Difference between revisions of "Jim comes to Jo'burg"
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| − | + | The phrase [[Jim comes to Jo'burg]] can be a reference to: | |
| − | + | 1. a South African '''expression''' and/or '''literary theme'''. | |
| − | + | 2. a 1949 South African '''film''' | |
| − | + | ||
| + | = As a South African expression and literary theme= | ||
| − | The name of this | + | The name of this 1949 film came to be used as a (slightly denigrating) reference to a recurring theme in South African novels, plays and films dealing with the black experience. While it derives from the film of that name , it has its most compelling example in the canonical novel ''[[Cry, the Beloved Country]]'' by [[Alan Paton]] (which itself has seen three film versions made, plus a number of dramatized versions, over much of the 20th century). |
| + | |||
| + | In brief it follows the experiences (usually negative) of a rural character who comes to the city, and often deals with the tension between rural and urban life, customs and mores. | ||
| + | |||
| + | In theatre it is a constant and recurring theme, from the early works of [[H.I.E. Dhlomo]] and others, to the musicals of the sixties and even the protest theatre of the 1970’s and 1980’s. It is of course a specific example of the more general theme of urbanization, which is equally prominent in white South African writing, and especially [[Afrikaans]] writing. (See for example the famous novels about a character named ''[[Ampie]]'' by [[Jochem van Bruggen]], which were also dramatized.) | ||
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| + | = The film = | ||
| + | |||
| + | A film by this name was made by [[Eric Rutherford]] (producer) and [[Donald Swanson]] (Director) in 1949. (It was originally released under the title ''[[African Jim]]'') | ||
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| + | '''For film details see ''[[African Jim]]'' (1949)''' | ||
== Sources == | == Sources == | ||
| − | http://esaach.org.za/index.php?title=Jim-comes-to-Joburg | + | See also http://esaach.org.za/index.php?title=Jim-comes-to-Joburg |
== Return to == | == Return to == | ||
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Return to [[South_African_Films]] | Return to [[South_African_Films]] | ||
Latest revision as of 08:59, 18 November 2022
The phrase Jim comes to Jo'burg can be a reference to:
1. a South African expression and/or literary theme.
2. a 1949 South African film
As a South African expression and literary theme
The name of this 1949 film came to be used as a (slightly denigrating) reference to a recurring theme in South African novels, plays and films dealing with the black experience. While it derives from the film of that name , it has its most compelling example in the canonical novel Cry, the Beloved Country by Alan Paton (which itself has seen three film versions made, plus a number of dramatized versions, over much of the 20th century).
In brief it follows the experiences (usually negative) of a rural character who comes to the city, and often deals with the tension between rural and urban life, customs and mores.
In theatre it is a constant and recurring theme, from the early works of H.I.E. Dhlomo and others, to the musicals of the sixties and even the protest theatre of the 1970’s and 1980’s. It is of course a specific example of the more general theme of urbanization, which is equally prominent in white South African writing, and especially Afrikaans writing. (See for example the famous novels about a character named Ampie by Jochem van Bruggen, which were also dramatized.)
The film
A film by this name was made by Eric Rutherford (producer) and Donald Swanson (Director) in 1949. (It was originally released under the title African Jim)
For film details see African Jim (1949)
Sources
See also http://esaach.org.za/index.php?title=Jim-comes-to-Joburg
Return to
Return to South_African_Films
Return to South African Theatre Terminology and Thematic Entries
Return to The ESAT Entries
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