Difference between revisions of "The Woman in White"
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| − | ''[[The Woman in White]]'' | + | ''[[The Woman in White]]'' can refer to the famous novel by Wilkie Collins (1824-1889)[https://en.wikipedia.org/wiki/Wilkie_Collins] and to a number of dramatized versions of the novel. |
| − | + | = The Novel= | |
| − | + | ''[[The Woman in White]]'' is a highly regarded novel by Wilkie Collins ()[], written in 1859 and is viewed as one of the the first mystery novels and so called "sensation novels". First published in serial form in 1859–60, in both Charles Dickens' magazine ''All the Year Round'' (UK) and ''Harper's Weekly'' (USA). It was published in book form in 1860. | |
| − | |||
| − | + | '''See https://en.wikipedia.org/wiki/The_Woman_in_White_(novel)''' | |
| + | =Stage adaptations= | ||
| − | + | The novel has been adapted in many ways over the years, including theatrical versions under various other titles, as well as the various film and TV versions. | |
| + | ==Stage adaptations called ''[[The Woman in White]]''== | ||
| − | ===''[[The White Queen]]'' by Boulding | + | Among those titled '''''[[ The Woman in White]]''''' have been a "Surrey Theatre stage sensation melodrama"( 1860), a version by [[Sutton Vane]] Snr. (1867) and Wilkie Collins's own version called a "stage melodrama" (1871)[https://wilkiecollinssociety.org/opening-up-the-secret-theatre-of-home-wilkie-collinss-the-woman-in-white-on-the-victorian-stage], |
| + | |||
| + | Later adaptation include versions by Andrew Lloyd Webber (stage musical, 2004)[https://www.andrewlloydwebber.com/show/the-woman-in-white/] and Constance Cox (play, 2008). | ||
| + | |||
| + | ==Stage adaptations under other titles== | ||
| + | |||
| + | It has also been adapted (or used as a source) under various other titles, including ''[[The White Queen]]'' by J.W. Boulding and R. Palgrave (1880s) and ''[[Egad, the Woman in White]]'' by Tim Kelly (1974). Below are entries on those plays performed in South Africa. | ||
| + | |||
| + | ==='''''[[The White Queen]]''''' by J.W. Boulding and R. Palgrave=== | ||
''Not to be confused with Philippa Gregory's novel or the BBC series based on it.'' | ''Not to be confused with Philippa Gregory's novel or the BBC series based on it.'' | ||
| − | + | This adaptation of Wilkie Collins's sensational novel was specifically written for the actress [[Lillian Beddard]], said by her to have been done by by "Palgrave of London" (i.e. R. Palgrave, other sources have is a play J.W. Boulding as the author - or it may have been both jointly, for they had also authored ''[[Jane Shore]]'' as a team in 1885). | |
| − | The play was most successfully produced in London by Bedard, who later took it on her many international tours as part of her repertoire. | + | The play was most successfully produced in London by Bedard, who later took it on her many international tours as part of her repertoire. |
| − | = | + | =Performance history of the various stage versions in South Africa= |
| − | + | 1867: ''[[The Woman in White]]'' performed (possibly in the [[Sutton Vane]] version and billed as "Wilkie Collins's Popular Sensational Play") on 21 and 24 October in the [[Theatre Royal]], Harrington Street, Cape Town, by the [[Le Roy and Duret Company]], with a "Grand Pas Seul" by [[Miss Clara]] and ''[[A Model Husband]]'' (Wooler). | |
| − | + | 1867: Performed as ''[[The Woman in White]]'' by the [[Le Roy and Duret Company]] in the [[Theatre Royal]], Harrington Street, Cape Town, on 4 November, with ''[[The Loan of a Lover]]'' (Planché) and the "Grand Scarf", a dance by [[Miss Clara]]. | |
| + | 1876: Performed as ''[[The Woman in White]]'' by [[Disney Roebuck]] and his company in the [[Athenaeum Hall]], Cape Town, on 26 and 27 April and 29 May. The text used was probably the [[Sutton Vane]] version, since he was in the company. | ||
| − | + | 1877: Performed as ''[[The Woman in White]]'' by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 22 October, as a benefit performance for [[Sutton Vane]] (and billed as his "Last Appearance"). The text used was probably once more the [[Sutton Vane]] version. | |
| − | + | 1889: [[Lillian Beddard]] and her company (said to have been "the first Shakespearian company to perform in Johannesburg"[]), performed '''''[[The White Queen]]''''' at the [[Theatre Royal]] Johannesburg from 21-26 June, Beddard playing "Lady Mary". | |
| − | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. | + | = Sources = |
| + | |||
| + | https://en.wikipedia.org/wiki/The_Woman_in_White_(novel) | ||
| + | |||
| + | https://en.wikipedia.org/wiki/Wilkie_Collins | ||
| + | |||
| + | https://wilkiecollinssociety.org/opening-up-the-secret-theatre-of-home-wilkie-collinss-the-woman-in-white-on-the-victorian-stage | ||
| + | |||
| + | https://www.andrewlloydwebber.com/show/the-woman-in-white/ | ||
| + | |||
| + | [[Laurence Wright]]. "Shakespeare in South Africa: The Nineteenth Century". ''[[Internet Shakespeare Editions]]''[online]. University of Victoria, Accessed 16 July 2020[https://internetshakespeare.uvic.ca/Library/Criticism/shakespearein/sa2/index.html] | ||
| + | |||
| + | "A Grass Widow Now, Lillian Beddard Will Face the Footlights and Her Diamonds Alone", in ''The San Francisco Call'', Monday, March 30, 1896[https://chroniclingamerica.loc.gov/data/batches/curiv_dogtown_ver01/data/sn85066387/00175037354/1896033001/0524.pdf] | ||
| + | |||
| + | [[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
| + | |||
| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 206, 230, 234, 294-5, 338-9, 344, 361. | ||
http://wilkiecollinssociety.org/newsletter-spring-2010/ | http://wilkiecollinssociety.org/newsletter-spring-2010/ | ||
| − | |||
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
| − | + | = Return to = | |
Return to [[PLAYS I: Original SA plays]] | Return to [[PLAYS I: Original SA plays]] | ||
Latest revision as of 07:21, 29 July 2021
The Woman in White can refer to the famous novel by Wilkie Collins (1824-1889)[1] and to a number of dramatized versions of the novel.
Contents
The Novel
The Woman in White is a highly regarded novel by Wilkie Collins ()[], written in 1859 and is viewed as one of the the first mystery novels and so called "sensation novels". First published in serial form in 1859–60, in both Charles Dickens' magazine All the Year Round (UK) and Harper's Weekly (USA). It was published in book form in 1860.
See https://en.wikipedia.org/wiki/The_Woman_in_White_(novel)
Stage adaptations
The novel has been adapted in many ways over the years, including theatrical versions under various other titles, as well as the various film and TV versions.
Stage adaptations called The Woman in White
Among those titled The Woman in White have been a "Surrey Theatre stage sensation melodrama"( 1860), a version by Sutton Vane Snr. (1867) and Wilkie Collins's own version called a "stage melodrama" (1871)[2],
Later adaptation include versions by Andrew Lloyd Webber (stage musical, 2004)[3] and Constance Cox (play, 2008).
Stage adaptations under other titles
It has also been adapted (or used as a source) under various other titles, including The White Queen by J.W. Boulding and R. Palgrave (1880s) and Egad, the Woman in White by Tim Kelly (1974). Below are entries on those plays performed in South Africa.
The White Queen by J.W. Boulding and R. Palgrave
Not to be confused with Philippa Gregory's novel or the BBC series based on it.
This adaptation of Wilkie Collins's sensational novel was specifically written for the actress Lillian Beddard, said by her to have been done by by "Palgrave of London" (i.e. R. Palgrave, other sources have is a play J.W. Boulding as the author - or it may have been both jointly, for they had also authored Jane Shore as a team in 1885).
The play was most successfully produced in London by Bedard, who later took it on her many international tours as part of her repertoire.
Performance history of the various stage versions in South Africa
1867: The Woman in White performed (possibly in the Sutton Vane version and billed as "Wilkie Collins's Popular Sensational Play") on 21 and 24 October in the Theatre Royal, Harrington Street, Cape Town, by the Le Roy and Duret Company, with a "Grand Pas Seul" by Miss Clara and A Model Husband (Wooler).
1867: Performed as The Woman in White by the Le Roy and Duret Company in the Theatre Royal, Harrington Street, Cape Town, on 4 November, with The Loan of a Lover (Planché) and the "Grand Scarf", a dance by Miss Clara.
1876: Performed as The Woman in White by Disney Roebuck and his company in the Athenaeum Hall, Cape Town, on 26 and 27 April and 29 May. The text used was probably the Sutton Vane version, since he was in the company.
1877: Performed as The Woman in White by Disney Roebuck and his company in the Theatre Royal, Cape Town, on 22 October, as a benefit performance for Sutton Vane (and billed as his "Last Appearance"). The text used was probably once more the Sutton Vane version.
1889: Lillian Beddard and her company (said to have been "the first Shakespearian company to perform in Johannesburg"[]), performed The White Queen at the Theatre Royal Johannesburg from 21-26 June, Beddard playing "Lady Mary".
Sources
https://en.wikipedia.org/wiki/The_Woman_in_White_(novel)
https://en.wikipedia.org/wiki/Wilkie_Collins
https://www.andrewlloydwebber.com/show/the-woman-in-white/
Laurence Wright. "Shakespeare in South Africa: The Nineteenth Century". Internet Shakespeare Editions[online]. University of Victoria, Accessed 16 July 2020[4]
"A Grass Widow Now, Lillian Beddard Will Face the Footlights and Her Diamonds Alone", in The San Francisco Call, Monday, March 30, 1896[5]
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 206, 230, 234, 294-5, 338-9, 344, 361.
http://wilkiecollinssociety.org/newsletter-spring-2010/
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
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