Difference between revisions of "ESAT Bibliography Pif-Po"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African construction world, 2(1): 22-27
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Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Durban: University of Natal. (M.A.-Speech and Drama thesis).
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Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African theatre journal, 12(1&2): 178-184.
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PILLAY, KRIBEN. 1998.  The emperor’s new clothes:  An exercise in virtual reality – Reflections on the Colston Symposium:  New approaches to theatre studies and performance analysis. South African theatre journal, 12(1&2):185-190.
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Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Durban: University of Durban-Westville. (PhD thesis).
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Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.
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Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1: 71.
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Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement [Natal Palyhouse]. South African construction world, 2(12) : 26-33.
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Plaston: DNS kind. [Literary criticism]. 1974. Tydskrif vir geesteswetenskappe, 14: 223-226. September.
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Plastow, Jane 1999. Theatre and society in South Africa: reflections in a fractured mirror, by Temple Hauptfleisch. Reviewed in: Theatre research international, 24(3): 297-298.
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Plastow, Jane 2000. South African Theatre As/And Intervention (Book Review). Modern
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drama, 43(4): 653.
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Platter, E. 1985. Liz Dick behind the screen. Fair lady, 20(6) : 46-49. April 3.
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Plays and piracy: a discussion. 1965. Contrast, 3(4): 53-62.
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Plays without critics. 1947. Libertas. 7(3): 68-69.
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Podbrey, Maurice. 1998.  Grahamstad se wyedoek.  Insig, 08/98: 40.
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Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1): 81-83.
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Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Stellenbosch: Universiteit van Stellenbosch. (M.Phil.thesis).
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Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9: 48-50. September.
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POPLE, LAETITIA. 1993. Teater nie dood as ek dit kan verhelp - Pieter Toerien. Beeld. 9 Januarie: Kalender.
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Popova, Vlada 2005. Youth development through intercultural performance : a case study from Wesbank Arts and Culture Group, South Africa. Bellville: University of the Western Cape. (MA-thesis.)
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Popular theatre. [health education]. 1979. Link, 15-16. September-December.
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Port Elizabeth Opera House. 1986. Architect & builder, 14-17, April.
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Porter, A. 1971. Open air theatre. Looking back, 11(4):120-123.
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Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1): 40-43.
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Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2) : 42-45.
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Poynton, R. 2007. Show up and listen : armchair MBA : future knowledge. HR future, 8(4) : 51-52.
  
  

Revision as of 12:13, 6 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African construction world, 2(1): 22-27

Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Durban: University of Natal. (M.A.-Speech and Drama thesis).

Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African theatre journal, 12(1&2): 178-184.

PILLAY, KRIBEN. 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African theatre journal, 12(1&2):185-190.

Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Durban: University of Durban-Westville. (PhD thesis).

Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.

Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1: 71.

Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement [Natal Palyhouse]. South African construction world, 2(12) : 26-33.

Plaston: DNS kind. [Literary criticism]. 1974. Tydskrif vir geesteswetenskappe, 14: 223-226. September.

Plastow, Jane 1999. Theatre and society in South Africa: reflections in a fractured mirror, by Temple Hauptfleisch. Reviewed in: Theatre research international, 24(3): 297-298.

Plastow, Jane 2000. South African Theatre As/And Intervention (Book Review). Modern drama, 43(4): 653.

Platter, E. 1985. Liz Dick behind the screen. Fair lady, 20(6) : 46-49. April 3.

Plays and piracy: a discussion. 1965. Contrast, 3(4): 53-62. Plays without critics. 1947. Libertas. 7(3): 68-69.

Podbrey, Maurice. 1998. Grahamstad se wyedoek. Insig, 08/98: 40.

Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1): 81-83.

Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Stellenbosch: Universiteit van Stellenbosch. (M.Phil.thesis). Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9: 48-50. September.

POPLE, LAETITIA. 1993. Teater nie dood as ek dit kan verhelp - Pieter Toerien. Beeld. 9 Januarie: Kalender.

Popova, Vlada 2005. Youth development through intercultural performance : a case study from Wesbank Arts and Culture Group, South Africa. Bellville: University of the Western Cape. (MA-thesis.)

Popular theatre. [health education]. 1979. Link, 15-16. September-December.

Port Elizabeth Opera House. 1986. Architect & builder, 14-17, April.

Porter, A. 1971. Open air theatre. Looking back, 11(4):120-123.

Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1): 40-43.

Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2) : 42-45.

Poynton, R. 2007. Show up and listen : armchair MBA : future knowledge. HR future, 8(4) : 51-52.


Click on the appropriate letters of the alphabet in the sub-list below.

P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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