Difference between revisions of "Ali Baba and the Forty Thieves"

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''[[Ali Baba and the Forty Thieves]]'' (علي بابا والأربعون لصا in Arabic) is one of the most famous stories from the ''One Thousand and One Nights''.  
 
''[[Ali Baba and the Forty Thieves]]'' (علي بابا والأربعون لصا in Arabic) is one of the most famous stories from the ''One Thousand and One Nights''.  
  
−
== The original text ==
+
= The original story =
  
−
''[[Ali Baba and The Forty Thieves]]'' (علي بابا والأربعون لصا in Arabic) is one of the most famous stories from the ''One Thousand and One Nights'', first introduced to the West by Antoine Galland in his 12 volume French translation between 1704 and 1717. (There is some suspiciuon in fact that Galland may have invented "Ali Baba" and "Alladin" himself.)  
+
''[[Ali Baba and The Forty Thieves]]'' (علي بابا والأربعون لصا in Arabic) is one of the most famous stories from the ''One Thousand and One Nights'', first introduced to the West by Antoine Galland in his 12 volume French translation between 1704 and 1717. (There is some suspicion in fact that Galland may have invented "Ali Baba" and "Alladin" himself.)  
  
−
==The theatre texts==
+
=Adaptations=
  
−
Both the character and the story have been the source for numerous books, plays, pantomimes, films and other media, especially for children.  
+
Both the character and the story have been the source for numerous books, plays, pantomimes, films and other media, especially for children.  
  
−
=== International versions ===
+
'''See for example "Ali Baba" in [[Wikipedia]][https://en.wikipedia.org/wiki/Ali_Baba] for more information.'''
  
−
The many international stage versions of the story include:
 
  
−
''[[Ali Baba and the Forty Thieves, or, Harlequin and the Magic Donkey]]'' (a pantomime presented by Mr Saker at the Alexandra Theatre, Liverpool in 1868)
+
== International stage versions ==
  
−
''[[Ali Baba]]'' (a comic opera in four acts by Emilio Taddei, with music by G. Bottesini. English translation by C. L. Kenney, 1871); 
+
The many international stage versions of the story include:
  
−
''[[The Forty Thieves]]'' (a musical drama in 2 acts by Richard Brinsley Sheridan (1751–1816) [https://en.wikipedia.org/wiki/Richard_Brinsley_Sheridan] and George Colman, the Younger (1762-1836)[http://en.wikipedia.org/wiki/George_Colman_the_Younger], with music by Michael Kelly (1762-1826) and choreography ("ballet and action") by D'Egville.)
+
===''[[The Forty Thieves]]'' by Sheridan, Colman, Kelly and D'Egville (1806)===
  
 +
A musical drama in 2 acts written by Richard Brinsley Sheridan (1751–1816) [https://en.wikipedia.org/wiki/Richard_Brinsley_Sheridan] and George Colman, the Younger (1762-1836)[http://en.wikipedia.org/wiki/George_Colman_the_Younger], with music by Michael Kelly (1762-1826) and choreography ("ballet and action") by D'Egville.)
  
−
''[[40 Thieves]]'' (a pantomime performed at the Royal Lyceum Theatre, Edinburgh in 1886), 
+
Based on the story of [[Ali Baba]], the scenario was by Sheridan and originally the dialogue by Charles Ward, afterwards revised by Colman the Younger for the 1806 edition.
  
−
''[[Ali-Baba]]'' (an opéra comique, with music by Charles Lecocq, 1887)  
+
First performed in London at the Theatre Royal at Drury Lane on 18 April 1806,  and in New York and at the New Theatre, Philadelphia, in 1808. It is described variously as a "Grand Operatical Romance" (1806 and 1808 Lacey and Carey editions) and "Grand Romantic Drama" (1825 Duncombe edition).
  
−
''[[Chu Chin Chow]]''[https://en.wikipedia.org/wiki/Chu_Chin_Chow] (a pantomime/musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton. The piece premièred at His Majesty's Theatre in London on 3 August 1916.)
+
Published in 1806 by Lacey (London), 1808 by M.Carey (Philadelphia), and by Duncombe (London) in 1825.
  
−
And of course there have been numerous films (see "Ali Baba" in [[Wikipedia]][https://en.wikipedia.org/wiki/Ali_Baba] for example.).
+
===''[[Ali Baba and the Forty Thieves, or Harlequin and the Magic Donkey]]'' by Saker (1868)===
  
−
=== South African versions ===
+
This is a pantomime version presented by Mr Saker at the Alexandra Theatre, Liverpool in 1868
  
 +
Also found simply as '''''[[Harlequin and the Magic Donkey]]'''''
  
−
An [[Afrikaans]] version was written by [[De Wet Laubscher]] in 19**
+
===''[[Ali Baba]]'' by Taddei and  Bottesini (1871)===
  
−
[[Janice Honeyman]]'s version
+
A comic opera in four acts by Emilio Taddei, with music by G. Bottesini. English translation by C. L. Kenney, 1871 
  
 +
===''[[The Forty Thieves]]'' by Reece, Gilbert, Burnand and Byron (1878)===
  
 +
This is a "Pantomime Burlesque" based on the story of [[Ali Baba]] and created as a charity benefit by members of the Beefsteak Club of London, produced at the Gaiety Theatre as the Wednesday matinee on 13 February 1878.
  
−
== South African stage productions ==
+
===''[[40 Thieves]]'' by an anonymous author (1886)===
  
−
The story has been performed in South Africa and environs under a range of titles - below a chronological list.  
+
A pantomime by this name was performed at the Royal Lyceum Theatre, Edinburgh in 1886. Quite probably a version of the text by Reece, Gilbert, Burnand and Byron.
  
−
c. 1825: ''[[The Forty Thieves]]'' (described as a "romance") was performed on the island of St Helena, with new scenery painted by an inhabitant of the island named '''[[Mr Julio]]'''.
+
===''[[Ali-Baba]]'' by Lecocq, 1887===
  
−
1878: Performed as ''[[Ali Baba or The Forty Thieves]]'' from 1-25 January in the [[Theatre Royal]], Cape Town,  by [[Disney Roebuck]]. It was also billed under the more complicated title of ''[[Ali Baba and The Forty Thieves, or The Fairy Brilliantina and Harlequin and the Magic Donkey]]'' (according to [[F.C.L. Bosman|Bosman]], 1980:p. 505, accredited to Taddei and Bottesini, but perhaps also indebted to Mr Saker). Apparently it was a local adaptation under management of [[Sutton Vane|Mr Vane]], scenery by [[A. Cooper|Mr Cooper]]. An interesting "local" facet is that the curtain opened on a scene in the kraal of the Xhosa king, Kreli, with the chief and his warriors taunting "Sir Castle Brere" and his British Flag. The production was a huge success, as also attested for by the fact that there were additional performances consisting of extracts from the pantomime, while a certain [[W.L. Sammons]] did an acrostic[https://en.wikipedia.org/wiki/Acrostic] on the name [[Ali Baba]] on 12 January.
+
(an opéra comique, with music by Charles Lecocq, 1887)
  
−
1878: A "second edition" of ''[[Ali Baba and the Forty Thieves]]'' opened in the [[Good Hope Gardens]] on 18 February, with the addition of [[Mr Harvey]]'s ''[[Celebrated Grotesque]]'' and closing with the ''[[Grand Demon Ballet Zig Zag]]'' by the [[Kickapoos]]. Performed on and off till 2 March.
+
===''[[Chu Chin Chow]]'' by Asche and Norton (1916)===
  
−
1908: ''[[Forty Thieves]]'', a pantomime version, was performed by a Gaiety Company at the Opera House, Cape Town.  
+
''[[Chu Chin Chow]]''[https://en.wikipedia.org/wiki/Chu_Chin_Chow] is a famous pantomime/musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton. The piece premièred at His Majesty's Theatre in London on 3 August 1916.)
  
−
1944: Presented by the pupils of the Ashley Street Primary School in Cape Town's [[City Hall]], 1944, decor by [[Sydney McKie]]. [[Carl van der Rheede]] as Ali Baba, [[Edna Young]] as his wife, [[Eric Titus]] as the Forest Enchanter.
+
===''[[Tom Arnold's Chu Chin Chow]]'' (1953)===
  
−
194*? An [[Afrikaans]] pantomime version by [[De Wet Laubscher]].**
+
https://skateguard1.blogspot.com/2015/06/tom-arnolds-ice-pantomimes.html
  
−
1968: Performed as ''[[Ali Baba]]'' by the [[Port Elizabeth Gilbert and Sullivan Society]],
+
== South African versions ==
  
−
19**: Performed by [[CAPAB]] as ''[[Ali Baba and the Forty Thieves]]'', with [[Ulric Charteris]] in the lead role.
+
There have been a number of productions of local versions of the tale, including:
  
−
== Sources ==
+
===''[[Ali Baba and The Forty Thieves, or The Fairy Brilliantina and Harlequin and the Magic Donkey]]'' ===
  
−
Facsimile version of Carey's 1808 edition of the ''[[The Forty Thieves]]'': Hathitrust Digital Library[https://babel.hathitrust.org/cgi/pt?id=uc1.31175035149924;view=1up;seq=3]
+
A "localized" version, apparently a local adaptation by members the Roebuck production company, with the curtain opening on a scene in the kraal of the Xhosa king, Kreli, with the chief and his warriors taunting "Sir Castle Brere" and his British Flag. The text is accredited to Taddei and Bottesini, but is perhaps also indebted to Mr Saker, the names of [[Sutton Vane|Mr Vane]] and scenery by [[Mr Cooper]] are mentioned as possible collaborators on the text.
  
−
Facsimile version of Duncombe's 1825 edition of ''[[The Forty Thieves]]'', Google E-Book[https://books.google.co.za/books?id=SXFbAAAAQAAJ&pg=PA10&lpg=PA10&dq=Forty+Thieves+Sheridan&source=bl&ots=hornwRNyqC&sig=8xqAXUHLJjnvuoFTWKwDNEnLvbI&hl=af&sa=X&ved=0ahUKEwjuicro_aPNAhUMJsAKHU6xBL0Q6AEIIDAB#v=onepage&q=Forty%20Thieves%20Sheridan&f=false]
+
===''[[Ali Baba]]'' by Laubscher (c.1940s)===
  
−
https://catalog.hathitrust.org/Record/100593157
+
This is an [[Afrikaans]] version of the story, written by [[De Wet Laubscher]]. Though written and no doubt performed,  much earlier, the text was published in their series of performance texts by [[DALRO]] in 1969.
  
−
George Watson. 1971.''The New Cambridge Bibliography of English Literature'': Volume 2 (1660-1800):p. 820[https://books.google.co.za/books?id=5-s8AAAAIAAJ&pg=PA1968-IA399&lpg=PA1968-IA399&dq=Forty+Thieves+Sheridan&source=bl&ots=A_HoMkyYGv&sig=Rd9Etgz4L68W1wqmgbkgrx5zl4g&hl=af&sa=X&ved=0ahUKEwjuicro_aPNAhUMJsAKHU6xBL0Q6AEIPDAG#v=onepage&q=Forty%20Thieves%20Sheridan&f=false]
+
== South African stage productions ==
  
−
[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 390-1
+
The story has been performed in South Africa and environs under a range of titles - below a chronological list.  
  
−
[[F.C.L. Bosman|Bosman, F.C.L.]], ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. 1980: pp. 353, 364-6, 428.
+
c. 1825: ''[[The Forty Thieves]]'' (described as a "romance") was performed on the island of St Helena, with new scenery painted by an inhabitant of the island named '''[[Mr Julio]]'''.  
  
−
''[[Trek]]'', 9(9):20, 1944.
+
1878: Performed as ''[[Ali Baba or The Forty Thieves]]'' from 1-25 January in the [[Theatre Royal]], Cape Town,  by [[Disney Roebuck]]. It was also billed under the more complicated title of ''[[Ali Baba and The Forty Thieves, or The Fairy Brilliantina and Harlequin and the Magic Donkey]]''. According to [[F.C.L. Bosman|Bosman]] (1980:p. 505), it was accredited to Taddei and Bottesini, but perhaps also indebted to Mr Saker. Apparently, it was a local adaptation under the management of [[Sutton Vane|Mr Vane]], scenery by [[A. Cooper|Mr Cooper]]. An interesting "local" facet is that the curtain opened on a scene in the kraal of the Xhosa king, [[Kreli]], with the chief and his warriors taunting "Sir Castle Brere" and his British Flag. The production was a huge success, as also attested for by the fact that there were additional performances consisting of extracts from the pantomime, while a certain [[W.L. Sammons]] did an acrostic[https://en.wikipedia.org/wiki/Acrostic] on the name [[Ali Baba]] on 12 January.  
  
 +
1878: Performed by [[Disney Roebuck]] in the [[Theatre Royal]] in Cape Town as a matinee and evening performance on 2 February, ''[[The Angel of the Attic]]'' being added for the evening performance.
  
−
Go to [[ESAT Bibliography]]
+
1878: The transformation scene from the play performed by [[Disney Roebuck]] in the [[Theatre Royal]] in Cape Town  on 6 February, with ''[[Woodcock's Little Game]]'' (Morton) and ''[[William Tell with a Vengeance, of The Pet, the Parrot and the Pippin]]'' (Byron).
  
−
== Return to ==
+
1878: A "second edition" of ''[[Ali Baba and the Forty Thieves]]'' opened in the [[Good Hope Gardens]] on 18 February, with the addition of [[Mr Harvey]]'s ''[[Celebrated Grotesque]]'' and closing with the ''[[Grand Demon Ballet Zig Zag]]'' by the [[Kickapoos]]. Performed on and off until 2 March.
  
−
Return to [[PLAYS I: Original SA plays]]
+
1908: ''[[Forty Thieves]]'', a pantomime version (probably the one by  Reece, Gilbert, Burnand and Byron), was performed by a [[Gaiety Company]] at the [[Opera House]], Cape Town.
  
−
Return to [[PLAYS II: Foreign plays]]
+
1944: Presented by the pupils of the Ashley Street Primary School in Cape Town's [[City Hall]], 1944, decor by [[Sydney McKie]]. [[Carl van der Rheede]] as Ali Baba, [[Edna Young]] as his wife, [[Eric Titus]] as the Forest Enchanter.
  
−
Return to [[PLAYS III: Collections]]
+
194*? An [[Afrikaans]] pantomime version by [[De Wet Laubscher]].**
  
−
Return to [[PLAYS IV: Pageants and public performances]]
+
1968: Performed as ''[[Ali Baba]]'' by the [[Port Elizabeth Gilbert and Sullivan Society]],
  
−
Return to [[South_African_Festivals|South African Festivals and Competitions]]
+
1960/1970(?): Performed on ice as ''[[Tom Arnold's Chu Chin Chow]]'' produced by [[Marjorie Chase]].
  
−
Return to [[The ESAT Entries]]
+
1994: Pantomime version by [[Norman Robbins]] presented by the [[Arts Theatre Club]] in collaboration with [[CAPAB]] as ''[[Ali Baba and the Forty Thieves]]'' at the [[Guild Theatre]], with [[Ulric Charteris]] in the lead role, adapted and directed by [[Kevin Feather]]. Musical direction by [[Izak Bellingan]], Choreography by [[Di Ruddick]], Set and costume design by [[Keith Anderson]], lighting design by [[Rocky Mann]].
  
−
Return to [[Main Page]]
+
== Sources ==
−
=''[[The Forty Thieves]]'' a musical drama by Sheridan, Colman, Kelly  and D'Egville=
 
  
−
''[[The Forty Thieves]]'' is a musical drama in 2 acts by Richard Brinsley Sheridan (1751–1816) [https://en.wikipedia.org/wiki/Richard_Brinsley_Sheridan] and George Colman, the Younger (1762-1836)[http://en.wikipedia.org/wiki/George_Colman_the_Younger], with music by Michael Kelly (1762-1826) and choreography ("ballet and action") by D'Egville.
+
Facsimile version of Carey's 1808 edition of the ''[[The Forty Thieves]]'': [[Hathi Trust Digital Library]][https://babel.hathitrust.org/cgi/pt?id=uc1.31175035149924;view=1up;seq=3]
  
−
'''See also ''[[Ali Baba and the Forty Thieves]]'''''
+
Facsimile version of Duncombe's 1825 edition of ''[[The Forty Thieves]]'', [[Google E-Book]][https://books.google.co.za/books?id=SXFbAAAAQAAJ&pg=PA10&lpg=PA10&dq=Forty+Thieves+Sheridan&source=bl&ots=hornwRNyqC&sig=8xqAXUHLJjnvuoFTWKwDNEnLvbI&hl=af&sa=X&ved=0ahUKEwjuicro_aPNAhUMJsAKHU6xBL0Q6AEIIDAB#v=onepage&q=Forty%20Thieves%20Sheridan&f=false]
  
−
== The original text ==
+
https://catalog.hathitrust.org/Record/100593157
  
−
Based on the story of [[Ali Baba]] , the scenario was by Sheridan and originally the dialogue by Charles Ward, afterwards revised by Colman the Younger for the 1806 edition.  
+
https://en.wikipedia.org/wiki/Chu_Chin_Chow
  
−
First performed in London at the Theatre Royal at Drury Lane on 18 April, 1806,  and in New York and at the New Theatre, Philadelphia, in 1808. It is described variously as a "Grand Operatical Romance" (1806 and 1808 Lacey and Carey editions) and "Grand Romantic Drama" (1825 Duncombe edition).
+
George Watson. 1971.''The New Cambridge Bibliography of English Literature'': Volume 2 (1660-1800):p. 820[https://books.google.co.za/books?id=5-s8AAAAIAAJ&pg=PA1968-IA399&lpg=PA1968-IA399&dq=Forty+Thieves+Sheridan&source=bl&ots=A_HoMkyYGv&sig=Rd9Etgz4L68W1wqmgbkgrx5zl4g&hl=af&sa=X&ved=0ahUKEwjuicro_aPNAhUMJsAKHU6xBL0Q6AEIPDAG#v=onepage&q=Forty%20Thieves%20Sheridan&f=false]
  
−
Published in 1806 by Lacey (London), 1808 by M.Carey (Philadelphia), and by Duncombe (London) in 1825.
+
[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 390-1
  
−
== Translations and adaptations ==
+
[[F.C.L. Bosman|Bosman, F.C.L.]], ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. 1980: pp. 353, 364-6, 428.
  
−
'''See ''[[Ali Baba and the Forty Thieves]]'''''
+
''[[Trek]]'', 9(9):20, 1944.
  
−
== Performance history in South Africa ==
+
[[Arts Theatre Club]] archive held by [[George Mountjoy]].
−
 
 
−
In the early part of the 19th century, there was a close link between Cape Town and the island of St Helena and apparently monthly plays were performed on the island of St Helena by the garrison there, according to an article on "St. Helena Theatricals" in ''[[The South African Commercial Advertiser]]'' of 12 October 1825. '''(See also [[Theatre on St Helena]])'''
 
−
 
 
−
c. 1825: ''[[Forty Thieves]]'' (described as a "romance"), including in this case new scenery painted by an inhabitant of the island named '''[[Mr Julio]]''', was one of the presentations specifically mentioned.
 
−
 
 
−
1908: ''[[Forty Thieves]]'', probably a pantomime version of this work, performed by a [[Gaiety Company]] at the [[Opera House]], Cape Town.
 
−
 
 
−
=''[[The Forty Thieves]]'' a pantomime by Robert Reece, W. S. Gilbert, F. C. Burnand and Henry J. Byron=
 
−
 
 
−
A "Pantomime Burlesque" based on the story of [[Ali Baba]], and created as a charity benefit by members of the Beefsteak Club of London, produced at the Gaiety Theatre as the Wednesday matinee on 13 February 1878.
 
−
 
 
−
== Sources ==
 
−
 
 
−
Facsimile version of Carey's 1808 edition of the text: Hathitrust Digital Library[https://babel.hathitrust.org/cgi/pt?id=uc1.31175035149924;view=1up;seq=3]
 
−
 
 
−
Facsimile version of Duncombe's 1825 edition of the text, Google E-Book[https://books.google.co.za/books?id=SXFbAAAAQAAJ&pg=PA10&lpg=PA10&dq=Forty+Thieves+Sheridan&source=bl&ots=hornwRNyqC&sig=8xqAXUHLJjnvuoFTWKwDNEnLvbI&hl=af&sa=X&ved=0ahUKEwjuicro_aPNAhUMJsAKHU6xBL0Q6AEIIDAB#v=onepage&q=Forty%20Thieves%20Sheridan&f=false]
 
−
 
 
−
https://catalog.hathitrust.org/Record/100593157
 
−
 
 
−
George Watson. 1971.''The New Cambridge Bibliography of English Literature'': Volume 2 (1660-1800):p. 820[https://books.google.co.za/books?id=5-s8AAAAIAAJ&pg=PA1968-IA399&lpg=PA1968-IA399&dq=Forty+Thieves+Sheridan&source=bl&ots=A_HoMkyYGv&sig=Rd9Etgz4L68W1wqmgbkgrx5zl4g&hl=af&sa=X&ved=0ahUKEwjuicro_aPNAhUMJsAKHU6xBL0Q6AEIPDAG#v=onepage&q=Forty%20Thieves%20Sheridan&f=false]
 
−
 
 
−
[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 390-1
 
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Latest revision as of 11:08, 29 May 2024

Ali Baba and the Forty Thieves (علي بابا والأربعون لصا in Arabic) is one of the most famous stories from the One Thousand and One Nights.

The original story

Ali Baba and The Forty Thieves (علي بابا والأربعون لصا in Arabic) is one of the most famous stories from the One Thousand and One Nights, first introduced to the West by Antoine Galland in his 12 volume French translation between 1704 and 1717. (There is some suspicion in fact that Galland may have invented "Ali Baba" and "Alladin" himself.)

Adaptations

Both the character and the story have been the source for numerous books, plays, pantomimes, films and other media, especially for children.

See for example "Ali Baba" in Wikipedia[1] for more information.


International stage versions

The many international stage versions of the story include:

The Forty Thieves by Sheridan, Colman, Kelly and D'Egville (1806)

A musical drama in 2 acts written by Richard Brinsley Sheridan (1751–1816) [2] and George Colman, the Younger (1762-1836)[3], with music by Michael Kelly (1762-1826) and choreography ("ballet and action") by D'Egville.)

Based on the story of Ali Baba, the scenario was by Sheridan and originally the dialogue by Charles Ward, afterwards revised by Colman the Younger for the 1806 edition.

First performed in London at the Theatre Royal at Drury Lane on 18 April 1806, and in New York and at the New Theatre, Philadelphia, in 1808. It is described variously as a "Grand Operatical Romance" (1806 and 1808 Lacey and Carey editions) and "Grand Romantic Drama" (1825 Duncombe edition).

Published in 1806 by Lacey (London), 1808 by M.Carey (Philadelphia), and by Duncombe (London) in 1825.

Ali Baba and the Forty Thieves, or Harlequin and the Magic Donkey by Saker (1868)

This is a pantomime version presented by Mr Saker at the Alexandra Theatre, Liverpool in 1868

Also found simply as Harlequin and the Magic Donkey

Ali Baba by Taddei and Bottesini (1871)

A comic opera in four acts by Emilio Taddei, with music by G. Bottesini. English translation by C. L. Kenney, 1871

The Forty Thieves by Reece, Gilbert, Burnand and Byron (1878)

This is a "Pantomime Burlesque" based on the story of Ali Baba and created as a charity benefit by members of the Beefsteak Club of London, produced at the Gaiety Theatre as the Wednesday matinee on 13 February 1878.

40 Thieves by an anonymous author (1886)

A pantomime by this name was performed at the Royal Lyceum Theatre, Edinburgh in 1886. Quite probably a version of the text by Reece, Gilbert, Burnand and Byron.

Ali-Baba by Lecocq, 1887

(an opéra comique, with music by Charles Lecocq, 1887)

Chu Chin Chow by Asche and Norton (1916)

Chu Chin Chow[4] is a famous pantomime/musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton. The piece premièred at His Majesty's Theatre in London on 3 August 1916.)

Tom Arnold's Chu Chin Chow (1953)

https://skateguard1.blogspot.com/2015/06/tom-arnolds-ice-pantomimes.html

South African versions

There have been a number of productions of local versions of the tale, including:

Ali Baba and The Forty Thieves, or The Fairy Brilliantina and Harlequin and the Magic Donkey

A "localized" version, apparently a local adaptation by members the Roebuck production company, with the curtain opening on a scene in the kraal of the Xhosa king, Kreli, with the chief and his warriors taunting "Sir Castle Brere" and his British Flag. The text is accredited to Taddei and Bottesini, but is perhaps also indebted to Mr Saker, the names of Mr Vane and scenery by Mr Cooper are mentioned as possible collaborators on the text.

Ali Baba by Laubscher (c.1940s)

This is an Afrikaans version of the story, written by De Wet Laubscher. Though written and no doubt performed, much earlier, the text was published in their series of performance texts by DALRO in 1969.

South African stage productions

The story has been performed in South Africa and environs under a range of titles - below a chronological list.

c. 1825: The Forty Thieves (described as a "romance") was performed on the island of St Helena, with new scenery painted by an inhabitant of the island named Mr Julio.

1878: Performed as Ali Baba or The Forty Thieves from 1-25 January in the Theatre Royal, Cape Town, by Disney Roebuck. It was also billed under the more complicated title of Ali Baba and The Forty Thieves, or The Fairy Brilliantina and Harlequin and the Magic Donkey. According to Bosman (1980:p. 505), it was accredited to Taddei and Bottesini, but perhaps also indebted to Mr Saker. Apparently, it was a local adaptation under the management of Mr Vane, scenery by Mr Cooper. An interesting "local" facet is that the curtain opened on a scene in the kraal of the Xhosa king, Kreli, with the chief and his warriors taunting "Sir Castle Brere" and his British Flag. The production was a huge success, as also attested for by the fact that there were additional performances consisting of extracts from the pantomime, while a certain W.L. Sammons did an acrostic[5] on the name Ali Baba on 12 January.

1878: Performed by Disney Roebuck in the Theatre Royal in Cape Town as a matinee and evening performance on 2 February, The Angel of the Attic being added for the evening performance.

1878: The transformation scene from the play performed by Disney Roebuck in the Theatre Royal in Cape Town on 6 February, with Woodcock's Little Game (Morton) and William Tell with a Vengeance, of The Pet, the Parrot and the Pippin (Byron).

1878: A "second edition" of Ali Baba and the Forty Thieves opened in the Good Hope Gardens on 18 February, with the addition of Mr Harvey's Celebrated Grotesque and closing with the Grand Demon Ballet Zig Zag by the Kickapoos. Performed on and off until 2 March.

1908: Forty Thieves, a pantomime version (probably the one by Reece, Gilbert, Burnand and Byron), was performed by a Gaiety Company at the Opera House, Cape Town.

1944: Presented by the pupils of the Ashley Street Primary School in Cape Town's City Hall, 1944, decor by Sydney McKie. Carl van der Rheede as Ali Baba, Edna Young as his wife, Eric Titus as the Forest Enchanter.

194*? An Afrikaans pantomime version by De Wet Laubscher.**

1968: Performed as Ali Baba by the Port Elizabeth Gilbert and Sullivan Society,

1960/1970(?): Performed on ice as Tom Arnold's Chu Chin Chow produced by Marjorie Chase.

1994: Pantomime version by Norman Robbins presented by the Arts Theatre Club in collaboration with CAPAB as Ali Baba and the Forty Thieves at the Guild Theatre, with Ulric Charteris in the lead role, adapted and directed by Kevin Feather. Musical direction by Izak Bellingan, Choreography by Di Ruddick, Set and costume design by Keith Anderson, lighting design by Rocky Mann.

Sources

Facsimile version of Carey's 1808 edition of the The Forty Thieves: Hathi Trust Digital Library[6]

Facsimile version of Duncombe's 1825 edition of The Forty Thieves, Google E-Book[7]

https://catalog.hathitrust.org/Record/100593157

https://en.wikipedia.org/wiki/Chu_Chin_Chow

George Watson. 1971.The New Cambridge Bibliography of English Literature: Volume 2 (1660-1800):p. 820[8]

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [9]: pp. 390-1

Bosman, F.C.L., Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. 1980: pp. 353, 364-6, 428.

Trek, 9(9):20, 1944.

Arts Theatre Club archive held by George Mountjoy.

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