Difference between revisions of "ESAT Bibliography Bri-Bru"
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| − | Rawlinson, Brian|Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22. | + | [[Rawlinson, Brian|Brian Rawlinson]]: twentieth century buccaneer. 1979. Scenaria, (15):21-22. |
| − | Tania Bridges|Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London. | + | [[Tania Bridges|Bridges, Tania]] 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London. |
| − | A. Brimer|Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6:29-44. | + | [[A. Brimer|Brimer, A.]] 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6:29-44. |
[[André P. Brink|Brink, André P.]] 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2):38-41. | [[André P. Brink|Brink, André P.]] 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2):38-41. | ||
| Line 29: | Line 29: | ||
[[André P. Brink|Brink, André P.]] 1989. Hink die kruppel toneel nog? De Kat, 5(4):104-105. | [[André P. Brink|Brink, André P.]] 1989. Hink die kruppel toneel nog? De Kat, 5(4):104-105. | ||
| − | [[André P. Brink|Brink, André P.]] 1993. ‘No way out’ : Sizwe Banzi is Dead and the dilemma of political drama in South Africa. Twentieth Century Literature, 39(4) :438-454. | + | [[André P. Brink|Brink, André P.]] 1993. ‘No way out’ : [[Sizwe Banzi is Dead]] and the dilemma of political drama in South Africa. Twentieth Century Literature, 39(4) :438-454. |
[[André P. Brink|Brink, André P.]] 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96:45. | [[André P. Brink|Brink, André P.]] 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96:45. | ||
| − | Martha H.S. Brink|Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education. | + | [[Martha H.S. Brink|Britz, Martha H.S.]] 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education. |
| − | P. Brockbank|Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481. | + | [[P. Brockbank|Brockbank P.]] 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481. |
| − | Peter Brook|Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin. | + | [[Peter Brook|Brook, Peter]] 1978. The Empty Space. Harmondsworth, Penguin. |
[[Brian Brooke|Brooke, Brian]] 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16. | [[Brian Brooke|Brooke, Brian]] 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16. | ||
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[[Brian Brooke|Brooke, Brian]] 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press. | [[Brian Brooke|Brooke, Brian]] 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press. | ||
| − | Michael Brooke|Brooke, Michael 1985. The Limelight and Contacts, in Temple Hauptfleisch|Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to Breytenbach, P.P.B.|P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130. | + | [[Michael Brooke|Brooke, Michael]] 1985. The Limelight and Contacts, in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[Breytenbach, P.P.B.|P.P.B. Breytenbach]]. Johannesburg: The Limelight press, 129-130. |
| − | The Brooke Theatre. 1978. Scenaria, June/July:6-7. | + | [[The Brooke Theatre]]. 1978. Scenaria, June/July:6-7. [[Brooke Theatre]] |
| − | Richard Brooks|Brooks, Richard 2006. Not redundant after all (interview with Fugard, Athol|Athol Fugard). New Statesman, 135(4784):28-29. March 20. | + | [[Richard Brooks|Brooks, Richard]] 2006. Not redundant after all (interview with [[Fugard, Athol|Athol Fugard]]). New Statesman, 135(4784):28-29. March 20. |
[[Diane Brophy|Brophy, Diane]] 1980. Industrial revolution. Teaterforum, 1(1):7-10. | [[Diane Brophy|Brophy, Diane]] 1980. Industrial revolution. Teaterforum, 1(1):7-10. | ||
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[[Duncan Brown|Brown, Duncan]] 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip. | [[Duncan Brown|Brown, Duncan]] 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip. | ||
| − | Lenora Inez Brown|Brown, Lenora Inez 2000. The Dramatic Art of Fugard, Athol|Athol Fugard: From South Africa to the World, by Wertheim, Albert|Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82. | + | [[Lenora Inez Brown|Brown, Lenora Inez]] 2000. The Dramatic Art of [[Fugard, Athol|Athol Fugard]]: From South Africa to the World, by [[Wertheim, Albert|Albert Wertheim]]. Reviewed in: American Theatre, 17(10):79-82. |
| − | Phyllida Brown|Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist 132(1797):13. | + | [[Phyllida Brown|Brown, Phyllida]] 1991. Meet the puppets that care about condoms. New Scientist 132(1797):13. |
| − | Joseph Bruchac|Bruchac, Joseph 1988. Nkosi, Lewis|Lewis Nkosi, in D.L. Kirkpatrick|Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401. | + | [[Joseph Bruchac|Bruchac, Joseph]] 1988. [[Nkosi, Lewis|Lewis Nkosi]], in [[D.L. Kirkpatrick|Kirkpatrick, D.L.]] (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401. |
| − | Willemien Brummer|Brummer, Willemien 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53. | + | [[Willemien Brummer|Brummer, Willemien]] 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53. |
[[Robert Brustein|Brustein, Robert]] 2001. On the Cape Town. New Republic, 224(7):31-32. | [[Robert Brustein|Brustein, Robert]] 2001. On the Cape Town. New Republic, 224(7):31-32. | ||
| Line 73: | Line 73: | ||
[[Robert Brustein|Brustein, Robert]] 2002. The Good Hope of the Cape ([[Uys, Pieter-Dirk|Pieter-Dirk Uys]]). New Republic, 226(5):27-28. | [[Robert Brustein|Brustein, Robert]] 2002. The Good Hope of the Cape ([[Uys, Pieter-Dirk|Pieter-Dirk Uys]]). New Republic, 226(5):27-28. | ||
| − | [[Robert Brustein|Brustein, Robert]] 2003. Fronting (Salaam Stories, by Johaardien Ashraf|Ashraf Johaardien; District Six, by Kramer, David|David Kramer; African Footprints; Loring, Richard{Richard Loring). New Republic, 228(6):25-27. | + | [[Robert Brustein|Brustein, Robert]] 2003. Fronting ([[Salaam Stories]], by [[Johaardien Ashraf|Ashraf Johaardien]]; [[District Six]], by [[Kramer, David|David Kramer]]; [[African Footprints]]; [[Loring, Richard{Richard Loring]]). New Republic, 228(6):25-27. |
| − | [[Robert Brustein|Brustein, Robert]] 2005. Robert Brustein on theatre: the saved and the drowned ( | + | [[Robert Brustein|Brustein, Robert]] 2005. Robert Brustein on theatre: the saved and the drowned ([[Sher, AnthonyAnthony Sher]]). New Republic, 232(7):25-26. |
| − | Sheila Bruton|Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship. | + | [[Sheila Bruton|Bruton, Sheila]] 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship. |
Revision as of 09:57, 5 January 2011
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B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
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Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.
Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.
Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6:29-44.
Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2):38-41.
Brink, André P. 1971. Censorship – Climate of Fear. Contrast, 7(2).
Brink, André P. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5):35-36.
Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre Quarterly, 7(28):71-76.
Brink, André P. 1986. Aspekte van die Nuwe Drama. Pretoria: Academica.
Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4):104-105.
Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is Dead and the dilemma of political drama in South Africa. Twentieth Century Literature, 39(4) :438-454.
Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96:45.
Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481.
Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.
Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.
Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.
Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.
Brooke, Michael 1985. The Limelight and Contacts, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.
The Brooke Theatre. 1978. Scenaria, June/July:6-7. Brooke Theatre
Brooks, Richard 2006. Not redundant after all (interview with Athol Fugard). New Statesman, 135(4784):28-29. March 20.
Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.
Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.
Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.
Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.
Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.
Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82.
Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist 132(1797):13.
Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.
Brummer, Willemien 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.
Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.
Brustein, Robert 2002. The Good Hope of the Cape (Pieter-Dirk Uys). New Republic, 226(5):27-28.
Brustein, Robert 2003. Fronting (Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; [[Loring, Richard{Richard Loring]]). New Republic, 228(6):25-27.
Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned (Sher, AnthonyAnthony Sher). New Republic, 232(7):25-26.
Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
