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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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==The list==
  
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[[D.C. Cronjé|Cronjé, D.C.]] 1986.  NDP wys sy slag in die toneelwêreld. ''Paratus'', 37(1):60-61.
  
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[[Geoff Cronjé|Cronjé, G.]] 1967. Dramakuns naas woordkuns en dramawetenskap naas literatuurwetenskap. ''[[Tydskrif vir Geesteswetenskappe]]'', 7:446-454.
  
Cronjé, D.C. 1986NDP wys sy slag in die toneelwereld. Paratus, 37(1) : 60-61.
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[[Geoff Cronjé|Cronjé, G.]] 1971''Die Drama as Speelstuk''. Johannesburg: Voortrekkerpers.
  
Cronjé, G. 1967. Dramakuns naas woordkuns en dramawetenskap naas literatuurwetenskap. Tydskrif vir geesteswetenskappe, 7: 446-454.
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[[J. Cronjé|Cronjé, J.]] 1972. [[Gerhard J. Beukes|Gerhard Beukes]] gehuldig. ''[[Die Taalgenoot]]'', 41(2):11. January.
  
Cronjé, G. 1971. Die Drama as Speelstuk. Johannesburg: Voortrekkerpers.
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[[Jan Cronjé|Cronjé, Jan]] 1985. Op die toneelswerfpad, in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 78-92.
  
Cronjé, J. 1972. Gerhard Beukes gehuldig. Taalgenoot, 41(2): 11. January.
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[[E. Crous|Crous, E.]] 1985a. Donkerkop het durf. [[Golda Raff]] ''Sarie'', 36-37. December 18.
  
Cronjé, Jan 1985. Op die toneelswerfpad. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 78-82.
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[[E. Crous|Crous, E.]] 1985b. Plesierige paar : ([[Rika Sennett]] en [[James Borthwick]]). ''Sarie'', 142-143. November 6.
  
Crous, E. 1985a. Donkerkop het durf. [Golda Raff]. Sarie, 36-37. December 18.
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[[M.L. Crous|Crous, M.L.]] 1991. Karakterisering in ''[[Christine]]'': ’n Jungiaanse perspektief. ''Literator'', 12(3):103-110.
  
Crous, E. 1985b. Plesierige paar : [Rika Sennett en James Borthwick]. Sarie, 142-143. November 6.
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[[M.L. Crous|Crous, M.L.]] 1992. Al speel ek hoe goed, ek gaan nog bly : drie voorbeelde van spel-binne-die spel (''[[Die Heks]]'' by [[C. Louis Leipoldt|Louis Leipoldt]], ''[[Nagspel]]'' by [[Chris Barnard]], ''[[Diepe Grond]]'' by [[Reza de Wet]]. ''Klasgids'', 27(1):45-48.  
  
Crous, M.L. 1991. Karakterisering in Christine: ’n Jungiaanse perspektief. Literator, 12(3): 103-110.
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[[Brian Crow|Crow, Brian]] 1986. ''Theatre and Cultural Struggle in South Africa'', by [[Robert Kavanagh]]. Reviewed in: ''Theatre Research International'', 11(2):179-182.
  
Crow, Brian 1996a. Athol Fugard and the South African ‘workshop’ play. In Crow Brian . An introduction to post-colonial theatre. Cambridge: Cambridge University Press, p. 96-111.
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[[Brian Crow|Crow, Brian]] 1996a. [[Athol Fugard]] and the South African ‘workshop’ play, in  [[Brian Crow]] . ''An Introduction to Post-Colonial Theatre''. Cambridge: Cambridge University Press, 96-111.
  
Crow, Brian 1996b. ‘A truly living moment’: acting and the Statements plays. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 13-24.
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[[Brian Crow|Crow, Brian]] 1996b. ‘A truly living moment’: acting and the ''Statements'' plays, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 13-24.
  
Crow, Brian  2002. African metatheater: criticizing society, celebrating the stage Research in African literatures, 33(1): 133-143.
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[[Brian Crow|Crow, Brian]] 2002. African metatheater: criticizing society, celebrating the stage ''Research in African Literatures'', 33(1):133-143.
  
Cruywagen, Eben 1993. The radio drama and the radio feature in South Africa : a comparative study. Durban: University of Durban-Westville. (M.A. (Drama) thesis).
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[[Brian Crow|Crow, Brian]]  2003. ''Shakespeare in South Africa: Stage Production during the Apartheid Era'', by [[Rohan Quince]]. Reviewed in: ''New Theatre Quarterly'',19(3):291-293.
  
Cruywagen, Eben 1999a. Dance, media entertainment and popular theatre in South East Africa, by David Kerr. Reviewed in: South African theatre journal, 13(1&2):197-202.
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[[E. Crowther|Crowther, E.]] 1983. Teaching ''[[The Merchant of Venice]]'' to Standard 8: English. ''Educamus'' 29(5):
  
Cruywagen, Eben 1999b. Luister-leer: die opvoedkundige moontlikhede van die hoorspel in Suid-Afrika. Stellenbosch: Universiteit van Stellenbsoch. (D Phil-verhandeling.)
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[[Eben Cruywagen|Cruywagen, Eben]] 1993. The radio drama and the radio feature in South Africa : a comparative study. Unpublished master's thesis. Durban: [[University of Durban-Westville]].
  
Cruywagen, Eben 2002. African broadcast cultures.  Radio in transition, edited by R. Fardon & G. Furniss. Reviewed in: South African Theatre Journal, 16:230 – 240.
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[[Eben Cruywagen|Cruywagen, Eben]] 1999a. ''Dance, Media Entertainment and Popular Theatre in South East Africa'', by [[David Kerr]]. Reviewed in: ''[[South African Theatre Journal]]'', 13(1&2):197-202.
  
Cruywagen, Eben 2002. Report on the Klein Karoo National Arts Festival (KKNK) 2002. South African theatre journal, 16: 190 – 191.
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[[Eben Cruywagen|Cruywagen, Eben]] 1999b. Luister-leer: die opvoedkundige moontlikhede van die hoorspel in Suid-Afrika. Unpublished doctoral dissertataion. Stellenbosch: [[Universiteit van Stellenbsoch]].
  
Cruywagen, W.A. 1985. Windybrow : Pact’s new home in Johannesburg. Scenaria, (50) : 3-4.
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[[Eben Cruywagen|Cruywagen, Eben]] 2002.  ''African Broadcast Cultures.  Radio in Transition'', edited by R. Fardon & G. Furniss. Reviewed in: ''[[South African Theatre Journal]]'', 16:230 – 240.
  
Culture is breaking out all over: a rush of opera houses. 1967. Construction in Southern Africa, 12(6): 71-79.
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[[Eben Cruywagen|Cruywagen, Eben]] 2002. Report on the [[Klein Karoo National Arts Festival]] ([[KKNK]]) 2002. ''South African Theatre Journal'', 16:190 – 191.
Curtain call – theatrical photography. Creative photography, 5(11) : 23-28.
 
  
Curtis, Stephen 1979. The playwright’s dilemma. Scenaria, (15): 3.
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[[W.A. Cruywagen|Cruywagen, W.A.]] 1985. [[Windybrow]] : [[PACT]]’s new home in Johannesburg. ''[[Scenaria]]'', (50):3-4.
  
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Culture is breaking out all over: a rush of opera houses. 1967. ''Construction in Southern Africa'', 12(6):71-79.
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 +
[[Kate Cunningham|Cunningham, Kate]] 1978. Public I: ''Absurd Person Singular''. Reviewed in: ''Speak'', 1(4):51-52.
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Curtain call – theatrical photography. ''Creative Photography'',  5(11):23-28.
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Curtains up on [[Diane Wilson]]. 1963. ''Femina and Woman's Life'', June 6:54-57.
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[[Stephen Curtis|Curtis, Stephen]] 1979. The playwright’s dilemma.  ''[[Scenaria]]'', (15):3.
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Czarnecki, M. 1983. ''[[Master Harold… and the boys]]''. Reviews. ''Maclean’s'', 96:70. Sept 26.
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==Return to==
  
 
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The list

Cronjé, D.C. 1986. NDP wys sy slag in die toneelwêreld. Paratus, 37(1):60-61.

Cronjé, G. 1967. Dramakuns naas woordkuns en dramawetenskap naas literatuurwetenskap. Tydskrif vir Geesteswetenskappe, 7:446-454.

Cronjé, G. 1971. Die Drama as Speelstuk. Johannesburg: Voortrekkerpers.

Cronjé, J. 1972. Gerhard Beukes gehuldig. Die Taalgenoot, 41(2):11. January.

Cronjé, Jan 1985. Op die toneelswerfpad, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 78-92.

Crous, E. 1985a. Donkerkop het durf. Golda Raff Sarie, 36-37. December 18.

Crous, E. 1985b. Plesierige paar : (Rika Sennett en James Borthwick). Sarie, 142-143. November 6.

Crous, M.L. 1991. Karakterisering in Christine: ’n Jungiaanse perspektief. Literator, 12(3):103-110.

Crous, M.L. 1992. Al speel ek hoe goed, ek gaan nog bly : drie voorbeelde van spel-binne-die spel (Die Heks by Louis Leipoldt, Nagspel by Chris Barnard, Diepe Grond by Reza de Wet. Klasgids, 27(1):45-48.

Crow, Brian 1986. Theatre and Cultural Struggle in South Africa, by Robert Kavanagh. Reviewed in: Theatre Research International, 11(2):179-182.

Crow, Brian 1996a. Athol Fugard and the South African ‘workshop’ play, in Brian Crow . An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press, 96-111.

Crow, Brian 1996b. ‘A truly living moment’: acting and the Statements plays, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 13-24.

Crow, Brian 2002. African metatheater: criticizing society, celebrating the stage Research in African Literatures, 33(1):133-143.

Crow, Brian 2003. Shakespeare in South Africa: Stage Production during the Apartheid Era, by Rohan Quince. Reviewed in: New Theatre Quarterly,19(3):291-293.

Crowther, E. 1983. Teaching The Merchant of Venice to Standard 8: English. Educamus 29(5):

Cruywagen, Eben 1993. The radio drama and the radio feature in South Africa : a comparative study. Unpublished master's thesis. Durban: University of Durban-Westville.

Cruywagen, Eben 1999a. Dance, Media Entertainment and Popular Theatre in South East Africa, by David Kerr. Reviewed in: South African Theatre Journal, 13(1&2):197-202.

Cruywagen, Eben 1999b. Luister-leer: die opvoedkundige moontlikhede van die hoorspel in Suid-Afrika. Unpublished doctoral dissertataion. Stellenbosch: Universiteit van Stellenbsoch.

Cruywagen, Eben 2002. African Broadcast Cultures. Radio in Transition, edited by R. Fardon & G. Furniss. Reviewed in: South African Theatre Journal, 16:230 – 240.

Cruywagen, Eben 2002. Report on the Klein Karoo National Arts Festival (KKNK) 2002. South African Theatre Journal, 16:190 – 191.

Cruywagen, W.A. 1985. Windybrow : PACT’s new home in Johannesburg. Scenaria, (50):3-4.

Culture is breaking out all over: a rush of opera houses. 1967. Construction in Southern Africa, 12(6):71-79.

Cunningham, Kate 1978. Public I: Absurd Person Singular. Reviewed in: Speak, 1(4):51-52.

Curtain call – theatrical photography. Creative Photography, 5(11):23-28.

Curtains up on Diane Wilson. 1963. Femina and Woman's Life, June 6:54-57.

Curtis, Stephen 1979. The playwright’s dilemma. Scenaria, (15):3.

Czarnecki, M. 1983. Master Harold… and the boys. Reviews. Maclean’s, 96:70. Sept 26.

Return to

Click on the appropriate letters of the alphabet in the sub-list below.

Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance