Difference between revisions of "The Robber's Wife"
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==The original text== | ==The original text== | ||
− | This was published and performed in 1827, and described as an English adaptation of the Irish traditional tale called ''Suil Dhur, or The Coiners'', but set in Cumberland by Pocock. First performed in London in 1827 | + | This was published and performed in 1827, and described as an English adaptation of the Irish traditional tale called ''Suil Dhur, or The Coiners'', but set in Cumberland by Pocock. First performed in London in 1827 and the text was published by John Cumberland as ''[[The Robber's Wife]]'' in a collection called ''The Robber's Wife and Other Plays'' (1827). |
The play was often produced apparently, ''inter alia'' at the Theatre Royal Covent Garden in on 22 October 1829, still under the title ''[[The Robber’s Wife]]''. | The play was often produced apparently, ''inter alia'' at the Theatre Royal Covent Garden in on 22 October 1829, still under the title ''[[The Robber’s Wife]]''. |
Revision as of 08:07, 10 August 2017
The Robber's Wife is the title of a play in two acts (or two plays of this format) by Isaac Pocock (1782–1835)[1]
Contents
The conundrum of the various plays
There appear to be a number of titles, and at least two (different?) versions of the play (a two act play published in 1827 and a two act "romantic drama" published in 1830). The origins given for the two versions also differ, as do their later subtitled versions (i.e. The Robber's Wife, or The Coiner's Cave and The Robber's Wife, or The Golden Ingot).
Both versions were published in South Africa and are discussed separately below under their later, fuller titles.
Besides the original title of The Robber's Wife, and the two above, the title, The Robber's Wife, or Mark Redland, is also found in a reference to an American production, in Baltimore in 1843 by Bogar (2002[2].
The Robber's Wife, or the Coiner's Cave (1827)
The original text
This was published and performed in 1827, and described as an English adaptation of the Irish traditional tale called Suil Dhur, or The Coiners, but set in Cumberland by Pocock. First performed in London in 1827 and the text was published by John Cumberland as The Robber's Wife in a collection called The Robber's Wife and Other Plays (1827).
The play was often produced apparently, inter alia at the Theatre Royal Covent Garden in on 22 October 1829, still under the title The Robber’s Wife.
However, later productions appear to have been done under the fuller title of The Robber's Wife, or The Coiner's Cave.
Translations and adaptations
Performance history in South Africa
1861: Performed as The Robber's Wife, or The Coiner's Cave in the Theatre Royal by the Garrison Players (possibly officers and men of the 11th Regiment) on Monday 4 February, with Bombastes Furioso (Rhodes).
The Robber's Wife, or The Golden Ingot. (1830)
The original play
The provenance of this play is said by some (including Wikipedia[3]) to be an adaptation of the German original, probably the opera Der schlafende Räuber oder Die Räuberbrau ("The sleeping robber" or "The robber's bride"), with a libretto by J. Jos. Reiff and music by Ferdinand Ries, which had its première in Frankfurt on 15th October 1828, and was published 1829.
According to these sources, the English prose version by Isaac Pocock was performed under the title The Robber's Wife, or The Golden Ingot at the Theatre Royal, Covent Garden, Thursday, January 7th, 1830, and published by John Cumberland in 1835.
However, it seems that there may be a strong argument to be made for another version of the history: that the German play was in fact a musical adaptation by Reiff and Ries of Pocock's 1827 short play in prose.
Translations and adaptations
Performance history in South Africa
1834: Performed as The Robber's Wife, or The Golden Ingot in the African Theatre, Cape Town by All the World's a Stage on 26 April 1834, along with Jerrold's The Bride of Ludgate (Jerrold).
Sources
http://en.wikipedia.org/wiki/Isaac_Pocock
http://www.worldcat.org/title/robbers-wife-a-romantic-drama-in-two-acts/oclc/35993771
Facsimile version of The Gentleman's Magazine and Historical Chronicle, Volume 99,Part 2: Page 362, Google Ebook[4].
Thomas A. Bogar. 2002. John E. Owens: Nineteenth Century American Actor and Manager. McFarland: p. 173[5].
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [6]: pp. 228
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 166,
http://www.ferdinand-ries.de/english/frankfurt.html
Ferdinand Ries, Brief an Franz Gerhard Wegeler in Koblenz, Godesberg, 24. Oktober 1826[7]
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