Difference between revisions of "Little Jack Horner"
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== The original text == | == The original text == | ||
| − | An English [[pantomime]], inspired by the famous English nursery rhyme, ''[[Little Jack Horner]]''[https://en.wikipedia.org/wiki/Little_Jack_Horner], it was written by E.L. Blanchard ()[], and performed at the Drury Lane Theatre, London in the 1857–8 season. | + | An English [[pantomime]], inspired by the famous English nursery rhyme, ''[[Little Jack Horner]]''[https://en.wikipedia.org/wiki/Little_Jack_Horner], it was written by E.L. Blanchard (1820-1889)[https://en.wikipedia.org/wiki/Edward_Litt_Laman_Blanchard], and performed at the Drury Lane Theatre, London in the 1857–8 season. |
| − | Blanchard's | + | Blanchard's allegoric work is particularly noted for its moralizing tone, being described by Jeffrey Richards as "a plea for "literacy, knowledge, intelligence and imagination" (2014, p.223), and particularly admired for the visual effects in the production. |
Also found as ''[[Little Jack Horner, or Harlequin A.B.C.]]'' or simply ''[[Harlequin ABC]]''. | Also found as ''[[Little Jack Horner, or Harlequin A.B.C.]]'' or simply ''[[Harlequin ABC]]''. | ||
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==Translations or adaptations== | ==Translations or adaptations== | ||
| − | [[William Groom]] (cited by [[F.C.L. Bosman]], 1980: pp. 192-3) claims that a pantomime called ''[[Little Jack Horner, or Harlequin A.B.C.]]'' was done in South Africa and was an ''original'' work penned by a Mr [[B. Mollan]] of Cape Town "expressly for the Occasion". The reviewer in the [[Cape Argus]] of 28 December, 1865, also suggests that most of the work was original, | + | [[William Groom]] (cited by [[F.C.L. Bosman]], 1980: pp. 192-3) claims that a pantomime called ''[[Little Jack Horner, or Harlequin A.B.C.]]'' was done in South Africa and was an '''"original"''' work penned by a Mr [[B. Mollan]] of Cape Town "expressly for the Occasion". The reviewer in the [[Cape Argus]] of 28 December, 1865, also suggests that, while most of the work was original, the opening scene of "The Depths of Darkness, and Mystic Still and Laboratory of the Demon Alcohol" was in fact plagiarized from an "Original Extravaganza" by Francis Cowley Burnand (1836-1917)[https://en.wikipedia.org/wiki/F._C._Burnand] called ''[[Ixion, or The Man at the Wheel]]''. |
However, the claim in the flier for the presentation that a "new" overture and music was composed by Mr [[W.G. Browne]], does suggest that the pantomime itself may have been a local adaptation of the British play by Mollan, and that only the ''presentation'' of it was in fact "original". | However, the claim in the flier for the presentation that a "new" overture and music was composed by Mr [[W.G. Browne]], does suggest that the pantomime itself may have been a local adaptation of the British play by Mollan, and that only the ''presentation'' of it was in fact "original". | ||
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | 1865: A pantomime | + | 1865: A pantomime called ''[[Little Jack Horner, or Harlequin A.B.C.]]'' (and ascribed to [[B. Mollan]]) was performed in the [[Theatre Royal]], Cape Town, by Messrs [[Alfred Ray]] and [[R.S. Cooper]] on 26-27 December. According to the programme for the presentation (provided by Bosman, 1980: pp.194-198) a "new" overture and music was composed by Mr [[W.G. Browne]], choreography of dances was by Mrs [[R.I. Cooper]], scenery by Mr [[R.S. Cooper]], properties and masks by Mr [[Alfred Ray|Der. F. la Yar]], mechanical contribution (for the "elaborate Machinery and Mechanical changes") by Mr [[J. Adams]], Harlequinade and Pantomimic business by Mr [[Alfred Ray]], and [[Herr Luin]], comic scenes painted by Mr [[C.J.M. Smith]]. The piece had a vast cast consisting of "Rustics, Clodhoppers Villagers" and a procession of "26 of the best characters from the S.A. College[https://en.wikipedia.org/wiki/South_African_College]" representing the letters A to Z. On the 26th the pamntomime was preceded by ''[[A Pair of Pigeons]]'' (Stirling) and on the 27th by ''[[The Irish Tutor]]'' (Butler). |
| − | 1866: Performed for two more nights (4 and 6 January) in the [[Theatre Royal]], Cape Town, by | + | 1866: Performed for two more nights (4 and 6 January) in the [[Theatre Royal]], Cape Town, by the [[Ray and Cooper Company]], with ''[[The Secret]]'' (Morris). |
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Latest revision as of 05:35, 7 August 2021
Little Jack Horner can refer to the famous English nursery rhyme, or to a number of stories, plays and other adaptations inspired by it.
Contents
The original nursery rhyme
Little Jack Horner[1], is the name of a famous English nursery rhyme, with strong moralising and political undertones, which has been the reworked and used in many ways since the 18th century. It has no doubt also been the direct or indirect source for a number of pantomimes and plays.
Below those performed in South Africa.
Little Jack Horner, or Harlequin ABC by Blanchard (1857)
The original text
An English pantomime, inspired by the famous English nursery rhyme, Little Jack Horner[2], it was written by E.L. Blanchard (1820-1889)[3], and performed at the Drury Lane Theatre, London in the 1857–8 season.
Blanchard's allegoric work is particularly noted for its moralizing tone, being described by Jeffrey Richards as "a plea for "literacy, knowledge, intelligence and imagination" (2014, p.223), and particularly admired for the visual effects in the production.
Also found as Little Jack Horner, or Harlequin A.B.C. or simply Harlequin ABC.
Translations or adaptations
William Groom (cited by F.C.L. Bosman, 1980: pp. 192-3) claims that a pantomime called Little Jack Horner, or Harlequin A.B.C. was done in South Africa and was an "original" work penned by a Mr B. Mollan of Cape Town "expressly for the Occasion". The reviewer in the Cape Argus of 28 December, 1865, also suggests that, while most of the work was original, the opening scene of "The Depths of Darkness, and Mystic Still and Laboratory of the Demon Alcohol" was in fact plagiarized from an "Original Extravaganza" by Francis Cowley Burnand (1836-1917)[4] called Ixion, or The Man at the Wheel.
However, the claim in the flier for the presentation that a "new" overture and music was composed by Mr W.G. Browne, does suggest that the pantomime itself may have been a local adaptation of the British play by Mollan, and that only the presentation of it was in fact "original".
Performance history in South Africa
1865: A pantomime called Little Jack Horner, or Harlequin A.B.C. (and ascribed to B. Mollan) was performed in the Theatre Royal, Cape Town, by Messrs Alfred Ray and R.S. Cooper on 26-27 December. According to the programme for the presentation (provided by Bosman, 1980: pp.194-198) a "new" overture and music was composed by Mr W.G. Browne, choreography of dances was by Mrs R.I. Cooper, scenery by Mr R.S. Cooper, properties and masks by Mr Der. F. la Yar, mechanical contribution (for the "elaborate Machinery and Mechanical changes") by Mr J. Adams, Harlequinade and Pantomimic business by Mr Alfred Ray, and Herr Luin, comic scenes painted by Mr C.J.M. Smith. The piece had a vast cast consisting of "Rustics, Clodhoppers Villagers" and a procession of "26 of the best characters from the S.A. College[5]" representing the letters A to Z. On the 26th the pamntomime was preceded by A Pair of Pigeons (Stirling) and on the 27th by The Irish Tutor (Butler).
1866: Performed for two more nights (4 and 6 January) in the Theatre Royal, Cape Town, by the Ray and Cooper Company, with The Secret (Morris).
Sources
https://en.wikipedia.org/wiki/Little_Jack_Horner
https://en.wikipedia.org/wiki/F._C._Burnand
http://www.victorianweb.org/mt/panto/richards1.html
http://www.its-behind-you.com/drurylanepantos.html
Jeffrey Richards. 2014, The Golden Age of Pantomime: Slapstick, Spectacle and Subversion in Victorian England. I.B. Tauris
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 192-3
Go to ESAT Bibliography
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Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
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