Difference between revisions of "ESAT Bibliography Bri-Bru"
| Line 11: | Line 11: | ||
| − | Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15): 21-22. | + | Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22. |
| − | Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. London: University of London | + | Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London. |
Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44. | Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44. | ||
| Line 33: | Line 33: | ||
Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96: 45. | Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96: 45. | ||
| − | Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. | + | |
| + | |||
| + | Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher education. | ||
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare quarterly, | Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare quarterly, | ||
38(4): 479-481. | 38(4): 479-481. | ||
| − | Brook, Peter 1978. The | + | Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin. |
| − | Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090): 26-27. January 16. | + | Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16. |
| − | Brooke, Brian 1958. The South African theatre industry. International | + | Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127. |
| − | Brooke, Brian 1978. My | + | Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press. |
| − | Brooke, Michael 1985. The Limelight and Contacts. In Hauptfleisch, Temple (ed.). The Breytie | + | Brooke, Michael 1985. The Limelight and Contacts. In Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130. |
The Brooke Theatre. 1978. Scenaria, June/July: 6-7. | The Brooke Theatre. 1978. Scenaria, June/July: 6-7. | ||
| − | Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New | + | Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New Statesman, 135(4784): 28-29. March 20. |
| − | Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1): 7-10. | + | Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10. |
| − | Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1): 12-18. | + | Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18. |
| − | Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African | + | Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal. |
| − | Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current | + | Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180. |
| − | Brown, Duncan 1999. Oral | + | Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip. |
| − | Brown, Lenora Inez 2000. The | + | Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82. |
Brown, Phyllida 1991. Meet the puppets that care about condoms." New Scientist 132(1797):13. | Brown, Phyllida 1991. Meet the puppets that care about condoms." New Scientist 132(1797):13. | ||
| − | Bruchac, Joseph 1988. Lewis Nkosi | + | Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401. |
| − | Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224): 49-53. | + | Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53. |
| − | Brustein, Robert 2001. On the Cape Town. New | + | Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32. |
| − | Brustein, Robert 2002. The Good Hope of the Cape [Pieter-Dirk Uys]. New | + | Brustein, Robert 2002. The Good Hope of the Cape [Pieter-Dirk Uys]. New Republic, 226(5):27-28. |
| − | Brustein, Robert 2003. Fronting [Salaam | + | Brustein, Robert 2003. Fronting [Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring]. New Republic, 228(6):25-27. |
| − | Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned [Anthony Sher]. New Republic, 232(7): 25-26. | + | Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned [Anthony Sher]. New Republic, 232(7):25-26. |
| − | Bruton, Sheila 1976. Indaba: | + | Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship. |
Revision as of 20:42, 4 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.
Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.
Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44.
Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2): 38-41.
Brink, André P. 1971. Censorship – Climate of Fear. Contrast. VII, No.2, (June 1971)
Brink, André P. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5): 35-36.
Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre quarterly, 7(28): 71-76.
Brink, André P. 1986. Aspekte van die nuwe drama. Pretoria: Academica.
Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4): 104-105.
Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is dead and the dilemma of political drama in South Africa. Twentieth century literature, 39(4) : 438-454.
Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96: 45.
Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher education.
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare quarterly, 38(4): 479-481.
Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.
Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.
Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.
Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.
Brooke, Michael 1985. The Limelight and Contacts. In Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.
The Brooke Theatre. 1978. Scenaria, June/July: 6-7.
Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New Statesman, 135(4784): 28-29. March 20.
Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.
Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.
Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.
Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.
Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.
Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82.
Brown, Phyllida 1991. Meet the puppets that care about condoms." New Scientist 132(1797):13.
Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.
Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.
Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.
Brustein, Robert 2002. The Good Hope of the Cape [Pieter-Dirk Uys]. New Republic, 226(5):27-28.
Brustein, Robert 2003. Fronting [Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring]. New Republic, 228(6):25-27.
Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned [Anthony Sher]. New Republic, 232(7):25-26.
Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
