Difference between revisions of "ESAT Bibliography Bot-Bre"

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[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
 
[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
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To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1): 28-45.
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Botha, Danie 2006. Voetligte & applous!: die beginjare van die Afrikaanse beroepstoneel. Pretoria: Protea Boekhuis.
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Botha, E. 1961, Twee opvoerings van N.T.O.  Standpunte. 17: 66-67.
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Botha, Elizabeth Maria 1973. Vertolking van die woordkunswerk in die twintigste eeu. Potchefstroomse Universiteit vir Christelike Hoër Onderwys . (D.Litt. thesis)
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Botha Estelle 1989. Anton Chekhov: reception of a Russian dramatist in South Africa. In Mondry, Henrietta (ed.). The waking sphinx: South African essays on Russian culture. Johannesburg: University of the Witwatersrand Library. 168-178.
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Botha, E.M. 1980. Plea for poverty. Scenaria, (18): 3.
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…Discussion and reply. Scenaria, (20): 2
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…Discussion Scenaria, (21): 29.
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Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1): 1-10.
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Botha, Estelle (Esther Elsa) 2006. Where dance and drama meet again : aspects of the expressive body in the 20th century. Stellenbosch: University of Stellenbosch. (M.A. thesis).
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Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and builder, 31(12): 2-9.
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Botha, Johann. 1998.  Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.
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Botha Theunis. 1985. Opvoekundige teater : ‘n herwaardering. Teaterforum, 6(1) : 1-19.
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Botha, Theunis 1986. Die dramadepartement. Opvoeding en kultuur, 9(3) : 32-33.
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Bothma, Stephanus Johannes 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Pretoria: Universiteit van Pretoria. (D Phil-verhandeling.).
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Bourgault, Louise M. 2003.  Playing for life: performance in Africa in the age of AIDS Durham, NC: Carolina Academic.
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Bouwer, S. 1989. Dramateorie vandag - die bydrae van die drama- en teatersemiotiek, deur M. Mouton. Reviewed in: Communicare, 8(2): 60-61.
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Bouws, J. 1977. Bedrywige Kaapse burger in die 19de eeu: J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse biblioteek, 32: 34-35.
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Bowen, B.1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current writing, 5(2): 80-99.
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Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of literary studies, 1(3): 78-89.
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Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The road to Mecca. Literator, 11(2): 1-16.
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Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works.
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Boxall, Dorothy 1945. Children’s theatre: the children’s overture by Roger Quilter. Transvaal educational news. 41(10): 11.
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Bozzoli, Belinda 2004. Theatres of struggle and the end of apartheid. Edinburgh: Edinburgh University Press for the International African Institute, London.
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 +
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Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek . Stellenbosch: Universiteti van Stellenbosch. (M.Dram thesis).
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Breitinger, Eckhard (ed.) 1994. Theatre and performance in Africa: intercultural perspectives. Bayreuth: Breitinger.
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Breitinger, Eckhard. 1999. Heroes of South African history as operatic heroes:  Akin Eub’s Chaka and Nbongemi Ngema’s The Zulu. South African theatre journal, 13(1&2):104-108.
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Breitinger, Eckhard 1999. The German presence in new South African theatre. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 207-216.
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Breitinger, Eckhard 2001. Alternative theatre in South Africa: Talks with prime movers since the 1970s by Rolf Solberg. The dramatic art of Athol Fugard: From South Africa to the world by Albert Wertheim. Reviewed in: African Studies Review. 44(3):79-82.
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Breitinger, Eckhard.  2001. Standard Bank National Arts Festival, 2001. South African theatre journal, 15:178-191.
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Breitinger, Eckhard 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships. In Breitinger, Eckhard (ed.) Theatre and performance in Africa. Bayreuth, Germany; Breitinger. p. 135-158.
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Breytenbach, Doris & Hauptfleisch, Temple 1985. P.P.B. Breytenbach - a chronology. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 49-51.
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Breytenbach, Doris.Taylor, Norah.Breytenbach, P. P. B. (Petrus Philippus Benjamin) 1987. A tribute to Breytie from the Market Theatre Foundation. [Johannesburg] : [The Market Theatre Foundation].
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Breytenbach, P.P.B. 1949a. Nasionale toneelorganisasie (N.T.O.). Tydskrif vir wetenskap en kuns, 9(2): 120-128.
 +
 +
Breytenbach, P.P.B. 1949b. Two languages to interpret one common South African culture. Outspan. 45(1164): 26-27. June 17.
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 +
Breytenbach, P.P.B. 1950. Ons toneel – ’n oorsig. Afrikaanse skrywer, 15 49-52.
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Breytenbach, P.P.B. 1951. Referaat voor die S.A. Akademie: die Nasionale toneelorganisasie (N.T.O.). Helikon, 1(2): 18-28. December.
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Breytenbach, P.P.B. 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O). Tydskrif vir wetenskap en kuns, 12: 108-114.
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Breytenbach, P.P.B. 1971. Opening. Lantern, 21(1): 64-69. September.
 +
 +
Breytenbach, P.P.B. 1985. The Theatre Benevolent Fund and the Theatre Residential Clubs. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 117-118.
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Breytenbach, T.M. 1986. Actor. My career, 37(3) : 313-316.
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Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19.
  
  

Revision as of 11:32, 1 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1): 28-45.

Botha, Danie 2006. Voetligte & applous!: die beginjare van die Afrikaanse beroepstoneel. Pretoria: Protea Boekhuis.

Botha, E. 1961, Twee opvoerings van N.T.O. Standpunte. 17: 66-67.

Botha, Elizabeth Maria 1973. Vertolking van die woordkunswerk in die twintigste eeu. Potchefstroomse Universiteit vir Christelike Hoër Onderwys . (D.Litt. thesis)

Botha Estelle 1989. Anton Chekhov: reception of a Russian dramatist in South Africa. In Mondry, Henrietta (ed.). The waking sphinx: South African essays on Russian culture. Johannesburg: University of the Witwatersrand Library. 168-178.

Botha, E.M. 1980. Plea for poverty. Scenaria, (18): 3. …Discussion and reply. Scenaria, (20): 2 …Discussion Scenaria, (21): 29. Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1): 1-10.

Botha, Estelle (Esther Elsa) 2006. Where dance and drama meet again : aspects of the expressive body in the 20th century. Stellenbosch: University of Stellenbosch. (M.A. thesis).

Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and builder, 31(12): 2-9.

Botha, Johann. 1998. Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.

Botha Theunis. 1985. Opvoekundige teater : ‘n herwaardering. Teaterforum, 6(1) : 1-19.

Botha, Theunis 1986. Die dramadepartement. Opvoeding en kultuur, 9(3) : 32-33.

Bothma, Stephanus Johannes 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Pretoria: Universiteit van Pretoria. (D Phil-verhandeling.).

Bourgault, Louise M. 2003. Playing for life: performance in Africa in the age of AIDS Durham, NC: Carolina Academic.

Bouwer, S. 1989. Dramateorie vandag - die bydrae van die drama- en teatersemiotiek, deur M. Mouton. Reviewed in: Communicare, 8(2): 60-61.

Bouws, J. 1977. Bedrywige Kaapse burger in die 19de eeu: J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse biblioteek, 32: 34-35.

Bowen, B.1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current writing, 5(2): 80-99. Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of literary studies, 1(3): 78-89.

Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The road to Mecca. Literator, 11(2): 1-16.

Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works.

Boxall, Dorothy 1945. Children’s theatre: the children’s overture by Roger Quilter. Transvaal educational news. 41(10): 11.

Bozzoli, Belinda 2004. Theatres of struggle and the end of apartheid. Edinburgh: Edinburgh University Press for the International African Institute, London.


Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek . Stellenbosch: Universiteti van Stellenbosch. (M.Dram thesis).

Breitinger, Eckhard (ed.) 1994. Theatre and performance in Africa: intercultural perspectives. Bayreuth: Breitinger.

Breitinger, Eckhard. 1999. Heroes of South African history as operatic heroes: Akin Eub’s Chaka and Nbongemi Ngema’s The Zulu. South African theatre journal, 13(1&2):104-108.

Breitinger, Eckhard 1999. The German presence in new South African theatre. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 207-216.

Breitinger, Eckhard 2001. Alternative theatre in South Africa: Talks with prime movers since the 1970s by Rolf Solberg. The dramatic art of Athol Fugard: From South Africa to the world by Albert Wertheim. Reviewed in: African Studies Review. 44(3):79-82.

Breitinger, Eckhard. 2001. Standard Bank National Arts Festival, 2001. South African theatre journal, 15:178-191.

Breitinger, Eckhard 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships. In Breitinger, Eckhard (ed.) Theatre and performance in Africa. Bayreuth, Germany; Breitinger. p. 135-158.

Breytenbach, Doris & Hauptfleisch, Temple 1985. P.P.B. Breytenbach - a chronology. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 49-51.

Breytenbach, Doris.Taylor, Norah.Breytenbach, P. P. B. (Petrus Philippus Benjamin) 1987. A tribute to Breytie from the Market Theatre Foundation. [Johannesburg] : [The Market Theatre Foundation].

Breytenbach, P.P.B. 1949a. Nasionale toneelorganisasie (N.T.O.). Tydskrif vir wetenskap en kuns, 9(2): 120-128.

Breytenbach, P.P.B. 1949b. Two languages to interpret one common South African culture. Outspan. 45(1164): 26-27. June 17.

Breytenbach, P.P.B. 1950. Ons toneel – ’n oorsig. Afrikaanse skrywer, 15 49-52.

Breytenbach, P.P.B. 1951. Referaat voor die S.A. Akademie: die Nasionale toneelorganisasie (N.T.O.). Helikon, 1(2): 18-28. December.

Breytenbach, P.P.B. 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O). Tydskrif vir wetenskap en kuns, 12: 108-114.

Breytenbach, P.P.B. 1971. Opening. Lantern, 21(1): 64-69. September.

Breytenbach, P.P.B. 1985. The Theatre Benevolent Fund and the Theatre Residential Clubs. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 117-118.

Breytenbach, T.M. 1986. Actor. My career, 37(3) : 313-316.

Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19.


Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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