Difference between revisions of "ESAT Foreign plays Ne-Nh"
(18 intermediate revisions by 2 users not shown) | |||
Line 15: | Line 15: | ||
== The list == | == The list == | ||
+ | |||
+ | [[Di Neef als Oom|Neef als Oom]] (Schiller/Conradie) '''See ''[[Encore des Ménechmes]]'' (Picard)''' | ||
[[De Neef uit Oost-Indië|Neef uit Oost-Indië, De]] (Sinderam) | [[De Neef uit Oost-Indië|Neef uit Oost-Indië, De]] (Sinderam) | ||
+ | |||
+ | [[Der Neffe als Onkel|Neffe als Onkel, Der]] (Schiller) '''See ''[[Encore des Ménechmes]]'' (Picard)''' | ||
[[De Negers]] (Von Kotzebue) '''See ''[[Die Negersklaven]]''''' | [[De Negers]] (Von Kotzebue) '''See ''[[Die Negersklaven]]''''' | ||
Line 26: | Line 30: | ||
[[Neighbours]] | [[Neighbours]] | ||
− | [[Nemesis]] | + | [[Nell]] (Dickens/Halliday) |
+ | |||
+ | [[Nemesis! Or Not Wisely but Too Well]] (Farnie) | ||
+ | |||
+ | [[Nerveus]] (Von Moser and Girndt) '''See ''[[Nervös]]''''' | ||
+ | |||
+ | [[Nervös]] (Von Moser and Girndt) | ||
[[Nervous Cures]] (Brown and Norton) | [[Nervous Cures]] (Brown and Norton) | ||
− | [[The Nervous Cures!|Nervous Cures!, The]] | + | [[The Nervous Cures!|Nervous Cures!, The]] (Brown and Norton) '''See ''[[Nervous Cures]]''''' |
[[The Nervous Man and the Man of Nerve|Nervous Man, The, and the Man of Nerve]] (Bernard) | [[The Nervous Man and the Man of Nerve|Nervous Man, The, and the Man of Nerve]] (Bernard) | ||
Line 38: | Line 48: | ||
[[Never the Sinner]] | [[Never the Sinner]] | ||
− | [[Never Too Late]] | + | [[Never Too Late]] (Long) |
+ | |||
+ | [[Never Too Late To Mend]] (Conquest) '''See ''[[It Is Never Too Late To Mend]]''''' | ||
+ | |||
+ | [[Never Too Late To Mend]] (Hazlewood) '''See ''[[It Is Never Too Late To Mend]]''''' | ||
+ | |||
+ | [[Neville's Island]] (Firth) | ||
[[The New Boy|New Boy, The]] (Beattie) | [[The New Boy|New Boy, The]] (Beattie) | ||
Line 47: | Line 63: | ||
[[New-Found-Land]] (Stoppard) | [[New-Found-Land]] (Stoppard) | ||
+ | |||
+ | [[The New Magdalen|New Magdalen, The]] (Collins/Vane) | ||
+ | |||
+ | [[New Men and Old Acres]] (Taylor and Dubourg) | ||
+ | |||
+ | [[New Men and Old Acres, or A Managing Mamma]] (Taylor and Dubourg) '''See ''[[New Men and Old Acres]]''''' | ||
[[The New Moon|New Moon, The]] | [[The New Moon|New Moon, The]] | ||
Line 55: | Line 77: | ||
[[A New Way to Pay Old Debts|New Way to Pay Old Debts, A]] (Massinger) | [[A New Way to Pay Old Debts|New Way to Pay Old Debts, A]] (Massinger) | ||
+ | |||
+ | [[The New Woman|New Woman, The]] (Grundy) | ||
== Return to == | == Return to == |
Latest revision as of 05:27, 30 May 2022
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
The list
Neef als Oom (Schiller/Conradie) See Encore des Ménechmes (Picard)
Neef uit Oost-Indië, De (Sinderam)
Neffe als Onkel, Der (Schiller) See Encore des Ménechmes (Picard)
De Negers (Von Kotzebue) See Die Negersklaven
Die Negersklaven (Von Kotzebue)
Les Nègres (De Sauvigny)
Nell (Dickens/Halliday)
Nemesis! Or Not Wisely but Too Well (Farnie)
Nerveus (Von Moser and Girndt) See Nervös
Nervös (Von Moser and Girndt)
Nervous Cures (Brown and Norton)
Nervous Cures!, The (Brown and Norton) See Nervous Cures
Nervous Man, The, and the Man of Nerve (Bernard)
Neue Sonntagskind, Das (Hafner/Perinet)
Never Too Late (Long)
Never Too Late To Mend (Conquest) See It Is Never Too Late To Mend
Never Too Late To Mend (Hazlewood) See It Is Never Too Late To Mend
Neville's Island (Firth)
New Boy, The (Beattie)
New Boy, The (Law)
New Boy, The (Lumley)
New-Found-Land (Stoppard)
New Magdalen, The (Collins/Vane)
New Men and Old Acres (Taylor and Dubourg)
New Men and Old Acres, or A Managing Mamma (Taylor and Dubourg) See New Men and Old Acres
New Way to Pay Old Debts, A (Massinger)
New Woman, The (Grundy)
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page