Difference between revisions of "ESAT Bibliography Gl-Go"
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− | Glasser, Mona 1960. King Kong: A Venture in the Theatre. Cape Town: Howell. | + | [[Mona Glasser|Glasser, Mona]] 1960. ''King Kong: A Venture in the Theatre''. Cape Town: Howell. |
− | Gleuck, Germaine 1984. Standard Bank Festival of the Arts: 10th anniversary celebration. Scenaria, (45):19-23. | + | [[Germaine Gleuck|Gleuck, Germaine]] 1984. Standard Bank [[National Arts Festival|Festival of the Arts]]: 10th anniversary celebration. ''Scenaria'', (45):19-23. |
− | + | [[Germaine Gleuck|Gleuck, Germaine]] 1985. [[Rogaly, Frank|Frank Rogaly]] : South Africa’s ‘Mr Theatre’. ''Scenaria'', (49):41-43. | |
− | Gleuck, Germaine 1986a. Dance takes centre spotlight at Grahamstown Festival. Scenaria, (65):9-15. | + | [[Germaine Gleuck|Gleuck, Germaine]] 1986a. Dance takes centre spotlight at [[National Arts Festival|Grahamstown Festival]]. ''Scenaria'', (65):9-15. |
− | + | [[Germaine Gleuck|Gleuck, Germaine]] 1986b. The Port Elizabeth [[Opera House]] : past and present. ''Scenaria'', (62):6-11. | |
− | + | [[Germaine Gleuck|Gleuck, Germaine]] 1986c. The Port Elizabeth [[Opera House]] : the interior. ''Scenaria'', (62):16-18. | |
− | Goddard, Kevin 2009. Romeo and Juliet, Helen Wilkins: theatre review. Shakespeare in Southern Africa, 21(1):87-88. | + | [[Kevin Goddard|Goddard, Kevin]] 2009. Romeo and Juliet, [[Wilkins, Helen|Helen Wilkins]]: theatre review. ''Shakespeare in Southern Africa'', 21(1):87-88. |
− | Gomes, L. 1980. Ons klein sterre maak groot geld. Huisgenoot, 140-143. October 9. | + | [[L. Gomes|Gomes, L.]] 1980. Ons klein sterre maak groot geld. Huisgenoot, 140-143. October 9. |
− | Goodall, Sallyann 1979. Theatre workshop: a report on the theatre workshop for Natal schools, organized by SAITT Natal Branch, on 10th Feb. Scenaria, (13):38. | + | [[Sallyann Goodall|Goodall, Sallyann]] 1979. Theatre workshop: a report on the theatre workshop for Natal schools, organized by SAITT Natal Branch, on 10th Feb. Scenaria, (13):38. |
− | Goodman, L. 1984. Sholem Aleichem and the Yiddish theatre. Jewish Affairs, 39(11):18-20. | + | [[L. Goodman|Goodman, L.]] 1984. [[Aleichem, Sholem|Sholem Aleichem]] and the Yiddish theatre. Jewish Affairs, 39(11):18-20. |
− | Goodman, Lizbeth 1994. Teaching feminist theatres: Stages between theory and practice. South African Theatre Journal, 8(1):3-23. | + | [[Lizbeth Goodman|Goodman, Lizbeth]] 1994. Teaching feminist theatres: Stages between theory and practice. South African Theatre Journal, 8(1):3-23. |
− | Goodman, Ralph 2002. Fools, Bells and The | + | [[Ralph Goodman|Goodman, Ralph]] 2002. ''[[Fools]]'', ''[[Bells]]'' and ''[[The Habit of Eating]]''; three satires, by [[Mda, Zakes|Zakes Mda]]. Reviewed in: ''South African Theatre Journal'', 16:241-243. |
− | Goosen, | + | [[Helena Goosen|Goosen, Helena]] 1985. Bard of the Baakens. ''South African Panorama'', 30(9) 18-23. |
− | Goosen, Helena 1986. Campus theatre ’86. South African Panorama, 31(8):10-17. | + | [[Helena Goosen|Goosen, Helena]] 1986. Campus theatre ’86. ''South African Panorama'', 31(8):10-17. |
− | Gorak, Jan 1989. Nothing to root for: Zakes Mda and South African resistance theatre. Theatre Journal, 41(4):478-491. | + | [[Jan Gorak|Gorak, Jan]] 1989. Nothing to root for: [[Mda, Zakes|Zakes Mda]] and South African resistance theatre. ''Theatre Journal'', 41(4):478-491. |
− | Gordon, A. 1990. The role of cultural expression in the struggle for non-racial democracy in South Africa: with particular emphasis on music, theatre and the changing philosophy of of the cultural boycott in South Africa. Unpublished master’s thesis. Cambridge, Mass.: Harvard Law School. | + | [[A. Gordon|Gordon, A.]] 1990. The role of cultural expression in the struggle for non-racial democracy in South Africa: with particular emphasis on music, theatre and the changing philosophy of of the cultural boycott in South Africa. Unpublished master’s thesis. Cambridge, Mass.: Harvard Law School. |
− | Gordon, Robert John 1974. Some aspects of symbolic form in drama. Unpublished master’s thesis. Durban: University of Natal. | + | [[Robert John Gordon|Gordon, Robert John]] 1974. Some aspects of symbolic form in drama. Unpublished master’s thesis. Durban: University of Natal. |
− | Gordon Robert 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa, in Brater, Enoch (ed.). Arthur Miller's Global Theater. Ann Arbor, MI: University of Michigan Press. 66-77. | + | [[Robert Gordon|Gordon Robert]] 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa, in [[Enoch Brater|Brater, Enoch]] (ed.). ''Arthur Miller's Global Theater''. Ann Arbor, MI: University of Michigan Press. 66-77. |
Gosher, Sydney Paul 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa. | Gosher, Sydney Paul 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa. |
Revision as of 12:05, 19 January 2011
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Glasser, Mona 1960. King Kong: A Venture in the Theatre. Cape Town: Howell.
Gleuck, Germaine 1984. Standard Bank Festival of the Arts: 10th anniversary celebration. Scenaria, (45):19-23.
Gleuck, Germaine 1985. Frank Rogaly : South Africa’s ‘Mr Theatre’. Scenaria, (49):41-43.
Gleuck, Germaine 1986a. Dance takes centre spotlight at Grahamstown Festival. Scenaria, (65):9-15.
Gleuck, Germaine 1986b. The Port Elizabeth Opera House : past and present. Scenaria, (62):6-11.
Gleuck, Germaine 1986c. The Port Elizabeth Opera House : the interior. Scenaria, (62):16-18.
Goddard, Kevin 2009. Romeo and Juliet, Helen Wilkins: theatre review. Shakespeare in Southern Africa, 21(1):87-88.
Gomes, L. 1980. Ons klein sterre maak groot geld. Huisgenoot, 140-143. October 9.
Goodall, Sallyann 1979. Theatre workshop: a report on the theatre workshop for Natal schools, organized by SAITT Natal Branch, on 10th Feb. Scenaria, (13):38.
Goodman, L. 1984. Sholem Aleichem and the Yiddish theatre. Jewish Affairs, 39(11):18-20.
Goodman, Lizbeth 1994. Teaching feminist theatres: Stages between theory and practice. South African Theatre Journal, 8(1):3-23.
Goodman, Ralph 2002. Fools, Bells and The Habit of Eating; three satires, by Zakes Mda. Reviewed in: South African Theatre Journal, 16:241-243.
Goosen, Helena 1985. Bard of the Baakens. South African Panorama, 30(9) 18-23.
Goosen, Helena 1986. Campus theatre ’86. South African Panorama, 31(8):10-17.
Gorak, Jan 1989. Nothing to root for: Zakes Mda and South African resistance theatre. Theatre Journal, 41(4):478-491.
Gordon, A. 1990. The role of cultural expression in the struggle for non-racial democracy in South Africa: with particular emphasis on music, theatre and the changing philosophy of of the cultural boycott in South Africa. Unpublished master’s thesis. Cambridge, Mass.: Harvard Law School.
Gordon, Robert John 1974. Some aspects of symbolic form in drama. Unpublished master’s thesis. Durban: University of Natal.
Gordon Robert 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa, in Brater, Enoch (ed.). Arthur Miller's Global Theater. Ann Arbor, MI: University of Michigan Press. 66-77.
Gosher, Sydney Paul 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa.
Gous, Martha Susanna 1990. Die Afrikaanse aktualiteitsdrama van die tagtigerjare. Unpublished master’s thesis. Pretoria: University of Pretoria.
Gouws, John 1990. Foucault and Shakespeare’s pedants, dotards, and drunks. Literator, 11(3):29-41.
Govender, Krijay 2000. Challenging the identity of South African Indian women through playwriting, and theatre : a look at three South African Indian women playwrights within the KwaZulu-Natal region post-1994. Unpublished master’s thesis. Durban: University of Natal.
Govender, Kubeshni 1996. Exploring text and con-text: analysis of Ordinary people: the peacemakers (1993); television review. Reviewed in: South African Theatre Journal, 10(2):193-199.
Govender, Ronnie 2008. In The Manure: Memories and Reflections. Claremont: David Philip.
Government White Paper on the creative arts. 1986. Scenaria, (65): 20.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance