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| − | Click on the appropriate letter of the alphabet below to find the relevant list. | + | Click on the appropriate letters of the alphabet in the sub-list below. |
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | + | [[ESAT Bibliography Ga-Gi|Ga-Gi]] [[ESAT Bibliography Gl-Go|Gl-Go]] [[ESAT Bibliography Gra|Gra]] [[ESAT Bibliography Gre-Gri|Gre-Gri]] [[ESAT Bibliography Gro|Gro]] [[ESAT Bibliography Gru-Gz|Gru-Gz]] |
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| − | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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| − | Gabashane, Anthony Daniel 1996. The performance orientation of dramatic texts with
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| − | specific reference to dialogue and didascalies in Athol Fugard's Playland and My children! My Africa! Pretoria : University of South Africa. (M.A. Thesis).
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| − | GAFFNEY, FLOYD. 1988 A forgotten man: Ira Alridge in Zagreb, Yugoslavia, 1853. South African Theatre Journal, 2(2):3-15
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| − | Gaffney, Floyd 1992. Athol Fugard: regionalism, cultural diversity, and other matters. TheatreForum, 1(1): 53-56.
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| − | Gagiano, Annie 2009. Mann, Chris Zithulele. Thuthula: Heart of the Labyrinth. Shakespeare in Southern Africa, 21: 95
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| − | Gallet, Francoise. 1998. Off-the-wall prophet of theatre fusion. In: The Sunday Independent, July 5, 1998: 14.
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| − | GALLOWAY, Francis 1990. Breyten Breytenbach as openbare figuur. Pretoria: HAUM-literêr.
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| − | Gardiner, C. 1994. Transition and transformation: Shakespeare, Dickens, Serote. English in Africa, 37(2): 123-132. Bladsye?
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| − | Gardner, C.O. 1970. Manson’s casserole. Theoria, 35: 35-49.
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| − | | |
| − | Gardner, C.O. 1985. A talk to Natal Education Department English teachers. Crux, 19(1): 27-38.
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| − | Gardner, Colin 1988. Teaching Shakespeare in Southern African universities: a response to Martin Orkin’s Shakespeare against apartheid. Shakespeare in Southern Africa, 2: 78-82.
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| − | Garuba, H. (2001) ‘The Island writes back: Discourse/ Power and Marginality in Wole Soyinka’s The Swamp Dwellers, Derek Walcott’s The Sea at Dauphin, and Athol Fugard’s The Island’ Research in African Literatures, vol 32, No 4
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| − | The Gaynor Young inquiry. 1990. South African theatre journal, 4(2): 12-29.
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| − | Gelb, Hal 1990. Theater. Nation, 251(12): 427-429.
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| − | Gener, Randy 1996. A song for a new world. (Athol Fugard’s play Valley song. American theatre, 13(1): 10.
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| − | Gener, Randy 2005. Cultures in peril: theatrical adventures in South Africa and Mali, Uganda, Mexico, India, the Philippines and Sri Lanka. American theatre, 22(5): 23.
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| − | Gener, Randy 2008. Africa writes back. American theatre, 25(9): 27.
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| − | Gener, Randy 2009. A dark night of the soul (Athol Fugard’s Have you seen us? American theatre, 26(10): 23.
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| − | GÉRARD, Albert. 1971. Four African Literatures. Berkeley: University of California Press.
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| − | Gerard, Albert S. 1983. Comparative literature and African literatures :a series of lectures read at the University of South Africa in July 1981 /edited from the tape-recordings by the author. Goodwood: Via Afrika.
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| − | Gerard, Albert S.1993. Comparative literature and African literatures. edited by C.F. Swanepoel. 2nd ed. Pretoria : Via Afrika
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| − | Gerber, C.J. 1988. Drama-based didactic strategies in the secondary school. Pretoria: University of Pretoria. (M.A. thesis).
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| − | Gerber, J. 1988. Drama and aid to understanding. Education and culture, 11(3): 28-29.
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| − | GERICKE, Aletta. 2003. Herhinneringe. Cape Town: Uitgewery Oranje.
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| − | GEVISSER, MARK & CAMERON, EDWIN (eds). 1994. Defiant desire: gay & lesbian lives in S.A. Johannesburg: Ravan.
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| − | Gevisser, Mark 1994. Truth and consequences in post-apartheid theater. Theater magazine, 25(3): 8-18.
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| − | Gevisser, Mark 1994. Writing for the man in the street.: an interview with John Ledwaba. Theater magazine, 25(3): 19-23.
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| − | Gevisser, Mark. 1997. Setting the stage for a journey into SA’s heart of darkness. In: The Sunday Independent, August 10, 1997: 4.
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| − | GILBERT, H. and TOMPKINS, J. 1996. Post-colonial Drama. London: Routledge.
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| − | Gilbert S. Singing Against Apartheid: ANC Cultural Groups and the International
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| − | Anti-Apartheid Struggle. Journal of Southern African Studies [serial online].
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| − | June 2007;33(2):421-441.
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| − | Gilmore, Wendy 1980. Modern Medici: a look at corporate sponsorship of the arts. Scenaria, (16): 3.
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| − | Gilmore, Wendy 1980. Directors at work, no. 2: Leonard Schach. Scenaria, (16): 21-23, 42.
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| − | | |
| − | Gillman, H.A. 1947. School drama in the brave new world. J.Soc.Educ. 25(3): 23-25. Kry niks wat klop met die afkorting nie. Is dit ooit SA? Gekry in Repert 1940-49, onderwerp THEATRE.
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| − | The Gin game. 1978. Scenaria, (10) : 19.
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| − | Glanvill, A. 1988. Drama in the classroom: a lesson for biblican studies. Educamus, 34(2): 19-21. February.
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| − | GLASSER, MONA. 1960. King Kong. A Venture in the Theatre. Cape Town: Norman Howell.
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| − | Gleuck, Germaine 1984. Standard Bank Festival of the Arts: 10th anniversary celebration. Scenaria, (45): 19—23.
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| − | Glueck, G. 1985. Frank Rogaly : South Africa’s ‘Mr Theatre’. Scenaria, (49) : 41-43.
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| − | Glueck, Germaine 1986. The Port Elizabeth Opera House : past and present. Scenaria, (62) : 6-11.
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| − | Glueck, Germaine 1986. The Port Elizabeth Opera House : the interior. Scenaria, (62) : 16-18.
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| − | | |
| − | Gleuck, Germaine 1986a. Dance takes centre spotlight at Grahamstown Festival. [includes mime]. Scenaria, (65): 9-15.
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| − | Gleuck, Germaine 1986b. The Port Elizabeth Opera House – past and present. Scenaria, (62): 5-11.
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| − | | |
| − | GLOBAL SPOTLIGHT. American Theatre [serial online]. September 2007;24(7):70-71.
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| − | American Theatre, Sep2007, Vol. 24 Issue 7, p70-71, 2p; Abstract: This article presents reviews of drama festivals around the world including the Witness Hilton Arts Festival at Hilton College in KwaZulu-Natal, South Africa,
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| − | GLOBAL SPOTLIGHT. American Theatre [serial online]. July 2009;26(6):56-57.
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| − | GLOBAL SPOTLIGHT. American Theatre [serial online]. September 2008;25(7):70-71.
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| − | | |
| − | Goddard, Eugene. 2001. Soul-searching for Boetman. In: The Citizen, July 12, 2001: 28.
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| − | Goddard, Kevin 2009. Romeo and Juliet, Helen Wilkins: theatre review. Shakespeare in Southern Africa, 21(1): 87-88.
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| − | | |
| − | Gomes, L. 1980. Ons klein sterre maak groot geld. Huisgenoot, 140-143. October 9.
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| − | | |
| − | Goodall, Sallyann 1979. Theatre workshop: a report on the theatre workshop for Natal schools, organized by SAITT Natal Branch, on 10th Feb. Scenaria, (13): 38.
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| − | | |
| − | Goodman, L. 1984. Sholem Aleichem and the Yiddish theatre. Jewish affairs, 39(11): 18-20.
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| − | | |
| − | Goodman, Lizbeth 1999. Two conversations with Yvonne Banning about gender and drama in South African theatre during and after Apartheid. Contemporary theatre
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| − | review, 9(2): 5.
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| − | GOODMAN, LIZBETH (Ed) 1999. Women, Politics and Performance in South African Theatre Today 1. Contemporary Theatre Review. An International Journal Volume 9 Part 1. Harwood Academic Publishers.
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| − | GOODMAN, LIZBETH. 1994. Teaching feminist theatres: Stages between theory and practice. South African theatre journal, 8(1):3-23
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| − | Goodman, Ralph 2002. Fools, Bells and The habit of eating; three satires, by Zakes Mda. Reviewed in: South African theatre journal, 16: 241-243.
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| − | Goosen, H. 1985. Bard of the Baakens. South African panorama, 30(9) : 18-23.
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| − | Goosen, Helena 1986. Campus theatre ’86. South African panorama, 31(8) : 10-17.
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| − | | |
| − | Gorak, Jan 1989. Nothing to root for: Zakes Mda and South African resistance theatre. Theatre journal, 41(4): 478-491.
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| − | | |
| − | Gordon R. 2007.Guilty Secrets and Cultural Blind Spots: Miller's Plays in South
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| − | Africa. Arthur Miller's Global Theater [e-book]. Ann Arbor, MI: U of Michigan P;
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| − | 2007:66-77.
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| − | | |
| − | Gordon-Brown, Claire. 2003. How to survive when the rules of the game change. In: Business Day, September 29, 2003: 6.
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| − | | |
| − | Gosher, Sydney Paul 1988. A historical and critical survey of the South African one-act play written in English. Pretoria: UNISA. (D Litt-thesis.) (D Litt dissertation.)
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| − | | |
| − | Gouws, John 1990. Foucault and Shakespeare’s pedants, dotards, and drunks. Literator, 11(3): 29-41.
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| − | | |
| − | Govender, Kubeshni 1996. Exploring text and con-text: analysis of Ordinary people: the peacemakers (1993); television review. Reviewed in: South African theatre journal. 10(2): 193-199.
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| − | GOVENDER, S. 1996. Interculturalism and South African Fusion Dance. Durban: Asoka Publications, University of Durban Westville?*
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| − | GOVENDER, S. 1996. Interculturalism and South African Fusion Dance. Durban: Asoka Publications, University of Durban Westville?*
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| − | | |
| − | Government White Paper on the creative arts. 1986. Scenaria, (65): 20.
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| − | | |
| − | Graham, S. 2005. Private trauma, public drama: Fugard, Kani and Ntshona’s The island and Maponya’s Gangsters. English studies in Africa, 48(1): 107-123.
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| − | | |
| − | Graham S. 2007. 'I Was Those Thousands!': Memory, Identity and Space in John Kani's
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| − | Nothing but the Truth. Theatre Research International [serial online]. March
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| − | 2007;32(1):68-84.
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| − | | |
| − | Graham, Shane 2009. South African literature after the Truth Commission: mapping loss. New York, NY; Palgrave Macmillan.
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| − | Grahame, Margot 1947. It’s my ambition to bring six plays to South Africa. Outspan. 42(1082): 31-33. November 21.
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| − | Graver, David 1997. Standard Bank National Arts Festival. Theatre journal, 49(1): 56-59.
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| − | GRAVER, D. (ed) 1999. Plays for a New South Africa. Bloomington: Indiana University Press.
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| − | | |
| − | Graver, David & Kruger, Loren 1989. South Africa’s national theatre: the market or the street?: New theatre quarterly, 19: 272-81.
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| − | Graver, David 1995. Theatre in the new South Africa. Performing arts journal, 17(1): 103-109.
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| − | Gray, Donald 1946. More theatres needed in South Africa. Outspan. 39(997): 19. April 5.
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| − | Gray, Stephen 1977. Our forgotten drama: Stephen Gray looks at the continuity of South African English drama. Speak: critical arts journal. 1(2):13-16; 46-47.
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| − | Gray, Stephen 1978. Herman Charles Bosman and Lago Clifford. Africana notes and news, 23: 155-157. December.
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| − | Gray, Stephen (ed.) 1978. Theatre one: new South African drama. Johannesburg: Donker
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| − | | |
| − | Gray, Stephen 1978. Our forgotten drama. Speak, 1(2): 13-16. March-April.
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| − | | |
| − | Gray, Stephen 1979. Southern African Literature. An Introduction. London: David Philip.
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| − | | |
| − | Gray, Stephen 1979. Fugard in London. Heresy, 1:33-39.
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| − | | |
| − | Gray, Stephen 1980. Athol Fugard’s development: a stocktaking. Theoria, 55: 33-36.
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| − | Gray, Stephen (ed.) 1981 Theatre two: new South African drama. Johannesburg: Donker
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| − | Gray, Stephen (ed.) 1982. Athol Fugard. Johannesburg, McGraw Hill.
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| − | | |
| − | Gray, Stephen (1982). Stephen Black: Three Plays. Johannesburg, Ad Donker.
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| − | | |
| − | Gray, Stephen 1982. Southern African Literature. An Introduction. Cape Town, David Philip.
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| − | | |
| − | Gray, Stephen 1983. Processing life into words. The notebooks of Athol Fugard. Contrast, 14(3): 81-86.
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| − | Gray, Stephen (ed.) 1984a. Market plays. Johannesburg: Donker.
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| − | | |
| − | Gray, Stephen. 1984b. South African drama: bedevilling categories: English Academy Review. 2. p.119-125.
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| − | Gray, Stephen 1984c. The theatre of Fatima Dike. English Academy review, 2: 55-60.
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| − | | |
| − | Gray, Stephen 1985. Desegregating the theatre. Index on censorship, 14(4): 11-14, 17.
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| − | | |
| − | Gray, Stephen 1986. A chair called Agamemnon: Athol Fugard’s use of Greek dramatic myths. Standpunte, 39(4): 19-27.
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| − | Gray, Stephen 1987. The Breytie Book – A collection of articles on South African theatre, edited by Temple Hauptfleisch. Reviewed in: South African theatre journal,1(2):96-97.
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| − | | |
| − | Gray, Stephen 1990. ‘Between me and my country’: Fugard’s My children! My Africa! At the Market theatre, Johannesburg. New theatre quarterly, 6(21): 25-30.
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| − | Gray, Stephen 1990. Interview with Geraldine Aron. South African theatre journal, 4(2):30-49.
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| − | Gray, Stephen 1990. Women in South African theatre. South African theatre journal, 4(1): 75-87.
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| − | Gray, Stehen (comp.) 1991. File on Fugard. London: Methuen Drama.
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| − | Gray, Stephen 1993. Problems of compiling a collection of plays of the 1980s. South African theatre journal, 7(2): 63-76.
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| − | Gray, Stephen (ed.) 1993. South Africa Plays. London: Nick Hern
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| − | Gray, Stephen 1998. Notes on South African and Australian theatre. South African theatre journal, 12(1&2): 172-177.
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| − | Gready, Paul 1994. Political autobiography in search of liberation: working class theatre, collaboration and the construction of identity. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 163-198.
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| − | Great prestige project for the province [Transvaal]. 1966. Construction in Southern Africa, 11(2): 27-35.
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| − | Greeff, M. 2008. John Vorster se meisiekinders: profiel van twee vroue. Lig, 73(7): 18-21.
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| − | Green, Garth V. 1987. Characterization in Pieter-Dirk Uys’ Appassionata. UNISA English studies, 25(2): 18-22.
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| − | GREEN, JEFFREY & RYE, HOWARD. 1988. “To the Mother Country”: Jamaican entertainers in Britain, 1906 – 1936. South African theatre journal, V2(2):62-75GREER, ???GRAHAM. 2001. The role of the theatre critic in a post-apartheid South Africa. South African theatre journal, 15: 56-64.
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| − | Green, Michael 1984. The politics of loving: Fugard and the metropolis. English Academy review, 2: 41-54.
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| − | Green, Robert J.1976. The drama of Athol Fugard. In: Heywood, C (ed.) Aspects of South African literature. London, Heinemann, +p.163-173.
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| − | Greer, Graham. 2001. The role of the professional theatre critic in a post-apartheid South Africa. SATJ 15: 56-64.
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| − | Greig, Robert J. 1980. To subsidise or not to subsidise? New nation, 9(2): 10-11.
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| − | Greig R. 1989. Zap-Pow-Whammee-Glop: Muller's Macbeth. Shakespeare in Southern Africa:
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| − | Journal of the Shakespeare Society of Southern Africa [serial online].
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| − | 1989;3:92-94.
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| − | Greig, Robert. 1995a. Theatre of the absurd: how success can narrow profit margins. In: The Sunday Independent, October 1, 1995: 18.
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| − | Greig, Robert. 1995b. Bergville Stories evoke complex responses about theatre language. In: The Sunday Independent, November 26, 1995: 21.
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| − | Greig, Robert. 1996. Glib judgments on domestic violence betray brilliantly observed characters. In: The Sunday Independent, August 4, 1996: 20.
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| − | Greig, Robert. 1997a. Original, radical Ubu manages to find integrity in an artistic minefield. In: The Sunday Independent, August 3, 1997: 14.
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| − | Greig, R. (1996) ‘Medea creates a thrilling theatrical language of passion for a new order’. The Sunday Independent, Feb. 4th 1996, p. 21-22
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| − | Greig, Robert. 1997b. An intoxicating whiff of the pointedly irrational. In: The Sunday Independent, November 2, 1997: 16.
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| − | Greig, Robert. 1998a. Playwright brilliantly fumbles and fondles his way through post-apartheid pathos. In: The Sunday Independent, January 25, 1998: 14.
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| − | Greig, Robert. 1998b. Brutal realism of Hola Majita! makes a mockery of prison reform. In: The Sunday Independent, February 1, 1998: 14.
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| − | Greig, Robert. 1998c. Slabolepszy makes a bold move, but his nostalgia is overpowering. In: The Sunday Independent, February 15, 1998: 14.
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| − | Greig, Robert. 1998d. Civic starts planning life after budget cuts. In: The Sunday Independent, July 5, 1998: 12.
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| − | Greig, Robert. 1998e. Too gay for a brutal and forgotten subject. In: The Sunday Independent, September 6, 1998: 13.
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| − | Greig, Robert. 1999a. Genre-bending operas breach fresh frontier. In: The Sunday Independent, July 4, 1999: 12.
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| − | Greig, Robert. 1999b. As arts migrate to smaller towns, they also enter the global arena. In: The Sunday Independent, September 26, 1999: 11.
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| − | Greig, Robert. 2000a. An Afrikaner nationalist now under a new flag. In: The Sunday Independent, April 9, 2000: 12.
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| − | Greig, Robert. 2000b. Profound play in which the shoe mostly fits. In: The Sunday Independent, June 4, 2000: 11.
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| − | Greig, Robert. 2000c. A fringe of sex, but everyday life at heart. In: The Sunday Independent, July 9, 2000: 12.
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| − | Greig, Robert. 2000d. Fanny-in-the-face theatre puts words to taboos lived in silence. In: The Sunday Independent, October 15, 2000: 12.
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| − | Greig, Robert. 2001a. Future of state theatres remains uncertain: The government expects the private sector and provinces to chip in. In: The Sunday Independent, April 8, 2001: 10.
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| − | Greig, Robert. 2001b. A mountain of South African theatre - One of the most complex and mature plays written in this country in the past two decades, it makes others look infantile. In: The Sunday Independent, April 29, 2001: 21.
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| − | Greig, Robert. 2001c. Roll up for a relentlessly feverish vision of Amin’s circus maximus. In: The Sunday Independent, July 8, 2001: 10.
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| − | Greig, Robert. 2001d. History brought to life in hard-edged vignettes. In: The Sunday Independent, September 16, 2001: 11.
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| − | Greig, Robert. 2002a. How to sweep R24 million under the carpet. In: The Sunday Independent, April 28, 2002: 10.
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| − | Greig, Robert. 2002b. Fugard takes a new tack with his latest work. In: The Sunday Independent, July 21, 2002: 11.
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| − | Greig, Robert. 2003a. Tribute to pioneering activist Simon Nkoli captures his vitality, wit and endurance. In: The Sunday Independent, April 20, 2003: 11.
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| − | Greig, Robert. 2003b. Filling of seats now takes centre stage: Several theatres countrywide are to become state-funded playhouses. In: The Sunday Independent, April 27, 2003: 10.
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| − | Greig, Robert. 2003c. Grahamstown monologues. In: The Sunday Independent, July 6, 2003: 10.
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| − | Greig, Robert. 2003d. Stripped-down satire weeds out social stereotypes. In: The Sunday Independent, August 17, 2003: 10.
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| − | Greig, Robert. 2004. Popular production falls foul of the social engineers. In: The Sunday Independent, February 8, 2004: 11.
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| − | Greig, Robert & Peel, Kit. 2000. Is it curtains for the State Theatre? How the sorry story unfolded. In: The Sunday Independent, May 7, 2000: 10.
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| − | Greyvenstein, Walter 1988a. The history and development of children's theatre in English in South Africa. Johannesburg: Rand Afrikaans University. (D. Litt. et Phil. thesis).
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| − | Greyvenstein, Walter 1988b. Why not play in the classroom? Lyra academica, 3(2): 50-62.
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| − | Greyvenstein, Walter 1989a.Theatre and Popular Entertainment in South Africa. In: South African theatre journal, 3(2), September.
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| − | Greyvenstein, Walter 1989b. Let us entertain you! children’s theatre and popular entertainment. South African theatre journal, 3(2): 51-68.
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| − | Greyvenstein, Walter 1989c. Players, a collection of one-act plays, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African theatre journal, 3(1): 103-104.
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| − | Greyvenstein, Walter 1990. Drama as a method for teahers of English. Crux, 24(4): 24-51.
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| − | Greyvenstein, Walter 1994. Playwrights and human rights by Paddy Terry & Herman Kotze. Reviewed in: South African theatre journal, 8(1): 93-96.
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| − | | |
| − | Greyvensteyn, Z. 1980a. Dawie Malan – a profile. Scenaria, (18): 26-27.
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| − | Greyvensteyn, Z. 1980b. Siegfried Mynhardt: a profile. Scenaria, (17): 17-18.
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| − | Griebenow, Francois. 2000. Boetman-volksdrama. In: Beeld, May 30, 2000: 11.
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| − | | |
| − | Griffin, Jennifer 1992. John Kani: reading the troubled landscape of South Africa. American theatre, 9(8): 26-27.
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| − | Griffin, Jennifer 1993. Paul Slabolepszy: coming of age in the cradle of apartheid. American theatre, 10(9): 47-48.
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| − | Grimbeek, D. 1977. Opvoedkundige waarde van toneelspel. Rehabilitation in South Africa, 21:59060. October.
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| − | Grobbelaar, Michal 1952. Beligting vir die toneel. Helikon, 1(4): 99-102.
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| − | Grobbelaar, Michal 1960. Suidwes toe! [Nasionale toneelgroep besoek S.W.A.] Brandwag, 14(43): 17. November 24.
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| − | Grobbelaar, Michal et al. (eds.) 1962. The Johannesburg Civic Theatre/ Die Johannesburgse Stadskouburg. Johannesburg: Johannesburg Civic Theatre.
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| − | Grobbelaar, Michal 1971. Ontwikkeling van die Afrikaanse toneel 1832-1950, deur L.W.B. Binge. Reviewed in Tydskrif vir geesteswetenskappe, 11(1): 66-67.
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| − | Grobbelaar, Michal 1986. Die uitvoerende kunste. Lantern, 35(4) : 67-69.
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| − | Grobbelaar, Michal 1985. Die Breytenbach-skouburg. In: Temple Hauptfleisch (ed) The Breytie Book. Johannesburg: The Limelight Press. p. 73-77.
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| − | Grobler, E.E. 1998. Teater en terapie: ‘n teaterwetenskaplike ondersoek. Stellenbosch: Universiteit van Stellenbosch. (M Dram thesis).
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| − | Grobler, Esmé 1990. Varieties of dramatic dialogue. South African theatre journal, 4(1): 38-60.
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| − | Grobler, H. 1976. Rebellie van Lafras Verwey [by] Chris Barnard. [Literary criticism]. Klasgids, 11(1): 23-30. March.
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| − | Grobler, H.B. 1971. Algemene verligting van ‘n teater vir die uitvoerende kunste. Tegnikon, 20(4): 23-28. December.
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| − | Grobler, Hilda 1989. Realiteit van die spel of spel van die realiteit? Kanttekeninge by Pieter Fourie se drama Ek, Anna van Wyk. Stilet, 1(2): 89-95.
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| − | Grobler, H. 1993. The kitchen as battlefield – with special reference to the award winning play Kitchen blues by Jeanne Goosen. Journal of literary studies, 9(1): 50-56.
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| − | GROBLER, M. 2002. Die Toneelstuk van Breyten Breytenbach as die oorlogmasjien. Fragmente. No 9:73-87.
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| − | Groenewald, H.C. 1977. Struktuurbeskrywing van die historiese drama in Zulu. Limi, 5(1-2): 48-66.
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| − | Groenewald, H.C. 1981. Aspekte van drama met besondere verwysing na die Zulu-drama. Suid-Afrikaanse tydskrif vir Afrikatale, suppl 1: 12-42.
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| − | Groenewald, H.C. 1989. Insumansumane: Zondi’s scenario for today. South African journal of African languages, 9(1): 6-13.
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| − | Groenewald, H.C. 2000. A little space in history: some historical perspectives on Zulu theatre. South African theatre journal,14: 114-128.
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| − | Groenewald, H.C. 2001. The immoral subject: The moral play in Zulu. South African theatre journal,15: 65-76
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| − | Groenewald, H.C. 2002. A little space in history – some historical perspectives on Zulu theatre. South African theatre journal, 16: 30-43.
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| − | Groenewald, H.C. 1990. Oral Studies in South Africa. Pretoria: HSRC.
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| − | Groenewald, H.H.A. 1983. Huisvesting vir die toneelteater. Teaterforum, 4(1): 44-53.
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| − | Groenewald, Manie 1983. Huisvesting vir die toneelteater. Teaterforum, 4(1): 44-53.
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| − | Grondwet van die Assosiasie van dramadepartemente van Suid-Afrika (ADDSA). Teaterforum, 5(1): 115-123.
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| − | GROOM, WILLIAM. 1899. Drama in Cape Town. Cape illustrated magazine. 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.
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| − | Groot geeste van Suid-Afrika: André Huguenet bouer van ons toneelkuns. 1951. Lantern, 1: 384-386.
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| − | Gross, Kenneth & Katz, Leslie 1995. Pinokio. South African theatre journal, 9(1):69-77.
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| − | Grotowski, Jerzy. 1969. Towards a poor theatre. London, Methuen.
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| − | GRUNDY, K. 1993. The Politics of the National Arts Festival. Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research.
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| − | Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of arts management, law and society, 24(3): 241-257.
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| − | GRUT, MARINA. 1981. The History of Ballet in South Africa. Cape Town: Human and Rousseau.
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| − | | |
| − | Guillemaut, Alf 1996. Market theatret. ProScen, 20(4): 6-11.
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| − | Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2) : 9-11.
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| − | Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African theatre journal, 10(2): 85-99
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| − | Gunner, L. (ed.). 1994. Politics and Performance: Theatre, Poetry and Song in South Africa. Johannesburg: Witwatersrand University Press.
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| − | GUNNER, LIZ (Ed.). 1994. Politics and Performance: Theatre, Poetry and Song in South Africa. Johannesburg: Witwatersrand University Press.. kyk inhoudsopgawe, uitgeleen tot 27 Jan 2010.
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| − | Gunner L. Supping with the Devil: Zulu Radio Drama under Apartheid—The Case of
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| − | Alexius Buthelezi. Social Identities [serial online]. March 2005;11(2):161-169.
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| − | Gurtin, W. 1950. Lecture on drama. Farmer, 39(15): 22. April 14.
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| − | Gussow, Mel. 1982. Profile: Witness (Athol Fugard). New Yorker 20 Dec, pp.47-94.
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| − | Gutsche, Thelma 1940a. Afrikaans theatre. Forum. 3(25): 17. September 14.
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| − | Gutsche, Thelma 1940b. Afrikaans theatre. Forum. 3(27): 17. September 28.
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| − | Gutsche, Thelma 1940c. Effects of the war. Forum.3(35): 17. November 23.
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| − | Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum. 3(38): 18-19. December 14.
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| − | Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. [Dwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan]. Forum. 3(29): 17. October 12.
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| − | Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum. 3(38): 18. December 14.
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| − | Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum. 3(32): 17. November 2.
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| − | Gutsche, Thelma 1940h. Two important arrivals for the stage [Henry Mollison and Lina Basquette in Private lives]. Forum. 2(48): 19.February 24.
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| − | Gutsche, Thelma 1940i. War and amateur theatricals. [Group theatre, Johannesburg repertory players]. Forum. 2(47): 22. February 17.
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| − | Gutsche, Thelma 1941a. Army entertainment. Forum. 4(39): 17. December 27.
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| − | Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum. 4(33): 18. November 15.
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| − | Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]/ Forum.4(38): 18. December 20.
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| − | Gutsche, Thelma 1941d. End of a tour. Forum. 4(31)18. November 1.
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| − | Gutsche, Thelma 1941e. New shows and a new theatre. Forum.4(32):18. November 8.
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| − | Gutsche, Thelma 1942a. Afrikaans drama. Forum. 4(40):18. January 3.
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| − | Gutsche, Thelma. 1942b. Afrikaans stage production receives a beneficial opportunity. Forum. 4(45): 19. February 7.
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| − | | |
| − | Gutsche, Thelma 1946. The English speaking theatre in South Africa. In : South African panorama : introducing South Africa, her art, culture, and peoples. Johannesburg : Literary Guild. 21ff.
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| − | Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan. 41(1057): 26-27. March 30.
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| − | | |
| − | Gutsche, Thelma 1970. Theatrical history. Standard encyclopedia of South Africa, 10: 475-481. Cape Town: Nasou.
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| − | | |
| − | Gutsche, Thelma 1972a. The history and social significance of motion pictures in South Africa, 1895-1940. Cape Town: Timmins.
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| − | | |
| − | Gutsche, Thelma 1972b. Theatrical History. Vaudeville and Music-hall. In: Standard Encyclopaedia of Southern Africa. Cape Town : NASOU.
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| − | | |
| − | Gutsche, Thelma. 1973. Survey. In Lennox-Short, Alan English and South Africa. Cape Town: Nasou. P. 83-85.
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| − | | |
| − | GWALA, M. 1974. (ed) Black Review 1973. Durban: Black Community Programmes.
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| − | Gwala, M.P. 1973. Towards a national theatre. South African outlook. 103: 131-133.
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| − | Click on the appropriate letter of the alphabet below to find the relevant list.
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
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| | + | To return to any other letter, click on the list below |
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| | + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] |
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