Difference between revisions of "ESAT Bibliography Lin-Loo"
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[[D. Lincoln|Lincoln, D.]] 1974. Taking off into [[Space Theatre|Space]]. ''Personality'', 50-53. June 28. | [[D. Lincoln|Lincoln, D.]] 1974. Taking off into [[Space Theatre|Space]]. ''Personality'', 50-53. June 28. | ||
| − | [[Ernst Liebenberg|Lindenberg, Ernst]] 1961. [[ | + | [[Ernst Liebenberg|Lindenberg, Ernst]] 1961. [[C. Louis Leipoldt|Leipoldt]] contra Smith? ''Standpunte'', 14(6):67. |
| − | [[Ernst Liebenberg|Lindenberg, Ernst]] 1962. Duister [[ | + | [[Ernst Liebenberg|Lindenberg, Ernst]] 1962. Duister [[C. Louis Leipoldt|Leipoldt]]. ''Standpunte'', 15(4-5):48-55. |
[[Lydia Lindeque|Lindeque, Lydia]] 1941. ''Trek Op die Skerm''. Pretoria : Van Schaik. | [[Lydia Lindeque|Lindeque, Lydia]] 1941. ''Trek Op die Skerm''. Pretoria : Van Schaik. | ||
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[[Lydia Lindeque|Lindeque, Lydia]] 1952. Our town should each have a national theatre. ''Outspan'', 50(1300):33-35. January 25. | [[Lydia Lindeque|Lindeque, Lydia]] 1952. Our town should each have a national theatre. ''Outspan'', 50(1300):33-35. January 25. | ||
| − | [[Cynthia Linder|Linder, Cynthia]] 1971. (Four plays: ''[[Counsellors]]'', ''[[Potluck and Irish Stew]]'', ''[[Magnus]]'', ''[[The Festival]]'' by [[ | + | [[Cynthia Linder|Linder, Cynthia]] 1971. (Four plays: ''[[Counsellors]]'', ''[[Potluck and Irish Stew]]'', ''[[Magnus]]'', ''[[The Festival]]'' by [[H.W.D. Manson]]). [Literary criticism]. ''Contrast'', 7(3):90-96. November. |
[[Bernth Lindfors|Lindfors, Bernth]] 1979. A Zulu view of Victorian London ''Munger Africana Library Notes'': 48 | [[Bernth Lindfors|Lindfors, Bernth]] 1979. A Zulu view of Victorian London ''Munger Africana Library Notes'': 48 | ||
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[[Bernth Lindfors|Lindfors, Bernth]] (ed.). 1999a. ''Africans On Stage''. Cape Town: David Philip. | [[Bernth Lindfors|Lindfors, Bernth]] (ed.). 1999a. ''Africans On Stage''. Cape Town: David Philip. | ||
| − | [[Bernth Lindfors|Lindfors, Bernth]] 1999b. The rise and fall of [[ | + | [[Bernth Lindfors|Lindfors, Bernth]] 1999b. The rise and fall of [[Mbongeni Ngema]]: the AIDS play, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 181-191. |
[[Mary Lister|Lister, Mary]], [[Brian de Jager|De Jager, Brian]] & [[Adrian Kettle|Kettle, Adrian]] (eds.). 1997. ''50 Years of the Cape Town [[Gilbert and Sullivan Society]]''. Cape Town: Cape Town Gilbert and Sullivan Society. | [[Mary Lister|Lister, Mary]], [[Brian de Jager|De Jager, Brian]] & [[Adrian Kettle|Kettle, Adrian]] (eds.). 1997. ''50 Years of the Cape Town [[Gilbert and Sullivan Society]]''. Cape Town: Cape Town Gilbert and Sullivan Society. | ||
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[[Yao-kun Liu|Liu, Yao-kun]] 1999. ''[[Woza Albert!]]'' – a play of the age, in [[J.A. Smit|Smit, J.A.]] (ed.). ''The Dancing Dwarf From the Land of Spirits''. Durban: CSSALL. 170-185. | [[Yao-kun Liu|Liu, Yao-kun]] 1999. ''[[Woza Albert!]]'' – a play of the age, in [[J.A. Smit|Smit, J.A.]] (ed.). ''The Dancing Dwarf From the Land of Spirits''. Durban: CSSALL. 170-185. | ||
| − | [[Yao-kun Liu|Liu, Yao-kun]] 2003. [[ | + | [[Yao-kun Liu|Liu, Yao-kun]] 2003. [[Zakes Mda]]’s ''[[We Shall Sing for the Fatherland]]'': an illustration of African life using European dramatic modes. ''English in Africa'', 30(1):123-124. |
[[J.O. Lodge|Lodge, J.O]]. 1976. [[Baxter Theatre]] in construction. ''Planning and Building Developments'', 20:70-71. May-June. | [[J.O. Lodge|Lodge, J.O]]. 1976. [[Baxter Theatre]] in construction. ''Planning and Building Developments'', 20:70-71. May-June. | ||
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[[Chris Johannes Lombard|Lombard, Chris Johannes]] 1974. 'n Ondersoek na die jeugtoneel met betrekking tot die eietydse adolessent. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | [[Chris Johannes Lombard|Lombard, Chris Johannes]] 1974. 'n Ondersoek na die jeugtoneel met betrekking tot die eietydse adolessent. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | ||
| − | [[Chris Lombard|Lombard, Chris]] 1985. Die Natalse Raad vir die Uitvoerende Kunste (1964-1983). | + | [[Chris Lombard|Lombard, Chris]] 1985. Die Natalse Raad vir die Uitvoerende Kunste (1964-1983). [[The Natal Performing Arts Council]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[Breytenbach, P.P.B.|P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 97-99. |
[[Chris Lombard|Lombard, Chris]] 1983. Rol van ‘n verantwoordelike jeugteater met betrekking tot die eietydse adolessent. ''Fasette'', 2(2):4-10. | [[Chris Lombard|Lombard, Chris]] 1983. Rol van ‘n verantwoordelike jeugteater met betrekking tot die eietydse adolessent. ''Fasette'', 2(2):4-10. | ||
| − | [[Todd London|London, Todd]] 1986. Theatre focus: [[Hudson Guild Theatre]] and [[ | + | [[Todd London|London, Todd]] 1986. Theatre focus: [[Hudson Guild Theatre]] and [[Duma Ndlovu]]. ''Theatre Times'', 6(1):10. |
| − | [[Louise Kathryn Long|Long, Kathryn Louise]] 1985. The past and future with apartheid: the function of temporal elements in eight plays by [[ | + | [[Louise Kathryn Long|Long, Kathryn Louise]] 1985. The past and future with apartheid: the function of temporal elements in eight plays by [[Athol Fugard]]. Unpublished doctoral dissertation. Ann Arbor, MI: University of Michigan. |
Loopbaan as teatertegnikus. 1971. ''My Loopbaan'', 22:123-124. Augustus. | Loopbaan as teatertegnikus. 1971. ''My Loopbaan'', 22:123-124. Augustus. | ||
| − | [[Lliane Loots|Loots, Lliane]] 1995 Colonised bodies: overcoming gender construction of bodies in dance and movement education in South Africa. ''South African Theatre Journal'', 9(2):51-59. | + | [[Lliane Loots|Loots, Lliane]] 1995 Colonised bodies: overcoming gender construction of bodies in dance and movement education in South Africa. ''[[South African Theatre Journal]]'', 9(2):51-59. |
| − | [[Lliane Loots|Loots, Lliane]] 1996. “The personal is political”: gender in the context of apartheid South Africa: a look at two women playwrights. ''South African Theatre Journal'', 10(1):63-70. | + | [[Lliane Loots|Loots, Lliane]] 1996. “The personal is political”: gender in the context of apartheid South Africa: a look at two women playwrights. ''[[South African Theatre Journal]]'', 10(1):63-70. |
[[Lliane Loots|Loots, Lliane]] 1997. Re-remembering protest theatre in South Africa: a gendered review of the historical and cultural production of knowledge around two plays: ''[[The Hungry Earth]]'' and ''[[You Strike the Woman, You Strike the Rock]]''. ''Critical Arts'', 11(1&2):142-152. | [[Lliane Loots|Loots, Lliane]] 1997. Re-remembering protest theatre in South Africa: a gendered review of the historical and cultural production of knowledge around two plays: ''[[The Hungry Earth]]'' and ''[[You Strike the Woman, You Strike the Rock]]''. ''Critical Arts'', 11(1&2):142-152. | ||
Revision as of 10:58, 12 March 2011
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
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Return to A Bibliography of South African South African Theatre and Performance
Lincoln, D. 1974. Taking off into Space. Personality, 50-53. June 28.
Lindenberg, Ernst 1961. Leipoldt contra Smith? Standpunte, 14(6):67.
Lindenberg, Ernst 1962. Duister Leipoldt. Standpunte, 15(4-5):48-55.
Lindeque, Lydia 1941. Trek Op die Skerm. Pretoria : Van Schaik.
Lindeque, Lydia 1947. Ons gehoor is soldate. Brandwag, 10(509) – 11(521). July 4 – September 26.
Lindeque, Lydia 1952. Our town should each have a national theatre. Outspan, 50(1300):33-35. January 25.
Linder, Cynthia 1971. (Four plays: Counsellors, Potluck and Irish Stew, Magnus, The Festival by H.W.D. Manson). [Literary criticism]. Contrast, 7(3):90-96. November.
Lindfors, Bernth 1979. A Zulu view of Victorian London Munger Africana Library Notes: 48
Lindfors, Bernth (ed.). 1999a. Africans On Stage. Cape Town: David Philip.
Lindfors, Bernth 1999b. The rise and fall of Mbongeni Ngema: the AIDS play, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 181-191.
Lister, Mary, De Jager, Brian & Kettle, Adrian (eds.). 1997. 50 Years of the Cape Town Gilbert and Sullivan Society. Cape Town: Cape Town Gilbert and Sullivan Society.
Litkie, Celeste Avril 2003. Selected Black African dramatists south of the Zambezi. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
Liu, Yao-kun 1994. Woza Albert! : a play of the age : an introduction for a Chinese readership. Unpublished master’s thesis. Durban: University of Natal.
Liu, Yao-kun 1997. A voice to the voiceless : on the development of black drama in South Africa. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Liu, Yao-kun 1999. Woza Albert! – a play of the age, in Smit, J.A. (ed.). The Dancing Dwarf From the Land of Spirits. Durban: CSSALL. 170-185.
Liu, Yao-kun 2003. Zakes Mda’s We Shall Sing for the Fatherland: an illustration of African life using European dramatic modes. English in Africa, 30(1):123-124.
Lodge, J.O. 1976. Baxter Theatre in construction. Planning and Building Developments, 20:70-71. May-June.
Lombard, Chris Johannes 1974. 'n Ondersoek na die jeugtoneel met betrekking tot die eietydse adolessent. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Lombard, Chris 1985. Die Natalse Raad vir die Uitvoerende Kunste (1964-1983). The Natal Performing Arts Council, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 97-99.
Lombard, Chris 1983. Rol van ‘n verantwoordelike jeugteater met betrekking tot die eietydse adolessent. Fasette, 2(2):4-10.
London, Todd 1986. Theatre focus: Hudson Guild Theatre and Duma Ndlovu. Theatre Times, 6(1):10.
Long, Kathryn Louise 1985. The past and future with apartheid: the function of temporal elements in eight plays by Athol Fugard. Unpublished doctoral dissertation. Ann Arbor, MI: University of Michigan.
Loopbaan as teatertegnikus. 1971. My Loopbaan, 22:123-124. Augustus.
Loots, Lliane 1995 Colonised bodies: overcoming gender construction of bodies in dance and movement education in South Africa. South African Theatre Journal, 9(2):51-59.
Loots, Lliane 1996. “The personal is political”: gender in the context of apartheid South Africa: a look at two women playwrights. South African Theatre Journal, 10(1):63-70.
Loots, Lliane 1997. Re-remembering protest theatre in South Africa: a gendered review of the historical and cultural production of knowledge around two plays: The Hungry Earth and You Strike the Woman, You Strike the Rock. Critical Arts, 11(1&2):142-152.
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
