Difference between revisions of "The First South African"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
− | This was Fatima Dike’s first play as resident playwright at [[Space Theatre|The Space]] (Cape Town) and was first performed there in 1977, directed and lit by [[Dimitri Nicolas-Fanourakis]] with [[Nomhle Nkonyeni]] (Mother), [[Themba Fasi]], [[Joe Hartzenberg]] (Rooi), [[Thabiso Koti]], [[Kholeka Lonzi]], [[Peter Lubelwana]] (Max), [[Sam Phillips]], [[Tiny Skefile]] and [[Zak Skweyiya]] (Father). Set by [[John Nankin]] and [[Jacob Alexander]], the stage manager was [[Pam Mills]]. | + | 1977: This was Fatima Dike’s first play as resident playwright at [[Space Theatre|The Space]] (Cape Town) and was first performed there in 1977, directed and lit by [[Dimitri Nicolas-Fanourakis]] with [[Nomhle Nkonyeni]] (Mother), [[Themba Fasi]], [[Joe Hartzenberg]] (Rooi), [[Thabiso Koti]], [[Kholeka Lonzi]], [[Peter Lubelwana]] (Max), [[Sam Phillips]], [[Tiny Skefile]] and [[Zak Skweyiya]] (Father), all of the [[Sechaba]] Group. Set by [[John Nankin]] and [[Jacob Alexander]], the stage manager was [[Pam Mills]]. |
== Sources == | == Sources == |
Latest revision as of 17:19, 13 April 2018
The First South African is a play by Fatima Dike. A multilingual (English, Afrikaans, isiXhosa and “Tsotsitaal”) play based on a real case where a son is born to a black woman and a white man. The son turns out to be white, but is brought up black and even undergoes initiation rites. The play examines the pressures which are placed on such a man and his family.
Contents
The original text
The text was published by Ravan Press 1979. ISBN 9780869750865.
Translations and adaptations
Performance history in South Africa
1977: This was Fatima Dike’s first play as resident playwright at The Space (Cape Town) and was first performed there in 1977, directed and lit by Dimitri Nicolas-Fanourakis with Nomhle Nkonyeni (Mother), Themba Fasi, Joe Hartzenberg (Rooi), Thabiso Koti, Kholeka Lonzi, Peter Lubelwana (Max), Sam Phillips, Tiny Skefile and Zak Skweyiya (Father), all of the Sechaba Group. Set by John Nankin and Jacob Alexander, the stage manager was Pam Mills.
Sources
Astbury 1979.
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