Difference between revisions of "Sam Mhangwane"
| (3 intermediate revisions by the same user not shown) | |||
| Line 4: | Line 4: | ||
Along with [[Gibson Kente]], he is the creator of the “township musical” style popular entertainment. | Along with [[Gibson Kente]], he is the creator of the “township musical” style popular entertainment. | ||
His plays were popular and generated large audiences. Mhangwane saw drama as a means to communicate ideas leading to the correcting of social ills in black society. | His plays were popular and generated large audiences. Mhangwane saw drama as a means to communicate ideas leading to the correcting of social ills in black society. | ||
| − | |||
| − | |||
Mhangwane also ran courses in acting for young black performers in Johannesburg at his [[People's Theatre Association]], among them was [[Peter Ngwenya]]. | Mhangwane also ran courses in acting for young black performers in Johannesburg at his [[People's Theatre Association]], among them was [[Peter Ngwenya]]. | ||
| Line 12: | Line 10: | ||
In the 2000s he ran Drakensberg Promotions, organisers of jazz festivals. | In the 2000s he ran Drakensberg Promotions, organisers of jazz festivals. | ||
| + | |||
| + | ===Plays=== | ||
| + | |||
| + | His plays include: | ||
| + | |||
| + | ''[[The Unfaithful Woman]]'' (1965) | ||
| + | |||
| + | ''[[Blame Yourself]]'' (1970) | ||
| + | |||
| + | ''[[Thembi]]'' (1976) | ||
| + | |||
| + | ''[[Ma in Law]]'' (date ?) | ||
== Sources == | == Sources == | ||
| Line 19: | Line 29: | ||
''[[Sowetan]]'', 17 November 2008. | ''[[Sowetan]]'', 17 November 2008. | ||
| − | Xaba | + | [[Andile Xaba]]. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis. |
== Return to == | == Return to == | ||
Latest revision as of 12:38, 31 January 2024
Sam Mhangwane (19**-) Playwright and director.
Contents
Contribution to SA theatre, film, media and/or performance
Along with Gibson Kente, he is the creator of the “township musical” style popular entertainment. His plays were popular and generated large audiences. Mhangwane saw drama as a means to communicate ideas leading to the correcting of social ills in black society.
Mhangwane also ran courses in acting for young black performers in Johannesburg at his People's Theatre Association, among them was Peter Ngwenya.
He worked with SATO, and his work was rejected as cheap escapist entertainment by SASO and the intellectuals of the BCM.
In the 2000s he ran Drakensberg Promotions, organisers of jazz festivals.
Plays
His plays include:
The Unfaithful Woman (1965)
Blame Yourself (1970)
Thembi (1976)
Ma in Law (date ?)
Sources
Beeld, 18 March 1991.
Sowetan, 17 November 2008.
Andile Xaba. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis.
Return to
Return to ESAT Personalities M
Return to South African Theatre Personalities
Return to Main Page
