Difference between revisions of "Wash Norton"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | A member of the "original" [[Christy Minstrels]] that visited South Africa in 1862. He was apparently an accomplished actor and one of two members who performed in [[blackface]], "delineating a nigger characters" or performing in [[Ethiopian]] skits. He is also credited as the co-creator of the [[Ethiopian skit]] ''[[Nervous Cures]]'' | + | A member of the "original" [[Christy Minstrels]] that visited South Africa in 1862. He was apparently an accomplished actor and one of two members who performed in [[blackface]], "delineating a nigger characters" or performing in [[Ethiopian]] skits. He is also credited as the co-creator (with [[Joe Brown]]) of the [[Ethiopian skit]] ''[[Nervous Cures]]''. |
| − | + | They performed at the [[Theatre Royal]]) in August (20-31), followed thereafter by shows in the [[Circus]], the [[Commercial Exchange]] and the Cape Town vicinity (e.g. Simonstown and Stellenbosch) till 19 September). The troupe returned to Cape Town and vicinity (21 October-20 November) for more performances, this time including also places such as Paarl and Worcester. They also visited Port Elizabeth and Grahamstown between there Cape Town engagements. The repertoire thus included burlesques of works such as ''[[La Somnambula]]'' (Moncrieff, frequently done by the company), ''[[Il Trovatore]]'' (Verdi) and ''[[The Flying Dutchman]]'' (Fitzball), as well as a number of comic sketches and songs, such as ''[[The Crow Family]]'', ''[[The Nerves]]'', ''[[Good News from Home]]'' (referred to as ''[[Goed Nieuws van Huis]]'' in [[Dutch]] reports) and even an act from a musical comedy billed as ''[[Cinderella Ball, or Lucy at the Ball]]''. | |
| + | The company's successful appearances had a huge impact on popular entertainment in Cape Town and the country during the 19th century. | ||
| − | + | Norton also seems to have been a leading member of the troupe when they visited South Africa in 1862 and would later have his own troupe, known as (Wash) [[Norton's Christy Minstrels]] in 1865, as well as joining forces with [[Carl Steele]] to perform with their professional troupe known as [[Steele and Norton's Christy's Minstrels]] (or [[Steele & Norton's Christy's]]), active in Cape Town and Port Elizabeth in the years 1868-1869. | |
== Sources == | == Sources == | ||
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W.J. Mahar. 1999. ''Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture''. Volume 442 of ''Music in American life''. University of Illinois Press, 1999 | W.J. Mahar. 1999. ''Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture''. Volume 442 of ''Music in American life''. University of Illinois Press, 1999 | ||
| − | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 139-140. | + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 139-140, 250, 257, 291, 299. |
| + | . | ||
Go to the [[ESAT Bibliography]] | Go to the [[ESAT Bibliography]] | ||
Latest revision as of 05:26, 17 December 2021
Wash Norton (fl 1860s) was an American singer, dancer and actor.
Also known as Mr Norton
Contents
Biography
Contribution to SA theatre, film, media and/or performance
A member of the "original" Christy Minstrels that visited South Africa in 1862. He was apparently an accomplished actor and one of two members who performed in blackface, "delineating a nigger characters" or performing in Ethiopian skits. He is also credited as the co-creator (with Joe Brown) of the Ethiopian skit Nervous Cures.
They performed at the Theatre Royal) in August (20-31), followed thereafter by shows in the Circus, the Commercial Exchange and the Cape Town vicinity (e.g. Simonstown and Stellenbosch) till 19 September). The troupe returned to Cape Town and vicinity (21 October-20 November) for more performances, this time including also places such as Paarl and Worcester. They also visited Port Elizabeth and Grahamstown between there Cape Town engagements. The repertoire thus included burlesques of works such as La Somnambula (Moncrieff, frequently done by the company), Il Trovatore (Verdi) and The Flying Dutchman (Fitzball), as well as a number of comic sketches and songs, such as The Crow Family, The Nerves, Good News from Home (referred to as Goed Nieuws van Huis in Dutch reports) and even an act from a musical comedy billed as Cinderella Ball, or Lucy at the Ball.
The company's successful appearances had a huge impact on popular entertainment in Cape Town and the country during the 19th century.
Norton also seems to have been a leading member of the troupe when they visited South Africa in 1862 and would later have his own troupe, known as (Wash) Norton's Christy Minstrels in 1865, as well as joining forces with Carl Steele to perform with their professional troupe known as Steele and Norton's Christy's Minstrels (or Steele & Norton's Christy's), active in Cape Town and Port Elizabeth in the years 1868-1869.
Sources
Sydney Morning Herald, 5 May, 1863[1]
The Australian Circus History Society Website[2]
W.J. Mahar. 1999. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Volume 442 of Music in American life. University of Illinois Press, 1999
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 139-140, 250, 257, 291, 299. .
Go to the ESAT Bibliography
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