Difference between revisions of "Pieter Geldenhuys"
(→Career) |
(→Career) |
||
| Line 10: | Line 10: | ||
== Career == | == Career == | ||
| − | He has been active in theatre since 1935 including early days at the Opera house in Cape Town. In 1940 he joined the [[André Huguenet]] company and subsequently toured the Union with the first [[Gwen ffrangçon-Davies / Marda Vanne Company]] company. Joined the entertainment unit during World War I, touring Egypt, Italy and Austria, then for three years in Scotland followed by some years in the West End. Spent many years between South Africa and Europe and has been for a considerable period under | + | He has been active in theatre since 1935 including early days at the Opera house in Cape Town. In 1940 he joined the [[André Huguenet]] company and subsequently toured the Union with the first [[Gwen ffrangçon-Davies / Marda Vanne Company]] company. Joined the entertainment unit during World War I, touring Egypt, Italy and Austria, then for three years in Scotland followed by some years in the West End. Spent many years between South Africa and Europe and has been for a considerable period under contract to [[CAPAB]] acting in both English and [[Afrikaans]]. |
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
Revision as of 14:21, 10 August 2015
(19**-****). Actor.
Contents
Biography
Training
Studied at the Royal Academy of Dramatic Art, London and ballet with Dulcie Howes and then in London.
Career
He has been active in theatre since 1935 including early days at the Opera house in Cape Town. In 1940 he joined the André Huguenet company and subsequently toured the Union with the first Gwen ffrangçon-Davies / Marda Vanne Company company. Joined the entertainment unit during World War I, touring Egypt, Italy and Austria, then for three years in Scotland followed by some years in the West End. Spent many years between South Africa and Europe and has been for a considerable period under contract to CAPAB acting in both English and Afrikaans.
Contribution to SA theatre, film, media and/or performance
He had roles in Point of Departure 1952, Volpone (NTO 1952), Twelfth Night (NTO 1953), an Afrikaans production of The Happiest Days of Your Life (NTO 1955), , Tobias and the Angel (NTO 1955), Verkiesing Sonder Politiek! (NTO 1955), Bitter Einde (NTO 1956-7), Germanicus (NTO 1958), The School for Scandal (NTO 1958), Die Jakkalsstreke van Scapino (NTO 1958), 'n Bruid in die Môre (NTO 1959).
Sponono (1963), Die Hemelbed (CAPAB 1963), Twaalfde Nag (PACT 1964), Modes van Agter, Skuld van Voor (PACT 1964), Twelve Angry Men (Alexander Theatre 1965), Played “the father” in Strinberg’s Die Vader (CAPAB 1969), Die Koning Sterf (CAPAB 1969), ‘n Skip is Ons Beloof (CAPAB 1969), “Titus” in an Afrikaans production of Titus Andronicus (CAPAB 1970), The Emperor (PACOFS 1970), “Caliban” in Die Storm and “Dr. Finache” in Feydeau’s Hond se Gedagte (CAPAB 1971), Die Twee Laksmanne (CAPAB 1971), Oom Wanja (CAPAB 1972), The Tempest (Maynardville January 1973), Die Huwelik van Mnr. Mississippi (CAPAB 1973), Die Ryk Weduwee (CAPAB 1974 and 1976), The Cherry Orchard (Baxter Company 1978).
Die Spook van Donkergat (film) released in 1973.
Awards, etc
Sources
The Tempest theatre programme (Maynardville January 1973.
SACD 1974
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities G
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
