Difference between revisions of "ESAT Bibliography Gre-Gri"
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| − | [[Paul Gready|Gready, Paul]] 1994. Political autobiography in search of liberation: working class theatre, collaboration and the construction of identity, in [[Liz Gunner | + | [[Paul Gready|Gready, Paul]] 1994. "Political autobiography in search of liberation: working class theatre, collaboration and the construction of identity", ''in'' [[Liz Gunner]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa.'' Johannesburg: Witwatersrand University Press. 163-198. |
Great prestige project for the province [Transvaal]. 1966. ''Construction in Southern Africa'', 11(2):27-35. | Great prestige project for the province [Transvaal]. 1966. ''Construction in Southern Africa'', 11(2):27-35. | ||
[[M. Greeff|Greeff, M.]] 2008. John Vorster se meisiekinders: profiel van twee vroue ([[Martelize Kolver]]). ''Lig'', 73(7):18-21. | [[M. Greeff|Greeff, M.]] 2008. John Vorster se meisiekinders: profiel van twee vroue ([[Martelize Kolver]]). ''Lig'', 73(7):18-21. | ||
| + | |||
| + | [[Rachelle Greeff|Greeff, Rachelle]] 1988. 'n Brug na die wêreld (Biography of the Afrikaans playwright [[Reza de Wet]]). ''De Kat'', 3(11):94-96. | ||
| + | |||
| + | [[Rachelle Greeff|Greeff, Rachelle]] 1988. 'n Reënboog in lewende lywe. (Teaterprofiel: [[Belinda Koning]]). ''De Kat'', 4(5):122-124. | ||
[[Gart V. Green|Green, Garth V.]] 1987. Characterization in [[Pieter-Dirk Uys]]’s ''[[Appassionata]]''. ''UNISA English Studies'', 25(2):18-22. | [[Gart V. Green|Green, Garth V.]] 1987. Characterization in [[Pieter-Dirk Uys]]’s ''[[Appassionata]]''. ''UNISA English Studies'', 25(2):18-22. | ||
[[Michael Green|Green, Michael]] 1984. The politics of loving: [[Athol Fugard|Fugard]] and the metropolis. ''English Academy Review'', 2:41-54. | [[Michael Green|Green, Michael]] 1984. The politics of loving: [[Athol Fugard|Fugard]] and the metropolis. ''English Academy Review'', 2:41-54. | ||
| + | |||
| + | [[Michael Green|Green, Michael]] 1985. ''Towards a Method for Theatre Research: A South African Perspective'', by [[Temple Hauptfleisch]]. Reviewed in: ''Critical Arts'', 3(4):68-72. | ||
| + | |||
| + | [[Robert J. Green|Green, Robert J.]] 1968. [[Athol Fugard]]: dramatist of loneliness and isolation. ''[[Teater SA]]'', 1(2):2-4. | ||
[[Robert J. Green|Green, Robert J.]] 1976. The drama of [[Athol Fugard]], in [[C. Heywood|Heywood, C.]] (ed.). ''Aspects of South African Literature''. London, Heinemann. 163-173. | [[Robert J. Green|Green, Robert J.]] 1976. The drama of [[Athol Fugard]], in [[C. Heywood|Heywood, C.]] (ed.). ''Aspects of South African Literature''. London, Heinemann. 163-173. | ||
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[[Robert Greig|Greig, Robert]] 1989. Zap-Pow-Whammee-Glop: Muller's ''Macbeth''. ''Shakespeare in Southern Africa'', 3:92-94. | [[Robert Greig|Greig, Robert]] 1989. Zap-Pow-Whammee-Glop: Muller's ''Macbeth''. ''Shakespeare in Southern Africa'', 3:92-94. | ||
| − | [[Walter Greyvenstein|Greyvenstein, Walter]] 1988a. The history and development of children's theatre in English in South Africa. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University. | + | [[Robert Greig|Greig, Robert]] 1994. Introduction, in [[Paul Slabolepszy|Slabolepszy, Paul]] ''[[Mooi Street Moves|Mooi Street and Other Moves]]''. Johannesburg: University of Witwatersrand Press. vii-xviii. |
| + | |||
| + | [[Walter Greyvenstein|Greyvenstein, Walter]] 1988a. The history and development of children's theatre in English in South Africa. Unpublished doctoral dissertation. Johannesburg: [[Rand Afrikaans University]]. | ||
[[Walter Greyvenstein|Greyvenstein, Walter]] 1988b. Why not play in the classroom? ''Lyra Academica'', 3(2):50-62. | [[Walter Greyvenstein|Greyvenstein, Walter]] 1988b. Why not play in the classroom? ''Lyra Academica'', 3(2):50-62. | ||
| Line 40: | Line 50: | ||
[[Walter Greyvenstein|Greyvenstein, Walter]] 1989c. Let us entertain you! children’s theatre and popular entertainment. ''[[South African Theatre Journal]]'', 3(2):51-68. | [[Walter Greyvenstein|Greyvenstein, Walter]] 1989c. Let us entertain you! children’s theatre and popular entertainment. ''[[South African Theatre Journal]]'', 3(2):51-68. | ||
| − | [[Walter Greyvenstein|Greyvenstein, Walter]] 1989d. Players, a collection of one-act plays, edited by [[Temple Hauptfleisch]] & [[Ted Townsend]]. Reviewed in: ''[[South African Theatre Journal]]'', 3(1):103-104. | + | [[Walter Greyvenstein|Greyvenstein, Walter]] 1989d. ''Players, a collection of one-act plays'', edited by [[Temple Hauptfleisch]] & [[Ted Townsend]]. Reviewed in: ''[[South African Theatre Journal]]'', 3(1):103-104. |
| − | [[Walter Greyvenstein|Greyvenstein, Walter]] 1990. Drama as a method for | + | [[Walter Greyvenstein|Greyvenstein, Walter]] 1990. Drama as a method for teachers of English. ''Crux'', 24(4):24-51. |
| − | [[Walter Greyvenstein|Greyvenstein, Walter]] 1994. Playwrights and human rights by [[Paddy Terry]] | + | [[Walter Greyvenstein|Greyvenstein, Walter]] 1994. Playwrights and human rights by [[Paddy Terry]] and [[Herman Kotze]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):93-96. |
[[Z. Greyvensteyn|Greyvensteyn, Z.]] 1980a. [[Dawie Malan]] – a profile. ''[[Scenaria]]'', (18):26-27. | [[Z. Greyvensteyn|Greyvensteyn, Z.]] 1980a. [[Dawie Malan]] – a profile. ''[[Scenaria]]'', (18):26-27. | ||
| Line 53: | Line 63: | ||
[[Jennifer Griffin|Griffin, Jennifer]] 1993. [[Paul Slabolepszy]]: coming of age in the cradle of apartheid. ''American Theatre'', 10(9):47-48. | [[Jennifer Griffin|Griffin, Jennifer]] 1993. [[Paul Slabolepszy]]: coming of age in the cradle of apartheid. ''American Theatre'', 10(9):47-48. | ||
| + | |||
| + | [[J. Griffiths|Griffiths, J]]. 2014. ''Imperial Culture in Antipodean Cities, 1880-1939'' (Series: ''Britain and the World'') Springer. | ||
[[D. Grimbeek|Grimbeek, D.]] 1977. Opvoedkundige waarde van toneelspel. ''Rehabilitation in South Africa'', 21:59-60. October. | [[D. Grimbeek|Grimbeek, D.]] 1977. Opvoedkundige waarde van toneelspel. ''Rehabilitation in South Africa'', 21:59-60. October. | ||
Latest revision as of 08:55, 1 May 2022
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
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Return to A Bibliography of South African South African Theatre and Performance
Gready, Paul 1994. "Political autobiography in search of liberation: working class theatre, collaboration and the construction of identity", in Liz Gunner (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 163-198.
Great prestige project for the province [Transvaal]. 1966. Construction in Southern Africa, 11(2):27-35.
Greeff, M. 2008. John Vorster se meisiekinders: profiel van twee vroue (Martelize Kolver). Lig, 73(7):18-21.
Greeff, Rachelle 1988. 'n Brug na die wêreld (Biography of the Afrikaans playwright Reza de Wet). De Kat, 3(11):94-96.
Greeff, Rachelle 1988. 'n Reënboog in lewende lywe. (Teaterprofiel: Belinda Koning). De Kat, 4(5):122-124.
Green, Garth V. 1987. Characterization in Pieter-Dirk Uys’s Appassionata. UNISA English Studies, 25(2):18-22.
Green, Michael 1984. The politics of loving: Fugard and the metropolis. English Academy Review, 2:41-54.
Green, Michael 1985. Towards a Method for Theatre Research: A South African Perspective, by Temple Hauptfleisch. Reviewed in: Critical Arts, 3(4):68-72.
Green, Robert J. 1968. Athol Fugard: dramatist of loneliness and isolation. Teater SA, 1(2):2-4.
Green, Robert J. 1976. The drama of Athol Fugard, in Heywood, C. (ed.). Aspects of South African Literature. London, Heinemann. 163-173.
Greer, Graham 2001. The role of the professional theatre critic in a post-apartheid South Africa. South African Theatre Journal, 15:56-64.
Greig, Robert J. 1980. To subsidise or not to subsidise? New Nation, 9(2):10-11.
Greig, Robert 1989. Zap-Pow-Whammee-Glop: Muller's Macbeth. Shakespeare in Southern Africa, 3:92-94.
Greig, Robert 1994. Introduction, in Slabolepszy, Paul Mooi Street and Other Moves. Johannesburg: University of Witwatersrand Press. vii-xviii.
Greyvenstein, Walter 1988a. The history and development of children's theatre in English in South Africa. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.
Greyvenstein, Walter 1988b. Why not play in the classroom? Lyra Academica, 3(2):50-62.
Greyvenstein, Walter 1989a. Children's theatre in South Africa. Part I. Lantern, 38(2):17-24.
Greyvenstein, Walter 1989b Children's theatre in South Africa. Part II. Lantern, 38(3):28-35.
Greyvenstein, Walter 1989c. Let us entertain you! children’s theatre and popular entertainment. South African Theatre Journal, 3(2):51-68.
Greyvenstein, Walter 1989d. Players, a collection of one-act plays, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African Theatre Journal, 3(1):103-104.
Greyvenstein, Walter 1990. Drama as a method for teachers of English. Crux, 24(4):24-51.
Greyvenstein, Walter 1994. Playwrights and human rights by Paddy Terry and Herman Kotze. Reviewed in: South African Theatre Journal, 8(1):93-96.
Greyvensteyn, Z. 1980a. Dawie Malan – a profile. Scenaria, (18):26-27.
Greyvensteyn, Z. 1980b. Siegfried Mynhardt: a profile. Scenaria, (17):17-18.
Griffin, Jennifer 1992. John Kani: reading the troubled landscape of South Africa. AmericanTtheatre, 9(8):26-27.
Griffin, Jennifer 1993. Paul Slabolepszy: coming of age in the cradle of apartheid. American Theatre, 10(9):47-48.
Griffiths, J. 2014. Imperial Culture in Antipodean Cities, 1880-1939 (Series: Britain and the World) Springer.
Grimbeek, D. 1977. Opvoedkundige waarde van toneelspel. Rehabilitation in South Africa, 21:59-60. October.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
