Difference between revisions of "ESAT Bibliography Cor-Cri"
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| + | ==The List== | ||
| + | [[L. Coray-Dapretto|Coray-Dapretto, L.]] 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal. | ||
| − | [[ | + | [[Lorenza Coray-Dapretto|Coray-Dapretto, Lorenza]] 1996. Le théâtre communautaire sud-africain: au rhyme de l'autre. Paris: L'Harmattan. |
| − | [[Carohn Cornell|Cornell, Carohn]] 1988. Cape Town scenes: using short plays in class. Crux, 22(2):4-9. April. | + | [[Carohn Cornell|Cornell, Carohn]] 1988. Cape Town scenes: using short plays in class. ''Crux'', 22(2):4-9. April. |
[[Carohn Cornell|Cornell, Carohn]] 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town. | [[Carohn Cornell|Cornell, Carohn]] 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town. | ||
| + | |||
| + | [[Gareth Cornwell|Cornwell, Gareth]], [[Dirk Klopper|Klopper, Dirk]] and [[Craig Mackenzie|Mackenzie, Craig]]. 2012. ''The Columbia Guide to South African Literature in English Since 1945'' [[Google E-book]][https://books.google.co.za/books?id=j2j_ieNDsU4C&dq=Anthony+Delius&hl=af&source=gbs_navlinks_s] | ||
| − | Corporate sponsorship of the arts. 1981. Scenaria, (26):27. | + | Corporate sponsorship of the arts. 1981. ''[[Scenaria]]'', (26):27. |
| − | The [[Corsair Drama Group]] and [[Siener in die Suburbs]]. 1978. Scenaria, (9):37, 39. | + | The [[Corsair Drama Group]] and [[Siener in die Suburbs]]. 1978. ''[[Scenaria]]'', (9):37, 39. |
| − | [[Michael Cosser|Cosser, Michael]] 1991. Dramatic discourse in the foreground of The Hill. ''South African Theatre Journal'', 5(2):66-79. | + | [[Michael Cosser|Cosser, Michael]] 1991. Dramatic discourse in the foreground of ''[[The Hill]]''. ''[[South African Theatre Journal]]'', 5(2):66-79. |
[[G. Counihan|Counihan, G.]] & [[W. de Bruin|De Bruin, W.]] 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. ''Finance Week'', 27(90042):33-35. | [[G. Counihan|Counihan, G.]] & [[W. de Bruin|De Bruin, W.]] 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. ''Finance Week'', 27(90042):33-35. | ||
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[[G. Counihan|Counihan, G.]] & [[W. de Bruin|De Bruin, W.]] 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. ''Finansies & Tegniek'', 159(9):33-35. | [[G. Counihan|Counihan, G.]] & [[W. de Bruin|De Bruin, W.]] 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. ''Finansies & Tegniek'', 159(9):33-35. | ||
| − | [[Tim Couzens|Couzens, Tim]] 1985. ''The New African: A Study of The Life and Work of [[ | + | [[Tim Couzens|Couzens, Tim]] 1985. ''The New African: A Study of The Life and Work of [[H.I.E. Dhlomo]]''. Johannesburg: Ravan Press. |
| − | [[Tim Couzens|Couzens, Tim]] 1988. A moment in the past: William Tsikinya-Chaka. ''Shakespeare in Southern Africa'', 2:60-66. | + | [[Tim Couzens|Couzens, Tim]] 1988. A moment in the past: [[William Tsikinya-Chaka]]. ''Shakespeare in Southern Africa'', 2:60-66. |
[[M. Coveney|Coveney, M.]] 1973. Challenging the silence (interview). ''Plays and Players'', 21 (2):34-37. | [[M. Coveney|Coveney, M.]] 1973. Challenging the silence (interview). ''Plays and Players'', 21 (2):34-37. | ||
| + | |||
| + | [[Deborah Cowley|Cowley, Deborah]] 1990. Athol Fugard's Voice of Conscience. ''Reader's Digest'' December 1990: pp. 41-46. | ||
| + | |||
| + | [[Emma Cox|Cox, Emma]] 2012. Victimhood, Hope and the Refugee Narrative: Affective Dialectics in [[Magnet Theatre]]'s ''[[Every Year, Every Day, I Am Walking]]''. ''Theatre Research International'', 37 (2):118-133. | ||
[[Frances Jayne Cox|Cox, Frances Jayne]] 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University. | [[Frances Jayne Cox|Cox, Frances Jayne]] 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University. | ||
[[Pareick Coyne|Coyne, Pareick]] 1988. Play production in the primary school. ''Crux'', 22(4):2-10. October. | [[Pareick Coyne|Coyne, Pareick]] 1988. Play production in the primary school. ''Crux'', 22(4):2-10. October. | ||
| + | |||
| + | [[Clare Craighead|Craighead, Clare]] 2010. When the rainbow is not enough: Site-specificity, the body as a site, multiculturalism and intercultural practice in [[Jay Pathers]]'s ''[[CityScapes]]'' (Durban, 2002). ''[[South African Theatre Journal]]'', 24:259-278. | ||
[[Archie Crail|Crail, Archie]] 1993. In search of a character. ''Canadian Theatre Review'', 74:73-77. | [[Archie Crail|Crail, Archie]] 1993. In search of a character. ''Canadian Theatre Review'', 74:73-77. | ||
| − | [[A.M. Crake|Crake, A.M.]] 1986. The [[Port Elizabeth Opera House]] : the architect’s view. ''Scenaria'', (62) :13-15. | + | [[A.M. Crake|Crake, A.M.]] 1986. The [[Port Elizabeth Opera House]] : the architect’s view. ''[[Scenaria]]'', (62) :13-15. |
[[A. Creux|Creux, A.]] 1965. Shakespeare at [[Maynardville]]. ''Lantern'', 15(1):55-59. | [[A. Creux|Creux, A.]] 1965. Shakespeare at [[Maynardville]]. ''Lantern'', 15(1):55-59. | ||
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[[J.V.Crewe|Crewe, J.V.]] 1972. Place for [[H.W.D.Manson|Manson]]? ''Standpunte'', 25(3):19-31. February. | [[J.V.Crewe|Crewe, J.V.]] 1972. Place for [[H.W.D.Manson|Manson]]? ''Standpunte'', 25(3):19-31. February. | ||
| − | [[J.V.Crewe|Crewe, J.V.]] 1973. [[ | + | [[J.V.Crewe|Crewe, J.V.]] 1973. [[H.W.D. Manson]], in [[Alan Lennox-Short|Lennox-Short, Alan]] (ed.). ''English and South Africa''. Cape Town: Nasou. 87-89. |
Crisis of African theatre. 1973. ''Business South Africa'', 8(4):32-33. April. | Crisis of African theatre. 1973. ''Business South Africa'', 8(4):32-33. April. | ||
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The List
Coray-Dapretto, L. 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.
Coray-Dapretto, Lorenza 1996. Le théâtre communautaire sud-africain: au rhyme de l'autre. Paris: L'Harmattan.
Cornell, Carohn 1988. Cape Town scenes: using short plays in class. Crux, 22(2):4-9. April.
Cornell, Carohn 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town.
Cornwell, Gareth, Klopper, Dirk and Mackenzie, Craig. 2012. The Columbia Guide to South African Literature in English Since 1945 Google E-book[1]
Corporate sponsorship of the arts. 1981. Scenaria, (26):27.
The Corsair Drama Group and Siener in die Suburbs. 1978. Scenaria, (9):37, 39.
Cosser, Michael 1991. Dramatic discourse in the foreground of The Hill. South African Theatre Journal, 5(2):66-79.
Counihan, G. & De Bruin, W. 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. Finance Week, 27(90042):33-35.
Counihan, G. & De Bruin, W. 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. Finansies & Tegniek, 159(9):33-35.
Couzens, Tim 1985. The New African: A Study of The Life and Work of H.I.E. Dhlomo. Johannesburg: Ravan Press.
Couzens, Tim 1988. A moment in the past: William Tsikinya-Chaka. Shakespeare in Southern Africa, 2:60-66.
Coveney, M. 1973. Challenging the silence (interview). Plays and Players, 21 (2):34-37.
Cowley, Deborah 1990. Athol Fugard's Voice of Conscience. Reader's Digest December 1990: pp. 41-46.
Cox, Emma 2012. Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre's Every Year, Every Day, I Am Walking. Theatre Research International, 37 (2):118-133.
Cox, Frances Jayne 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University.
Coyne, Pareick 1988. Play production in the primary school. Crux, 22(4):2-10. October.
Craighead, Clare 2010. When the rainbow is not enough: Site-specificity, the body as a site, multiculturalism and intercultural practice in Jay Pathers's CityScapes (Durban, 2002). South African Theatre Journal, 24:259-278.
Crail, Archie 1993. In search of a character. Canadian Theatre Review, 74:73-77.
Crake, A.M. 1986. The Port Elizabeth Opera House : the architect’s view. Scenaria, (62) :13-15.
Creux, A. 1965. Shakespeare at Maynardville. Lantern, 15(1):55-59.
Crewe, J.V. 1972. Place for Manson? Standpunte, 25(3):19-31. February.
Crewe, J.V. 1973. H.W.D. Manson, in Lennox-Short, Alan (ed.). English and South Africa. Cape Town: Nasou. 87-89.
Crisis of African theatre. 1973. Business South Africa, 8(4):32-33. April.
Crisis of African theatre: discussion. 1973. Business South Africa, 8(5):7.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
