Difference between revisions of "ESAT Bibliography Com-Cop"
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[[Annette L. Combrink|Combrink, Annette L.]] 1985. Sociocultural and political values in selected plays by South African playwrights. ''Koers'', 50(3):233-247. | [[Annette L. Combrink|Combrink, Annette L.]] 1985. Sociocultural and political values in selected plays by South African playwrights. ''Koers'', 50(3):233-247. | ||
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1986. 'A man's scenery is other men ...' : [[ | + | [[Annette L. Combrink|Combrink, Annette L.]] 1986. 'A man's scenery is other men ...' : [[Athol Fugard]]'s latest plays. ''Literator'', 7(1):58-68. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1987. Shakespeare made easy, by Allan Durband. Reviewed in: ''South African Theatre Journal'', 1(1):125-129. | + | [[Annette L. Combrink|Combrink, Annette L.]] 1987. Shakespeare made easy, by Allan Durband. Reviewed in: ''[[South African Theatre Journal]]'', 1(1):125-129. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1986. The Power and Precision of a skillfully crafted Miniature: [[ | + | [[Annette L. Combrink|Combrink, Annette L.]] 1986. The Power and Precision of a skillfully crafted Miniature: [[Geraldine Aron]]’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1987. ''Seven Plays and Four Monologues'', by [[ | + | [[Annette L. Combrink|Combrink, Annette L.]] 1987. ''Seven Plays and Four Monologues'', by [[Geraldine Aron]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(1):130-132. |
| − | [[Annette L. Combrink|Combrink, Annette L.]] 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis | + | [[Annette L. Combrink|Combrink, Annette L.]] 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 195-205. |
[[Salomé Combrink|Combrink, Salomé]] 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | [[Salomé Combrink|Combrink, Salomé]] 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | ||
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[[P.J. Conradie|Conradie, P.J.]] 1982. Op die grense van die drama. ''Standpunte'', 35(2):67-75. | [[P.J. Conradie|Conradie, P.J.]] 1982. Op die grense van die drama. ''Standpunte'', 35(2):67-75. | ||
| − | [[P.J. Conradie|Conradie, P.J.]] 1982. Mag en onmag van die woord in die dramas van [[ | + | [[P.J. Conradie|Conradie, P.J.]] 1982. Mag en onmag van die woord in die dramas van [[Henriëtte Grové]]. ''Tydskrif vir Letterkunde'', 20(4) :44-52. |
[[P.J. Conradie|Conradie, P.J.]] 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 7-22. | [[P.J. Conradie|Conradie, P.J.]] 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 7-22. | ||
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[[P.J. Conradie|Conradie, P.J.]] 1985. Die literere kritikus en die drama. ''Teaterforum'', 6(1) :73-90. | [[P.J. Conradie|Conradie, P.J.]] 1985. Die literere kritikus en die drama. ''Teaterforum'', 6(1) :73-90. | ||
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1987. ''[[Skaak]]'' ([[M.C. Botha]]) - van kortverhaal tot drama. ''Tydskrif vir Letterkunde'', 25(4):33-37. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. ''[[South African Theatre Journal]]'', 4(1): 61-74. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1991. [[P.C. Schoonees]] en die Afrikaanse drama van die twintigerjare. ''Tydskrif vir Letterkunde'', 29(1):76-83. |
| − | [[P.J. Conradie|Conradie, P.J.]] | + | [[P.J. Conradie|Conradie, P.J.]] 1996. Debates surrounding an approach to African tragedy. ''[[South African Theatre Journal]]'', 10(1):25-34. |
| − | [[P.J. Conradie|Conradie, P.J.]] 2000 Tragic conflicts in three African plays. ''South African Theatre Journal'', 14:129- 45. | + | [[P.J. Conradie|Conradie, P.J.]] 1998. Aristophanes en die tweede bedryf van [[Breyten Breytenbach]] se '[[Boklied]]' : 'n verkenning. ''Akroterion'', 16(43):15-22. |
| + | |||
| + | [[P.J. Conradie|Conradie, P.J.]] 2000 Tragic conflicts in three African plays. ''[[South African Theatre Journal]]'', 14:129- 45. | ||
[[Piet Conradie|Conradie, Piet]] & [[Arnold Blumer|Blumer, Arnold]] 1985. Die literêre kritikus en die drama. ''Teaterforum'', 6(1):82. | [[Piet Conradie|Conradie, Piet]] & [[Arnold Blumer|Blumer, Arnold]] 1985. Die literêre kritikus en die drama. ''Teaterforum'', 6(1):82. | ||
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Conteh-Morgan, John & Olaniyan, Tejumola (eds.). 2004. ''African Drama and Performance''. Bloomington, Ind.: Indiana University Press. | Conteh-Morgan, John & Olaniyan, Tejumola (eds.). 2004. ''African Drama and Performance''. Bloomington, Ind.: Indiana University Press. | ||
| − | Conversations with [[ | + | Conversations with [[Breytenbach]]. 1978. ''[[Scenaria]]'', April/May:40-41. |
| − | Conversations with giants: [[ | + | Conversations with giants: [[Athol Fugard]]. ''Dramatists Guild Quarterly'', 27(4): 6, 15-24. |
[[Roy H. Cooke|Cooke, Roy H.]] 1946. How the scenic artist is coming into his own. ''Outspan''. 40(1035):49. December 27. | [[Roy H. Cooke|Cooke, Roy H.]] 1946. How the scenic artist is coming into his own. ''Outspan''. 40(1035):49. December 27. | ||
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[[David B. Coplan|Coplan, David B.]] 1987 Retying ''[[The Bloodknot]]'': [[Athol Fugard|Fugard]] on Broadway, ''South African Theatre Journal'', 1(1):114-117. | [[David B. Coplan|Coplan, David B.]] 1987 Retying ''[[The Bloodknot]]'': [[Athol Fugard|Fugard]] on Broadway, ''South African Theatre Journal'', 1(1):114-117. | ||
| − | [[David B. Coplan|Coplan, David B.]] 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by [[Gunner | + | [[David B. Coplan|Coplan, David B.]] 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by [[Liz Gunner|L. Gunner]]. Reviewed in: ''Social Dynamics'', 20(1):150-151. |
| − | [[David B. Coplan|Coplan, David B.]] 2008. ''In | + | [[David B. Coplan|Coplan, David B.]] 2008. ''In Township Tonight! :South Africa's Black City Music and Theatre''. 2nd ed. Chicago, IL : University of Chicago Press. |
[[Athina Copteros|Copteros, Athina]] 2002. Workshop theatre in post-apartheid South Africa : a case study. Unpublished master’s thesis. Grahamstown: Rhodes University. | [[Athina Copteros|Copteros, Athina]] 2002. Workshop theatre in post-apartheid South Africa : a case study. Unpublished master’s thesis. Grahamstown: Rhodes University. | ||
Revision as of 11:07, 2 March 2011
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Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3):233-247.
Combrink, Annette L. 1986. 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, 7(1):58-68.
Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African Theatre Journal, 1(1):125-129.
Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference.
Combrink, Annette L. 1987. Seven Plays and Four Monologues, by Geraldine Aron. Reviewed in: South African Theatre Journal, 1(1):130-132.
Combrink, Annette L. 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 195-205.
Combrink, Salomé 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Combrink, Salomé 1986. Drama : registreerder van laat twintigste-eeuse stadsproblematiek. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Combrink, Salomé 1988. Drama as registreerder van laat twintigste-eeuse stadsproblematiek. Fasette, 7(2):42-45. December.
Computer controls live theatre lighting. 1970. South African Electrical Review, 61(629):32. October.
Conradie, P.J. 1962. Noodlot in die dramas van Leipoldt – ’n verdere poging. Tydskrif vir Letterkunde, 12(1):20-25.
Conradie, P.J. 1969. Afrikaanse dramaturge. Teater S.A., 1(3):2-3.
Conradie, P.J. 1974. Hoe Om ‘n Drama te Ontleed. Pretoria: Academica.
Conradie, P.J. 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. Standpunte, 31(2):32-39.
Conradie, P.J. 1980. Betrokkenheid in ‘n paar onlangse dramas. Standpunte, 33(2):57-64.
Conradie, P.J. 1982. Op die grense van die drama. Standpunte, 35(2):67-75.
Conradie, P.J. 1982. Mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir Letterkunde, 20(4) :44-52.
Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 7-22.
Conradie, P.J. 1984b. Literêre kritikus en die drama. Standpunte, 37(3) : 22-27.
Conradie, P.J. 1985. Die literere kritikus en die drama. Teaterforum, 6(1) :73-90.
Conradie, P.J. 1987. Skaak (M.C. Botha) - van kortverhaal tot drama. Tydskrif vir Letterkunde, 25(4):33-37.
Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African Theatre Journal, 4(1): 61-74.
Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir Letterkunde, 29(1):76-83.
Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African Theatre Journal, 10(1):25-34.
Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43):15-22.
Conradie, P.J. 2000 Tragic conflicts in three African plays. South African Theatre Journal, 14:129- 45.
Conradie, Piet & Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1):82.
Constantly filled Space. 1972. Artlook, 5(12): 22-24. December.
Conteh-Morgan, John & Olaniyan, Tejumola (eds.). 2004. African Drama and Performance. Bloomington, Ind.: Indiana University Press.
Conversations with Breytenbach. 1978. Scenaria, April/May:40-41.
Conversations with giants: Athol Fugard. Dramatists Guild Quarterly, 27(4): 6, 15-24.
Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035):49. December 27.
Coplan, David B. 1987. Dialectics of tradition in Southern African Black popular theatre. Critical Arts, 4(3):5-27.
Coplan, David B. 1987 Retying The Bloodknot: Fugard on Broadway, South African Theatre Journal, 1(1):114-117.
Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social Dynamics, 20(1):150-151.
Coplan, David B. 2008. In Township Tonight! :South Africa's Black City Music and Theatre. 2nd ed. Chicago, IL : University of Chicago Press.
Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Unpublished master’s thesis. Grahamstown: Rhodes University.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
