Difference between revisions of "ESAT Bibliography Nk-Nz"
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Nkate, I. 2004. Tall horse. ([[Handspring Puppet Company]], [[Tall Horse]]) ''Rootz Africa'', 7(12):14-16,18,20-21. | Nkate, I. 2004. Tall horse. ([[Handspring Puppet Company]], [[Tall Horse]]) ''Rootz Africa'', 7(12):14-16,18,20-21. | ||
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| + | [[Naomi Nkealah|Nkealah, Naomi]] 2012. ‘Self-fashioning through queer sex’: A case study of two student theatre performances. ''[[South African Theatre Journal]]'', 26(3):259-269. | ||
[[Lewis Nkosi|Nkosi, Lewis]] 1981. ''Tasks and Masks: Themes and Styles of African Literature''. London: Longman. | [[Lewis Nkosi|Nkosi, Lewis]] 1981. ''Tasks and Masks: Themes and Styles of African Literature''. London: Longman. | ||
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[[Lewis Nkosi|Nkosi, Lewis]] 1998. Postmodernism and black writing in South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 75-90. | [[Lewis Nkosi|Nkosi, Lewis]] 1998. Postmodernism and black writing in South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 75-90. | ||
| − | [[Khulisiwe Judith Nkuna|Nkuna, Khulisiwe Judith]] 2001. Portrayal of women in siSwati drama. Unpublished master’s thesis. Empangeni: University of Zululand. | + | [[Khulisiwe Judith Nkuna|Nkuna, Khulisiwe Judith]] 2001. ''Portrayal of women in siSwati drama''. Unpublished master’s thesis. Empangeni: [[University of Zululand]]. |
No theatrical airs with this system [theatres – security]. 1986. ''[[Scenaria]]'', (63):35. | No theatrical airs with this system [theatres – security]. 1986. ''[[Scenaria]]'', (63):35. | ||
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[[Ntshieng Mokgoro]]: drama 2009. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 202-203. | [[Ntshieng Mokgoro]]: drama 2009. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 202-203. | ||
| − | C.D. Ntuli|Ntuli, C.D.]] 2006. Of kings, jesters and fools: the insignifically significant role of minro characters in selected isiZulu dramas. ( | + | [[C.D. Ntuli|Ntuli, C.D.]] 2006. Of kings, jesters and fools: the insignifically significant role of minro characters in selected isiZulu dramas. (''[[Inkinga yomendo]]''; ''[[Mageba lazihlonza]]'') ''South African Journal of African Languages'', 26(4): |
[[D.B.Z. Ntuli|Ntuli, D.B.Z.]] and [[C.F. Swanepoel|Swanepoel, C.F.]] 1993. ''Southern African Literatures in African Languages: A Concise Historical Perspective''. Pretoria: Acacia. | [[D.B.Z. Ntuli|Ntuli, D.B.Z.]] and [[C.F. Swanepoel|Swanepoel, C.F.]] 1993. ''Southern African Literatures in African Languages: A Concise Historical Perspective''. Pretoria: Acacia. | ||
Latest revision as of 06:13, 27 February 2023
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Nkate, I. 2004. Tall horse. (Handspring Puppet Company, Tall Horse) Rootz Africa, 7(12):14-16,18,20-21.
Nkealah, Naomi 2012. ‘Self-fashioning through queer sex’: A case study of two student theatre performances. South African Theatre Journal, 26(3):259-269.
Nkosi, Lewis 1981. Tasks and Masks: Themes and Styles of African Literature. London: Longman.
Nkosi, Lewis,1992. Interviewed by Kevin Goddard , in Kevin Goddard & Wessels, Charles (eds.). Out of Exile: South African Writers Speak: Interviews with Albie Sachs, Lewis Nkosi, Mbulelo Mzamane, Breyten Breytenbach, Denis Brutus, Keorapetse Kgositsile. Grahamstown, National English Literary Museum. 26-36.
Nkosi, Lewis 1998. Postmodernism and black writing in South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 75-90.
Nkuna, Khulisiwe Judith 2001. Portrayal of women in siSwati drama. Unpublished master’s thesis. Empangeni: University of Zululand.
No theatrical airs with this system [theatres – security]. 1986. Scenaria, (63):35.
Nolte, E. 1982. Geure en kle(u)re in Periandros van Korinthe (D.J. Opperman), Haar Naam Was Hanna en Wie Onthou Vir Kinna? (Henriëtte Grové). Tydskrif vir Letterkunde, 20(4) : 79-91.
Norton, Judy 1962. Leonard Schach, producer. Personality, October 4:50-57.
Norton, Judy 1963. The many faces of Adam Leslie. Personality, November 14:99-104.
Novello, Ivor 1947. I plan to send or bring out other shows to the Union. Outspan. 45(1079):15-17. October 31.
Novicki, Margaret A. 1987. Interview with Duma Ndlovu and Mbongeni Ngema, creators of Black South Africa drama Asinamali. Africa Report, 32:36-39.
Noyce, M. 1984. Aspects of the structural design of the Natal Playhouse. South African Construction World, 3(10):38-47.
Ntshali, F. 1977. [Aspects of South African Black drama]. Speak, 1(1):57-58. December.
Ntshieng Mokgoro: drama 2009. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 202-203.
Ntuli, C.D. 2006. Of kings, jesters and fools: the insignifically significant role of minro characters in selected isiZulu dramas. (Inkinga yomendo; Mageba lazihlonza) South African Journal of African Languages, 26(4):
Ntuli, D.B.Z. and Swanepoel, C.F. 1993. Southern African Literatures in African Languages: A Concise Historical Perspective. Pretoria: Acacia.
Nunns, Stephen 2007. The Market turns a corner: the revolutionary South African theatre is facing a complex new century. American Theatre, 24(7):54-60.
Nuttall, S. 2004. Writing biography : an interview with Jon Hyslop, John Matshikiza and Mark Gevisser. Social Dynamics, 30(1):105-113.
Nyatsuma, K. 1990. Theatre in a rut. Tribute, January: 68-69.
Nyembe, R.T. 1998. The role of drama studies in a new education policy: a critical investigation of current curriculum proposals for educational drama. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
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