Difference between revisions of "The Miller's Maid"
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1837: Performed by the [[Private Amateur Company]] on 31 July 1837 in the [[Cape Town Theatre]], as afterpiece to ''[[The Vampire, or The Bride of the Isles]]'' (Planché). | 1837: Performed by the [[Private Amateur Company]] on 31 July 1837 in the [[Cape Town Theatre]], as afterpiece to ''[[The Vampire, or The Bride of the Isles]]'' (Planché). | ||
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| + | 1862: A piece billed as ''[[The Maid of the Mill]]'' was performed by [[Clara Tellett]] and her company in the [[Theatre Royal]], Cape Town, on 2 August, with ''[[Love in Humble Life]]'' (Scribé/Payne) and ''[[A Perfect Cure]]'' (Sapte). Though the text performed is most likely to have been Bickerstaffe's comic opera ''[[The Maid of the Mill]]'', [[F.C.L. Bosman]] (1980, p. 131 footnote 459), suggests that the work performed may have been a version of Saville's play. (For some inscrutable reason Bosman refers to Bickerstaffe's work as ''[[The Maid and the Mail]]''.) | ||
== Sources == | == Sources == | ||
Revision as of 06:12, 24 August 2020
The Miller's Maid is a melodrama in two acts by John Faucit Saville (1783?–1853)[1]
Contents
The original text
Founded on a like-named poem by Robert Bloomfield (1766-1823)[2], with the songs principally selected from his works as well, it was first performed at the Theatre Royal, English Opera House, London, in 1821, and printed for the author by Longman et al in the same year.
Translations and adaptations
Performance history in South Africa
1830: Performed in Cape Town in English by H. Booth and local amateurs on 24 July, as an afterpiece to Pizarro, or The Death of Rolla (Von Kotzebue, credited to Sheridan).
1832: Performed on 22 September in the Cape Town Theatre, Cape Town, by All the World's a Stage with The Soldier's Daughter (Cherry) and Jack at the Cape, or All Alive Among the Hottentots! (Booth).
1837: Performed by the Private Amateur Company on 31 July 1837 in the Cape Town Theatre, as afterpiece to The Vampire, or The Bride of the Isles (Planché).
1862: A piece billed as The Maid of the Mill was performed by Clara Tellett and her company in the Theatre Royal, Cape Town, on 2 August, with Love in Humble Life (Scribé/Payne) and A Perfect Cure (Sapte). Though the text performed is most likely to have been Bickerstaffe's comic opera The Maid of the Mill, F.C.L. Bosman (1980, p. 131 footnote 459), suggests that the work performed may have been a version of Saville's play. (For some inscrutable reason Bosman refers to Bickerstaffe's work as The Maid and the Mail.)
Sources
https://catalog.hathitrust.org/Record/009604055
http://www.oxforddnb.com/index/49/101049703/
Saville, J. Faucit. (1821). The Miller's Maid: A Melo-drama in Two Acts. London: Printed for the author, and sold by Longman [etc.]. Facsimile version, Hathi Trust Digital Library[3]
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [4]: pp. 207, 214, 224
Go to ESAT Bibliography
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