Difference between revisions of "ESAT Bibliography Cro-Cz"
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==The list== | ==The list== | ||
| − | [[D.C. Cronjé|Cronjé, D.C.]] 1986. NDP wys sy slag in die toneelwêreld. ''Paratus'', 37(1):60-61. | + | [[D.C. Cronjé|Cronjé, D.C.]] 1986. "NDP wys sy slag in die toneelwêreld". ''Paratus'', 37(1):60-61. |
[[Geoff Cronjé|Cronjé, G.]] 1967. Dramakuns naas woordkuns en dramawetenskap naas literatuurwetenskap. ''[[Tydskrif vir Geesteswetenskappe]]'', 7:446-454. | [[Geoff Cronjé|Cronjé, G.]] 1967. Dramakuns naas woordkuns en dramawetenskap naas literatuurwetenskap. ''[[Tydskrif vir Geesteswetenskappe]]'', 7:446-454. | ||
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[[J. Cronjé|Cronjé, J.]] 1972. [[Gerhard J. Beukes|Gerhard Beukes]] gehuldig. ''[[Die Taalgenoot]]'', 41(2):11. January. | [[J. Cronjé|Cronjé, J.]] 1972. [[Gerhard J. Beukes|Gerhard Beukes]] gehuldig. ''[[Die Taalgenoot]]'', 41(2):11. January. | ||
| − | [[Jan Cronjé|Cronjé, Jan]] 1985. "Op die toneelswerfpad", in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight | + | [[Jan Cronjé|Cronjé, Jan]] 1985. "Op die toneelswerfpad", in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: [[The Limelight Press]]. 78-92. |
| − | [[E. Crous|Crous, E.]] 1985a. Donkerkop het durf. [[Golda Raff]] ''Sarie'', 36-37. December 18. | + | [[E. Crous|Crous, E.]] 1985a. "Donkerkop het durf". [[Golda Raff]] ''[[Sarie]]'', 36-37. December 18. |
| − | [[E. Crous|Crous, E.]] 1985b. Plesierige paar : ([[Rika Sennett]] en [[James Borthwick]]). ''Sarie'', 142-143. November 6. | + | [[E. Crous|Crous, E.]] 1985b. "Plesierige paar : ([[Rika Sennett]] en [[James Borthwick]])". ''[[Sarie]]'', 142-143. November 6. |
| − | [[M.L. Crous|Crous, M.L.]] 1991. Karakterisering in ''[[Christine]]'': ’n Jungiaanse perspektief. ''Literator'', 12(3):103-110. | + | [[M.L. Crous|Crous, M.L.]] 1991. "Karakterisering in ''[[Christine]]'': ’n Jungiaanse perspektief". ''[[Literator]]'', 12(3):103-110. |
| − | [[M.L. Crous|Crous, M.L.]] 1992. Al speel ek hoe goed, ek gaan nog bly : drie voorbeelde van spel-binne-die spel (''[[Die Heks]]'' by [[C. Louis Leipoldt|Louis Leipoldt]], ''[[Nagspel]]'' by [[Chris Barnard]], ''[[Diepe Grond]]'' by [[Reza de Wet]]. ''Klasgids'', 27(1):45-48. | + | [[M.L. Crous|Crous, M.L.]] 1992. Al speel ek hoe goed, ek gaan nog bly : drie voorbeelde van spel-binne-die spel (''[[Die Heks]]'' by [[C. Louis Leipoldt|Louis Leipoldt]], ''[[Nagspel]]'' by [[Chris Barnard]], ''[[Diepe Grond]]'' by [[Reza de Wet]]. ''[[Klasgids]]'', 27(1):45-48. |
[[Brian Crow|Crow, Brian]] 1986. ''Theatre and Cultural Struggle in South Africa'', by [[Robert Kavanagh]]. Reviewed in: ''Theatre Research International'', 11(2):179-182. | [[Brian Crow|Crow, Brian]] 1986. ''Theatre and Cultural Struggle in South Africa'', by [[Robert Kavanagh]]. Reviewed in: ''Theatre Research International'', 11(2):179-182. | ||
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[[Brian Crow|Crow, Brian]] 1996b. ‘A truly living moment’: acting and the ''Statements'' plays, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 13-24. | [[Brian Crow|Crow, Brian]] 1996b. ‘A truly living moment’: acting and the ''Statements'' plays, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 13-24. | ||
| − | [[Brian Crow|Crow, Brian]] 2002. African metatheater: criticizing society, celebrating the stage ''Research in African Literatures'', 33(1):133-143. | + | [[Brian Crow|Crow, Brian]] 2002. African metatheater: criticizing society, celebrating the stage ''[[Research in African Literatures]]'', 33(1):133-143. |
[[Brian Crow|Crow, Brian]] 2003. ''Shakespeare in South Africa: Stage Production during the Apartheid Era'', by [[Rohan Quince]]. Reviewed in: ''New Theatre Quarterly'',19(3):291-293. | [[Brian Crow|Crow, Brian]] 2003. ''Shakespeare in South Africa: Stage Production during the Apartheid Era'', by [[Rohan Quince]]. Reviewed in: ''New Theatre Quarterly'',19(3):291-293. | ||
| − | [[E. Crowther|Crowther, E.]] 1983. Teaching ''[[The Merchant of Venice]]'' to Standard 8: English. ''Educamus'' 29(5): | + | [[E. Crowther|Crowther, E.]] 1983. Teaching ''[[The Merchant of Venice]]'' to Standard 8: English. ''[[Educamus]]'' 29(5): |
| − | [[Eben Cruywagen|Cruywagen, Eben]] 1993. The radio drama and the radio feature in South Africa : a comparative study. Unpublished master's thesis. Durban: [[University of Durban-Westville]]. | + | [[Eben Cruywagen|Cruywagen, Eben]] 1993. ''The radio drama and the radio feature in South Africa : a comparative study''. Unpublished master's thesis. Durban: [[University of Durban-Westville]]. |
[[Eben Cruywagen|Cruywagen, Eben]] 1999a. ''Dance, Media Entertainment and Popular Theatre in South East Africa'', by [[David Kerr]]. Reviewed in: ''[[South African Theatre Journal]]'', 13(1&2):197-202. | [[Eben Cruywagen|Cruywagen, Eben]] 1999a. ''Dance, Media Entertainment and Popular Theatre in South East Africa'', by [[David Kerr]]. Reviewed in: ''[[South African Theatre Journal]]'', 13(1&2):197-202. | ||
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Culture is breaking out all over: a rush of opera houses. 1967. ''Construction in Southern Africa'', 12(6):71-79. | Culture is breaking out all over: a rush of opera houses. 1967. ''Construction in Southern Africa'', 12(6):71-79. | ||
| − | [[Kate Cunningham|Cunningham, Kate]] 1978. Public I: ''Absurd Person Singular''. Reviewed in: ''Speak'', 1(4):51-52. | + | [[Kate Cunningham|Cunningham, Kate]] 1978. Public I: ''Absurd Person Singular''. Reviewed in: ''[[Speak]]'', 1(4):51-52. |
Curtain call – theatrical photography. ''Creative Photography'', 5(11):23-28. | Curtain call – theatrical photography. ''Creative Photography'', 5(11):23-28. | ||
| − | Curtains up on [[Diane Wilson]]. 1963. ''Femina and Woman's Life'', June 6:54-57. | + | Curtains up on [[Diane Wilson]]. 1963. ''[[Femina and Woman's Life]]'', June 6:54-57. |
[[Stephen Curtis|Curtis, Stephen]] 1979. The playwright’s dilemma. ''[[Scenaria]]'', (15):3. | [[Stephen Curtis|Curtis, Stephen]] 1979. The playwright’s dilemma. ''[[Scenaria]]'', (15):3. | ||
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The list
Cronjé, D.C. 1986. "NDP wys sy slag in die toneelwêreld". Paratus, 37(1):60-61.
Cronjé, G. 1967. Dramakuns naas woordkuns en dramawetenskap naas literatuurwetenskap. Tydskrif vir Geesteswetenskappe, 7:446-454.
Cronjé, G. (ed) 1968. Die Verband tussen die Kunste. Pretoria: J.L. van Schaik
Cronjé, G. 1971. Die Drama as Speelstuk. Johannesburg: Voortrekkerpers.
Cronjé, J. 1972. Gerhard Beukes gehuldig. Die Taalgenoot, 41(2):11. January.
Cronjé, Jan 1985. "Op die toneelswerfpad", in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight Press. 78-92.
Crous, E. 1985a. "Donkerkop het durf". Golda Raff Sarie, 36-37. December 18.
Crous, E. 1985b. "Plesierige paar : (Rika Sennett en James Borthwick)". Sarie, 142-143. November 6.
Crous, M.L. 1991. "Karakterisering in Christine: ’n Jungiaanse perspektief". Literator, 12(3):103-110.
Crous, M.L. 1992. Al speel ek hoe goed, ek gaan nog bly : drie voorbeelde van spel-binne-die spel (Die Heks by Louis Leipoldt, Nagspel by Chris Barnard, Diepe Grond by Reza de Wet. Klasgids, 27(1):45-48.
Crow, Brian 1986. Theatre and Cultural Struggle in South Africa, by Robert Kavanagh. Reviewed in: Theatre Research International, 11(2):179-182.
Crow, Brian 1996a. Athol Fugard and the South African ‘workshop’ play, in Brian Crow . An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press, 96-111.
Crow, Brian 1996b. ‘A truly living moment’: acting and the Statements plays, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 13-24.
Crow, Brian 2002. African metatheater: criticizing society, celebrating the stage Research in African Literatures, 33(1):133-143.
Crow, Brian 2003. Shakespeare in South Africa: Stage Production during the Apartheid Era, by Rohan Quince. Reviewed in: New Theatre Quarterly,19(3):291-293.
Crowther, E. 1983. Teaching The Merchant of Venice to Standard 8: English. Educamus 29(5):
Cruywagen, Eben 1993. The radio drama and the radio feature in South Africa : a comparative study. Unpublished master's thesis. Durban: University of Durban-Westville.
Cruywagen, Eben 1999a. Dance, Media Entertainment and Popular Theatre in South East Africa, by David Kerr. Reviewed in: South African Theatre Journal, 13(1&2):197-202.
Cruywagen, Eben 1999b. Luister-leer: die opvoedkundige moontlikhede van die hoorspel in Suid-Afrika. Unpublished doctoral dissertataion. Stellenbosch: Universiteit van Stellenbsoch.
Cruywagen, Eben 2002. African Broadcast Cultures. Radio in Transition, edited by R. Fardon & G. Furniss. Reviewed in: South African Theatre Journal, 16:230 – 240.
Cruywagen, Eben 2002. Report on the Klein Karoo National Arts Festival (KKNK) 2002. South African Theatre Journal, 16:190 – 191.
Cruywagen, W.A. 1985. Windybrow : PACT’s new home in Johannesburg. Scenaria, (50):3-4.
Culture is breaking out all over: a rush of opera houses. 1967. Construction in Southern Africa, 12(6):71-79.
Cunningham, Kate 1978. Public I: Absurd Person Singular. Reviewed in: Speak, 1(4):51-52.
Curtain call – theatrical photography. Creative Photography, 5(11):23-28.
Curtains up on Diane Wilson. 1963. Femina and Woman's Life, June 6:54-57.
Curtis, Stephen 1979. The playwright’s dilemma. Scenaria, (15):3.
Czarnecki, M. 1983. Master Harold… and the boys. Reviews. Maclean’s, 96:70. Sept 26.
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Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
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