131. | ||
| − | [[H. Horne|Horne, H.]] 2008. ''[[Kaburu: ‘n Drama vir die Verhoog]]'', by [[ | + | [[H. Horne|Horne, H.]] 2008. ''[[Kaburu: ‘n Drama vir die Verhoog]]'', by [[Deon Opperman]]. Reviewed in: ''South African Journal of Cultural History'', 22(2):155-156. |
[[Hannes Horne|Horne, Hannes]] 1978. Van dramateks tot toneelopvoering. ''Scenaria'', June/July: 63-64. | [[Hannes Horne|Horne, Hannes]] 1978. Van dramateks tot toneelopvoering. ''Scenaria'', June/July: 63-64. | ||
| − | [[Hannes Horne|Horne, Hannes]] 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste ([[SWARUK]]: 1966-1983). [The Performing Arts Council of South West Africa] , in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[ | + | [[Hannes Horne|Horne, Hannes]] 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste ([[SWARUK]]: 1966-1983). [The Performing Arts Council of South West Africa] , in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 101-105. |
| − | [[Jacobus Johannes Horne|Horne, Jacobus Johannes]] 1970. [[ | + | [[Jacobus Johannes Horne|Horne, Jacobus Johannes]] 1970. [[Anna Neethling-Pohl]] se bydrae tot die Afrikaanse verhoogkuns. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria. |
[[J.J. Horn|Horne, J.J.]] 1987. [[Neethling-Pohl, Anna|Anna Neethling-Pohl]]. ''Lantern'', 36(1):3-13. | [[J.J. Horn|Horne, J.J.]] 1987. [[Neethling-Pohl, Anna|Anna Neethling-Pohl]]. ''Lantern'', 36(1):3-13. | ||
| Line 50: | Line 50: | ||
[[David Horner|Horner, David]] 1976. All the world’s a stage – so pity the poor player. ''Journal of the University of Durban-Westville'', 2(4):33-42. | [[David Horner|Horner, David]] 1976. All the world’s a stage – so pity the poor player. ''Journal of the University of Durban-Westville'', 2(4):33-42. | ||
| − | [[Barry Hough|Hough, Barry]] 1981. Interview with [[ | + | [[Barry Hough|Hough, Barry]] 1981. Interview with [[Athol Fugard]] – Port Elizabeth, 30 November 1977. ''Theoria'', 55:37-48. |
[[Barry Hough|Hough, Barry]] 1979. [[Athol Fugard|Fugard]]’s ''[[Boesman and Lena]]'' in perspective. ''Crux'', 13(1):29-36. | [[Barry Hough|Hough, Barry]] 1979. [[Athol Fugard|Fugard]]’s ''[[Boesman and Lena]]'' in perspective. ''Crux'', 13(1):29-36. | ||
| − | [[Barry Hough|Hough, Barry]] 1985. Exit the king ([[ | + | [[Barry Hough|Hough, Barry]] 1985. Exit the king ([[Dawie Malan]]). ''De Kat'', 1(2):95-98. August. |
[[Barry Hough|Hough, Barry]] 1995. [[Athol Fugard|Fugard]] staan poedelnakend. ''Insig'', 09/95:43. | [[Barry Hough|Hough, Barry]] 1995. [[Athol Fugard|Fugard]] staan poedelnakend. ''Insig'', 09/95:43. | ||
| Line 62: | Line 62: | ||
[[Stefan A. Howelss|Howells, Stefan A.]] 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Unpublished bachelor’s thesis. Harvard University. | [[Stefan A. Howelss|Howells, Stefan A.]] 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Unpublished bachelor’s thesis. Harvard University. | ||
| − | [[Leslie Howlett|Howlett, Leslie]] 2002. ''A Midsummer Night’s Dream'' directed by [[ | + | [[Leslie Howlett|Howlett, Leslie]] 2002. ''A Midsummer Night’s Dream'' directed by [[Fred Abrahamse]] for the [[Maynardville]] Open Air Theatre, 11 January to 23 February 2002. ''Shakespeare in Southern Africa'', 14:50-51. |
Revision as of 09:35, 21 February 2011
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Homann, Greg 2009. Landscape and body. South African Theatre Journal, 23:49-176.
Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater Magazine, 16(11):32-39.
Hookham, John 1991. We the rhino: Ethnographic aggies and the representation of the Bushmen. South African Theatre Journal, 5(1):24-34.
Hoosain, Mohamed Faruk 1992. Alternative cultural practices in drama studies : an exploratory study. Unpublished master’s thesis. Durban: University of Natal.
Hope, Kim 2005. ‘I love you—you're my woman!’. Research in Drama Education, 10(2):241-245.
Horn, Andrew 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1):1-9.
Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African Literatures, 17(2):211-233.
Horn, Andrew 1986b. South African theatre; ideology and rebellion, in Barber, K. (ed.). Readings in African Popular Culture. Bloomington, Ind: Indiana University Press. 73-80.
Horn, Andrew 1990. Introduction to The Plays of Zakes Mda by Zakes Mda. Johannesburg: Ravan Press.
Horn, M. 1988. Theater as a weapon. U.S. News & World Report, 105(1):50.
Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 115-131.
Horne, H. 2008. Kaburu: ‘n Drama vir die Verhoog, by Deon Opperman. Reviewed in: South African Journal of Cultural History, 22(2):155-156.
Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.
Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa] , in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 101-105.
Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria.
Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1):3-13.
Horner, David 1967. Speech and drama. Fiat Lux, 2:297-300.
Horner, David 1972. Theatre in the hills. Fiat Lux, 7(1):27. February.
Horner, David 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4):33-42.
Hough, Barry 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria, 55:37-48.
Hough, Barry 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1):29-36.
Hough, Barry 1985. Exit the king (Dawie Malan). De Kat, 1(2):95-98. August.
Hough, Barry 1995. Fugard staan poedelnakend. Insig, 09/95:43.
Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in Southern Africa, 3:67-77.
Howells, Stefan A. 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Unpublished bachelor’s thesis. Harvard University.
Howlett, Leslie 2002. A Midsummer Night’s Dream directed by Fred Abrahamse for the Maynardville Open Air Theatre, 11 January to 23 February 2002. Shakespeare in Southern Africa, 14:50-51.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
