Difference between revisions of "Port Elizabeth Ballet Club"
| (9 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
== Founding and early history == | == Founding and early history == | ||
| − | The Port Elizabeth Ballet Club was founded by a small group of enthusiastic people in April 1946 who were determined to promote | + | The Port Elizabeth Ballet Club was founded by a small group of enthusiastic people in April (June?) 1946 who were determined to promote public interest in an aspect of art not previously represented in the City. |
| − | + | The chairman was [[Hal Venter]] and Mrs [[Janet Paton]], secretary with committee members [[Lili Hamber]], Mrs [[Mary Smith]], nee [[Mary Edring]], Mrs [[Molly Paterson]] (who was Miss [[Molly Smith]], an operatic dancer before her marriage), Miss [[Olivia Castignani]], [[Daphne Mann]] (wife of famous cricketer Tufty Mann), [[Robert Bain]], (a teacher at the Technical College Art Department), Mrs [[Kay Copeland]] and [[Basil Fogarty]]. | |
| − | The Club’s next venture was | + | In December 1946, the Club presented a Russian exponent of the impressionistic modern school and folk dancing, [[Masha Arseneiva]], who was accompanied by her husband, [[Boris Ignaff]] and [[Estelle de la Ville]]. Afterwards the [[Port Elizabeth Ballet Club]] made [[Masha Arseneiva]] Honorary President of the club. |
| + | |||
| + | The Club’s next venture, in March 1947, was four performances at the [[Port Elizabeth Opera House]] of the [[University of Cape Town]] Ballet Company under the direction of [[Dulcie Howes]]. Dancers included student [[Editha Mills]] from Queenstown, student [[Mary-Jane Harris]], student [[Myrtle Martin]] and teaching assistant [[Renee Feller]] from East London. [[Frieda Smallhorne]] teaches dancing in Cape Town. | ||
| + | |||
| + | Four ballets, "[[St Valentine's Night]]," "[[My Lady's Mercy]]," "[[Bach Suite]]'" and "[[Pliaska]]" provided the highlights of each evening. | ||
Port Elizabeth expressed its appreciation of the first-ever ballet season with such warmth to demonstrate that the Club had fulfilled a public service. | Port Elizabeth expressed its appreciation of the first-ever ballet season with such warmth to demonstrate that the Club had fulfilled a public service. | ||
| − | + | After the season, [[Dulcie Howes]] graciously accepted the position of Honorary Life Presidency of the Club. | |
| − | As the first season drew to a close the Club arranged for the world famous interpreter of Spanish music, [[ | + | As the first season drew to a close the Club arranged for the world-famous interpreter of Spanish music, [[Adrino Otero]], to come to Port Elizabeth on June 17, 1947, where, supported by [[Estelle de la Ville]], they thrilled the audience with a vivacious and polished exhibition at the [[Port Elizabeth City Hall]]. |
[[Masha Arseneiva]] returned to Port Elizabeth for the second season and the world-renowned artists, [[Markova and Dolin]] gave an exhibition of classic and modern ballet. | [[Masha Arseneiva]] returned to Port Elizabeth for the second season and the world-renowned artists, [[Markova and Dolin]] gave an exhibition of classic and modern ballet. | ||
| Line 20: | Line 24: | ||
Exhibitions were held which illustrated some of the necessary training required of a ballerina. | Exhibitions were held which illustrated some of the necessary training required of a ballerina. | ||
| − | |||
== Aims and function == | == Aims and function == | ||
| Line 36: | Line 39: | ||
== Sources == | == Sources == | ||
| + | |||
| + | [[Saturday Post]], March 29, 1947. | ||
| + | |||
| + | [[Saturday Post]], March 15, 1947. | ||
''Port Elizabeth Ballet Club'' theatre programme - 1950 | ''Port Elizabeth Ballet Club'' theatre programme - 1950 | ||
Latest revision as of 05:58, 20 January 2022
Contents
Founding and early history
The Port Elizabeth Ballet Club was founded by a small group of enthusiastic people in April (June?) 1946 who were determined to promote public interest in an aspect of art not previously represented in the City.
The chairman was Hal Venter and Mrs Janet Paton, secretary with committee members Lili Hamber, Mrs Mary Smith, nee Mary Edring, Mrs Molly Paterson (who was Miss Molly Smith, an operatic dancer before her marriage), Miss Olivia Castignani, Daphne Mann (wife of famous cricketer Tufty Mann), Robert Bain, (a teacher at the Technical College Art Department), Mrs Kay Copeland and Basil Fogarty.
In December 1946, the Club presented a Russian exponent of the impressionistic modern school and folk dancing, Masha Arseneiva, who was accompanied by her husband, Boris Ignaff and Estelle de la Ville. Afterwards the Port Elizabeth Ballet Club made Masha Arseneiva Honorary President of the club.
The Club’s next venture, in March 1947, was four performances at the Port Elizabeth Opera House of the University of Cape Town Ballet Company under the direction of Dulcie Howes. Dancers included student Editha Mills from Queenstown, student Mary-Jane Harris, student Myrtle Martin and teaching assistant Renee Feller from East London. Frieda Smallhorne teaches dancing in Cape Town.
Four ballets, "St Valentine's Night," "My Lady's Mercy," "Bach Suite'" and "Pliaska" provided the highlights of each evening.
Port Elizabeth expressed its appreciation of the first-ever ballet season with such warmth to demonstrate that the Club had fulfilled a public service.
After the season, Dulcie Howes graciously accepted the position of Honorary Life Presidency of the Club.
As the first season drew to a close the Club arranged for the world-famous interpreter of Spanish music, Adrino Otero, to come to Port Elizabeth on June 17, 1947, where, supported by Estelle de la Ville, they thrilled the audience with a vivacious and polished exhibition at the Port Elizabeth City Hall.
Masha Arseneiva returned to Port Elizabeth for the second season and the world-renowned artists, Markova and Dolin gave an exhibition of classic and modern ballet.
On May 8 - 12, 1950, the Cape Town University Ballet, under the direction of Dulcie Howes, returned for a series of performances at the Opera House, Port Elizabeth.
The Club held regular meetings with demonstrations and classes by dancing members under the direction of teaching members.
Exhibitions were held which illustrated some of the necessary training required of a ballerina.
Aims and function
The aims were to promote interest in the art of ballet by affording opportunities for students to take part in classic and modern ballet.
Current status
Impact on SA theatre, film, media and/or performance
1953: The Club was one of the organisations which participated in the play King Henry VIII which was staged at the Feather Market Hall to commemorate the Coronation of Queen Elizabeth II.
Sources
Saturday Post, March 29, 1947.
Saturday Post, March 15, 1947.
Port Elizabeth Ballet Club theatre programme - 1950
Go to the ESAT Bibliography
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to South_African_Festivals
Return to The ESAT Entries
Return to Main Page
