Difference between revisions of "ESAT Bibliography Hau"
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| − | [[Adam Haupt|Haupt, Adam]] 1997. ''AIDS Education Through Theatre: Case Studies From Uganda'', by [[Marion Frank]]. Reviewed in: ''South African Theatre Journal'', 11(1&2):309-312. | + | [[Adam Haupt|Haupt, Adam]] 1997. ''AIDS Education Through Theatre: Case Studies From Uganda'', by [[Marion Frank]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):309-312. |
| − | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Keith Bain|Bain, Keith]] 1998. Brecht 2001: A photo essay. [[Chris Vorster]] directs Bertolt Brecht’s first play, ''Baal''. ''South African Theatre Journal'', 12(1&2):212-227 | + | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Keith Bain|Bain, Keith]] 1998. Brecht 2001: A photo essay. [[Chris Vorster]] directs Bertolt Brecht’s first play, ''Baal''. ''[[South African Theatre Journal]]'', 12(1&2):212-227 |
| − | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Francois Toerien|Toerien, Francois]] 1996. [[Klein Karoo Nasionale Kunstefees]] 1996. ''South African Theatre Journal'', 10(1):101-106. | + | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Francois Toerien|Toerien, Francois]] 1996. [[Klein Karoo Nasionale Kunstefees]] 1996. ''''South African Theatre Journal'''', 10(1):101-106. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: University of South Africa. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: University of South Africa. | ||
| Line 57: | Line 57: | ||
[[Temple Hauptfleisch|Hauptfleisch, Temple]] et al. 1986c. ''Research On South African Literature and Race Relations''. Pretoria: Human Sciences Research Council. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] et al. 1986c. ''Research On South African Literature and Race Relations''. Pretoria: Human Sciences Research Council. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987a. ''Aspekte Van Die Nuwe Drama'', deur [[André P. Brink]]. Reviewed in: ''South African Theatre Journal'', 1(2):87-89. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987a. ''Aspekte Van Die Nuwe Drama'', deur [[André P. Brink]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):87-89. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987b. Beyond street theatre and festival: the forms of South African theatre. ''Maske und Kothurn''. 33:1-2. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987b. Beyond street theatre and festival: the forms of South African theatre. ''Maske und Kothurn''. 33:1-2. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987c. ''The Concise Oxford Companion to the Theatre'', edited by [[Phyllis Hartnoll]]. Reviewed in: ''South African Theatre Journal'', 1(2):94-95. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987c. ''The Concise Oxford Companion to the Theatre'', edited by [[Phyllis Hartnoll]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):94-95. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987d. ''Report for [[PACT]]: 1987. A summary interpretation of theatre attendance data in the [[CESAT]] data-base''. Pretoria: HSRC (Confidential report). | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987d. ''Report for [[PACT]]: 1987. A summary interpretation of theatre attendance data in the [[CESAT]] data-base''. Pretoria: HSRC (Confidential report). | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987e. ''Theatre and Cultural Struggle in South Africa'', by [[Robert Kavanagh]]. Reviewed in: ''South African Theatre Journal'', 1(1):138-141. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987e. ''Theatre and Cultural Struggle in South Africa'', by [[Robert Kavanagh]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(1):138-141. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988a. From the [[Savoy Theatre|Savoy]] to Soweto: The shifting paradigm in South African theatre. ''South African Theatre Journal'', 2(1):35-63. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988a. From the [[Savoy Theatre|Savoy]] to Soweto: The shifting paradigm in South African theatre. ''[[South African Theatre Journal]]'', 2(1):35-63. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988b. To capture the moment passing: the work of the [[Centre for South African Theatre Research]]. ''Opvoeding en Kultuuur'', 11(2):17. June. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988b. To capture the moment passing: the work of the [[Centre for South African Theatre Research]]. ''Opvoeding en Kultuuur'', 11(2):17. June. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988c. The International Symposium on Popular Entertainment as a reflection of national identity. ''South African Theatre Journal'', 2(2):76-80. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988c. The International Symposium on Popular Entertainment as a reflection of national identity. ''[[South African Theatre Journal]]'', 2(2):76-80. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988d. Multilingual theatre and apartheid society (1970-1987), in Bauer, Roger & Fokkema, Douwe (eds.). ''Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée''. München : Iudicium | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988d. Multilingual theatre and apartheid society (1970-1987), in Bauer, Roger & Fokkema, Douwe (eds.). ''Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée''. München : Iudicium | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988e. ''Shakespeare Against Apartheid'', by [[Martin Orkin]]. Reviewed in: ''South African Theatre Journal'', 2(2):115-119. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988e. ''Shakespeare Against Apartheid'', by [[Martin Orkin]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(2):115-119. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988f. ''Theatre alive! The [[Baxter Theatre|Baxter]] Story, 1977-1987'', by [[Brian Barrow]] & [[Yvonne Williams-Short]]. Reviewed in: ''South African Theatre Journal'', 2(2):112-114. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988f. ''Theatre alive! The [[Baxter Theatre|Baxter]] Story, 1977-1987'', by [[Brian Barrow]] & [[Yvonne Williams-Short]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(2):112-114. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. ''English in Africa'', 16(1):71-91. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. ''English in Africa'', 16(1):71-91. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989b. Of actors, academics and the making of the theatre (editorial). ''South African Theatre Journal'', 3(1):1-2. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989b. Of actors, academics and the making of the theatre (editorial). ''[[South African Theatre Journal]]'', 3(1):1-2. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989c. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. ''Stilet'', 1(1):29-50. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989c. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. ''Stilet'', 1(1):29-50. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990a. ''[[’n Brommer in die Boord]]'', deur [[Hennie Aucamp]]. Reviewed in: ''South African Theatre Journal'', 4(2):106-111. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990a. ''[[’n Brommer in die Boord]]'', deur [[Hennie Aucamp]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):106-111. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990b. ''[[Donderdag Se Mense]]'', deur [[Pieter Fourie]]. Reviewed in: ''South African Theatre Journal'', 4(2):106-111. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990b. ''[[Donderdag Se Mense]]'', deur [[Pieter Fourie]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):106-111. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). ''South African Theatre Journal'', 4(1):6-11. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). ''[[South African Theatre Journal]]'', 4(1):6-11. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990d. ''[[Stille Nag]]'', by [[Deon Opperman]]. Reviewed in: ''South African Theatre Journal'', 4(2):106-111. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990d. ''[[Stille Nag]]'', by [[Deon Opperman]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):106-111. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991a. [[Athol Fugard]]: the image, the word and the ‘carnal reality’, in Robert L. Ross (ed.). ''International Literature in English: Essays on the Major Writers''. New York: Garland Publishing. 607-620. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991a. [[Athol Fugard]]: the image, the word and the ‘carnal reality’, in Robert L. Ross (ed.). ''International Literature in English: Essays on the Major Writers''. New York: Garland Publishing. 607-620. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991b. Of performers, performances and performance theory (editorial). ''South African Theatre Journal'', 5(2):1-2. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991b. Of performers, performances and performance theory (editorial). ''[[South African Theatre Journal]]'', 5(2):1-2. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. ''South African Theatre Journal'', 5(2):15-21. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. ''[[South African Theatre Journal]]'', 5(2):15-21. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991. ''Theatre and television'', edited by [[Robert L. Erenstein]]. Reviewed in: ''South African Theatre Journal'', 5(1):127-131. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991. ''Theatre and television'', edited by [[Robert L. Erenstein]]. Reviewed in: ''South African Theatre Journal'', 5(1):127-131. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992a. ''[[Alles op die Spel]]'' deur [[George Weideman]]. Reviewed in: ''South African Theatre Journal'', 6(1):88-90. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992a. ''[[Alles op die Spel]]'' deur [[George Weideman]]. Reviewed in: ''[[South African Theatre Journal]]'', 6(1):88-90. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992b. ''[[Athol Fugard]]. A Bibliography'', by [[John Read]]. Reviewed in: ''South African Theatre Journal'', 6(2):93-94. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992b. ''[[Athol Fugard]]. A Bibliography'', by [[John Read]]. Reviewed in: ''[[South African Theatre Journal]]'', 6(2):93-94. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992c. Post-colonial criticism, performance theory and the evolving forms of South African theatre. ''South African Theatre Journal'', 6(2):64-83. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992c. Post-colonial criticism, performance theory and the evolving forms of South African theatre. ''South African Theatre Journal'', 6(2):64-83. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] & [[Yvette Hutchison|Hutchison, Yvette]] 1992d. The social relevance of play (editorial). ''South African Theatre Journal'', 6(1):1-3. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] & [[Yvette Hutchison|Hutchison, Yvette]] 1992d. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ''ASSAPH Section C: Studies in the Theatre'', 8:161-176. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ''ASSAPH Section C: Studies in the Theatre'', 8:161-176. | ||
| Line 113: | Line 113: | ||
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992. [[Michael Chapman|Chapman, Michael]], [[Colin Gardner|Gardner, Colin]] & [[Es'kia Mphahlele|Mphahlele, Es’kia]] (eds.). ''Perspectives on South African English Literature''. Johannesburg: Ad Donker. 403-421. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992. [[Michael Chapman|Chapman, Michael]], [[Colin Gardner|Gardner, Colin]] & [[Es'kia Mphahlele|Mphahlele, Es’kia]] (eds.). ''Perspectives on South African English Literature''. Johannesburg: Ad Donker. 403-421. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992f. ''Vrystaat-trilogie'', deur [[ | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992f. ''Vrystaat-trilogie'', deur [[Reza de Wet]]. Reviewed in: ''[[South African Theatre Journal]]'', 6(1):85-87. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993a. African Theatre and Film: An International Conference, University of Toronto. ''South African Theatre Journal'', 7(2):101-104. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993a. African Theatre and Film: An International Conference, University of Toronto. ''[[South African Theatre Journal]]'', 7(2):101-104. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993b. Crossover theatre: New trends in theatremaking in South Africa, in ''Assaph: Studies in Theatre'' Vol 9. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993b. Crossover theatre: New trends in theatremaking in South Africa, in ''Assaph: Studies in Theatre'' Vol 9. | ||
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993c. ''Drie eenakters: [[Kombuis Blues]], [[Kopstukke]] en [[‘n Koffer in die Kas]]'', deur [[ | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993c. ''Drie eenakters: [[Kombuis Blues]], [[Kopstukke]] en [[‘n Koffer in die Kas]]'', deur [[Jeanne Goosen]]. Reviewed in: ''[[South African Theatre Journal]]'', 7(2):132-134. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994. ''Indic Theatre Monograph Series'', by [[Naidoo, Muthal|Muthal Naidoo]] and [[Shauffer, Dennis|Dennis Shauffer]]. Reviewed in: ''South African Theatre Journal'', 8(1):88-90. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994. ''Indic Theatre Monograph Series'', by [[Naidoo, Muthal|Muthal Naidoo]] and [[Shauffer, Dennis|Dennis Shauffer]]. Reviewed in: ''South African Theatre Journal'', 8(1):88-90. | ||
Revision as of 12:27, 16 February 2011
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Haupt, Adam 1997. AIDS Education Through Theatre: Case Studies From Uganda, by Marion Frank. Reviewed in: South African Theatre Journal, 11(1&2):309-312.
Hauptfleisch, Gaerin & Bain, Keith 1998. Brecht 2001: A photo essay. Chris Vorster directs Bertolt Brecht’s first play, Baal. South African Theatre Journal, 12(1&2):212-227
Hauptfleisch, Gaerin & Toerien, Francois 1996. Klein Karoo Nasionale Kunstefees 1996. 'South African Theatre Journal', 10(1):101-106.
Hauptfleisch, Temple 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: University of South Africa.
Hauptfleisch, Temple 1978. The play as communication : a study of the language of drama. Unpublished doctoral dissertation. Pretoria: University of South Africa.
Hauptfleisch, Temple 1980. Theatre research in South Africa. Critical Arts, 1(3) :11-22.
Hauptfleisch, Temple 1982a. André Huguenet en die Suid-Afrikaanse teater. Lantern, 31(4):8-23.
Hauptfleisch, Temple, Viljoen, Wilma & Van Greunen, Celeste (comps.). 1982b. Athol Fugard. A Source Guide. Johannesburg: Ad Donker.
Hauptfleisch, Temple 1983a. Taalvariasie op die verhoog: enkele gedagtes na aanleiding van Afrikaanse voorbeelde, in Claassen, G.N. & Van Rensburg, M.C.J. (eds.). Taalverskeidenheid: ʼn Blik op die Spektrum van Ttaalvariasie in Afrikaans. Pretoria: Academica. 63-79.
Hauptfleisch, Temple, Van Rooyen, Eunice & Cornelissen, Annette 1983b. Thoughts on theatre in South Africa during 1981: a review of some trends. Teaterforum, 4(1):54-76.
Hauptfleisch, Temple 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 36-50.
Hauptfleisch, Temple 1984b. South Africa: A Laboratory For Theatre Research: research address. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple & Steadman, Ian (eds.). 1984c. South African Theatre: Four Plays and an Introduction. Pretoria: HAUM Educational.
Hauptfleisch, Temple 1984d. Theatre research: some thoughts on a new discipline. Teaterforum, 5(1):66-79.
Hauptfleisch, Temple 1984e. Towards A Methodology For Theatre Research: A South African Perspective. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple (ed.). 1985a. The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press.
Hauptfleisch, Temple 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. Teaterforum, 6(1):46-72.
Hauptfleisch, Temple 1985c. South Africa: a laboratory for theatre research. Communicatio, 11(2):38-44.
Hauptfleisch, Temple, Viljoen, Wilma & Cornelissen, Annette 1985d. South African theatre today: a look at the year 1981, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 131-140.
Hauptfleisch, Temple 1986a. The Market Theatre. Lantern, 35(4) :79-80.
Hauptfleisch, Temple 1986b. Die nuwe drama. De Kat, 1(11):22-23.
Hauptfleisch, Temple et al. 1986c. Research On South African Literature and Race Relations. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple 1987a. Aspekte Van Die Nuwe Drama, deur André P. Brink. Reviewed in: South African Theatre Journal, 1(2):87-89.
Hauptfleisch, Temple 1987b. Beyond street theatre and festival: the forms of South African theatre. Maske und Kothurn. 33:1-2.
Hauptfleisch, Temple 1987c. The Concise Oxford Companion to the Theatre, edited by Phyllis Hartnoll. Reviewed in: South African Theatre Journal, 1(2):94-95.
Hauptfleisch, Temple 1987d. Report for PACT: 1987. A summary interpretation of theatre attendance data in the CESAT data-base. Pretoria: HSRC (Confidential report).
Hauptfleisch, Temple 1987e. Theatre and Cultural Struggle in South Africa, by Robert Kavanagh. Reviewed in: South African Theatre Journal, 1(1):138-141.
Hauptfleisch, Temple 1988a. From the Savoy to Soweto: The shifting paradigm in South African theatre. South African Theatre Journal, 2(1):35-63.
Hauptfleisch, Temple 1988b. To capture the moment passing: the work of the Centre for South African Theatre Research. Opvoeding en Kultuuur, 11(2):17. June.
Hauptfleisch, Temple 1988c. The International Symposium on Popular Entertainment as a reflection of national identity. South African Theatre Journal, 2(2):76-80.
Hauptfleisch, Temple 1988d. Multilingual theatre and apartheid society (1970-1987), in Bauer, Roger & Fokkema, Douwe (eds.). Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée. München : Iudicium
Hauptfleisch, Temple 1988e. Shakespeare Against Apartheid, by Martin Orkin. Reviewed in: South African Theatre Journal, 2(2):115-119.
Hauptfleisch, Temple 1988f. Theatre alive! The Baxter Story, 1977-1987, by Brian Barrow & Yvonne Williams-Short. Reviewed in: South African Theatre Journal, 2(2):112-114.
Hauptfleisch, Temple 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. English in Africa, 16(1):71-91.
Hauptfleisch, Temple 1989b. Of actors, academics and the making of the theatre (editorial). South African Theatre Journal, 3(1):1-2.
Hauptfleisch, Temple 1989c. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. Stilet, 1(1):29-50.
Hauptfleisch, Temple 1990a. ’n Brommer in die Boord, deur Hennie Aucamp. Reviewed in: South African Theatre Journal, 4(2):106-111.
Hauptfleisch, Temple 1990b. Donderdag Se Mense, deur Pieter Fourie. Reviewed in: South African Theatre Journal, 4(2):106-111.
Hauptfleisch, Temple 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). South African Theatre Journal, 4(1):6-11.
Hauptfleisch, Temple 1990d. Stille Nag, by Deon Opperman. Reviewed in: South African Theatre Journal, 4(2):106-111.
Hauptfleisch, Temple 1991a. Athol Fugard: the image, the word and the ‘carnal reality’, in Robert L. Ross (ed.). International Literature in English: Essays on the Major Writers. New York: Garland Publishing. 607-620.
Hauptfleisch, Temple 1991b. Of performers, performances and performance theory (editorial). South African Theatre Journal, 5(2):1-2.
Hauptfleisch, Temple 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. South African Theatre Journal, 5(2):15-21.
Hauptfleisch, Temple 1991. Theatre and television, edited by Robert L. Erenstein. Reviewed in: South African Theatre Journal, 5(1):127-131.
Hauptfleisch, Temple 1992a. Alles op die Spel deur George Weideman. Reviewed in: South African Theatre Journal, 6(1):88-90.
Hauptfleisch, Temple 1992b. Athol Fugard. A Bibliography, by John Read. Reviewed in: South African Theatre Journal, 6(2):93-94.
Hauptfleisch, Temple 1992c. Post-colonial criticism, performance theory and the evolving forms of South African theatre. South African Theatre Journal, 6(2):64-83.
Hauptfleisch, Temple & Hutchison, Yvette 1992d. The social relevance of play (editorial). South African Theatre Journal, 6(1):1-3.
Hauptfleisch, Temple 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ASSAPH Section C: Studies in the Theatre, 8:161-176.
Hauptfleisch, Temple 1992. Chapman, Michael, Gardner, Colin & Mphahlele, Es’kia (eds.). Perspectives on South African English Literature. Johannesburg: Ad Donker. 403-421.
Hauptfleisch, Temple 1992f. Vrystaat-trilogie, deur Reza de Wet. Reviewed in: South African Theatre Journal, 6(1):85-87.
Hauptfleisch, Temple 1993a. African Theatre and Film: An International Conference, University of Toronto. South African Theatre Journal, 7(2):101-104.
Hauptfleisch, Temple 1993b. Crossover theatre: New trends in theatremaking in South Africa, in Assaph: Studies in Theatre Vol 9.
Hauptfleisch, Temple 1993c. Drie eenakters: Kombuis Blues, Kopstukke en ‘n Koffer in die Kas, deur Jeanne Goosen. Reviewed in: South African Theatre Journal, 7(2):132-134.
Hauptfleisch, Temple 1994. Indic Theatre Monograph Series, by Muthal Naidoo and Dennis Shauffer. Reviewed in: South African Theatre Journal, 8(1):88-90.
Hauptfleisch, Temple 1995. The company you keep: subversive thoughts on the impact of the playwright and the performer New Theatre Quarterly, 11(44):322-332.
Hauptfleisch, Temple 1996a. The Distance Remains and Other Plays, edited by Robin Malan. Reviewed in: South African Theatre Journal, 10(1):118-119.
Hauptfleisch, Temple 1996b. More Market Plays, edited by John Kani. Reviewed in: South African Theatre Journal, 10(1):117-118.
Hauptfleisch, Temple 1996c. Open Space: Six Contemporary Plays from Africa, edited by Yvette Hutchison and Kole Omotoso. Reviewed in: South African Theatre Journal, 10(1):118.
Hauptfleisch, Temple 1996d. The (re)canonization of South African theatre; thoughts on four play collections. South African Theatre Journal, 10(1):115-119.
Hauptfleisch, Temple 1996e. South Africa Plays, edited by Stephen Gray. Reviewed in: South African Theatre Journal, 10(1):116-117.
Hauptfleisch, Temple & Kruger, Marie 1997a. South Africa, in Rubin, Don (ed.). The World Encyclopaedia of Contemporary Theatre. Africa. London: Routledge. Vol. 3:268-297.
Hauptfleisch, Temple 1997b. Taylor se grootste rol. Grafskrif: Mavis Taylor. Insig, December:40.
Hauptfleisch, Temple 1997c. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik.
Hauptfleisch, Temple 1998. The Flag is Flying: A Very Personal History of Theatre in the Old South Africa, by Leonard Schach. Reviewed in: South African Theatre Journal, 12(1&2):257-261.
Hauptfleisch, Temple 2000. In defense of theatre research: An audit revisited (editorial). South African Theatre Journal, 14:8-17.
Hauptfleisch, Temple 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK). South African Theatre Journal, 15:169-177.
Hauptfleisch, Temple 2001b. FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. South African Theatre Journal, 15:153-157.
Hauptfleisch, Temple 2001c. Homegrown theory for a new theatre (editorial). South African Theatre Journal, 15:5-7.
Hauptfleisch, Temple 2002a. "Oh go play somewhere - and stop bothering us!": On the (ir)relevance of theatre and the performing arts in economic society. New Agenda, (6):68-77.
Hauptfleisch, Temple 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. South African Theatre Journal, 16:185-189.
Hauptfleisch, Temple 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. South African Theatre Journal, 17:258-275.
Hauptfleisch, Temple 2004. Eventification: utilizing the theatrical system to frame the event, in Cremona, Vicky Ann ... [et al.]; IFTR/FIRT Theatrical Event Working Group. Theatrical Events: Borders, Dynamics, Frames .Amsterdam: Rodopi. 279-302.
Hauptfleisch, Temple 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the N.R.F. rating system after the first three years.
Hauptfleisch, Temple 2005b. Südafrikanisches Theater – Entwicklungen und Strömungen von Vergangenheit bis Gegenwart, in Arndt, S. & Berndt, K. (eds.). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. 91-116.
Hauptfleisch, Temple 2006. Eventifying identity: festivals in South Africa and the search for cultural identity. New Theatre Quarterly, 22(2):181-198.
Hauptfleisch, Temple 2007a. Editorial. South African Theatre Journal, 21:8-10.
Hauptfleisch, Temple 2007b. The seismology of theatre: tracing the shock waves of a theatrical event in society. South African Theatre Journal, 21: 253-271.
Hauptfleisch, Temple 2007c. Some major trends of past developments, in Arndt, Susan & Berndt, Katrin (eds.). Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. 57-75.
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