Difference between revisions of "No-Good Friday"
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by [[Athol Fugard]]. A look at the deprivations, violence and problems of township life governed by tsotsis. Written by Fugard on the basis of a workshop in rehearsal space provided by [[Union Artists]], with the help of [[Lewis Nkosi]], [[Bloke Modisane]], [[Nat Nasaka]], [[Sheila Fugard]] and the performers. First performed at the [[Bantu Mens’s Social Centre]], Johannesburg on 30 August 1958, with “Hal Lannigan” (Fugard) as “Father Higgins”, followed by four nights at the [[Brian Brooke Theatre]] in the same city that year (when [[Lewis Nkosi]] took over the role, to make it an all-black cast according to the laws of the time). First published in 1958??*. Included in a variety of play collections over the years. (Kruger:88-89) Published in ''[[Dimetos and Two Early Plays]]'' by [[Oxford University Press]]. | by [[Athol Fugard]]. A look at the deprivations, violence and problems of township life governed by tsotsis. Written by Fugard on the basis of a workshop in rehearsal space provided by [[Union Artists]], with the help of [[Lewis Nkosi]], [[Bloke Modisane]], [[Nat Nasaka]], [[Sheila Fugard]] and the performers. First performed at the [[Bantu Mens’s Social Centre]], Johannesburg on 30 August 1958, with “Hal Lannigan” (Fugard) as “Father Higgins”, followed by four nights at the [[Brian Brooke Theatre]] in the same city that year (when [[Lewis Nkosi]] took over the role, to make it an all-black cast according to the laws of the time). First published in 1958??*. Included in a variety of play collections over the years. (Kruger:88-89) Published in ''[[Dimetos and Two Early Plays]]'' by [[Oxford University Press]]. | ||
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| + | His first major play, No-Good Friday was staged at the Bantu Men’s Social Centre in conjunction with the Union of Southern African Artists. Fugard himself appeared in the play, together with his black cast – Bloke Modisane, Dan Poho, Steve Moloi, Ken Gampu, Gladys Sibisa and Zakes Mokae in 1958. This play was later transferred to the Brooke Theatre for a ‘whites only’ run. | ||
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Revision as of 10:10, 4 August 2014
by Athol Fugard. A look at the deprivations, violence and problems of township life governed by tsotsis. Written by Fugard on the basis of a workshop in rehearsal space provided by Union Artists, with the help of Lewis Nkosi, Bloke Modisane, Nat Nasaka, Sheila Fugard and the performers. First performed at the Bantu Mens’s Social Centre, Johannesburg on 30 August 1958, with “Hal Lannigan” (Fugard) as “Father Higgins”, followed by four nights at the Brian Brooke Theatre in the same city that year (when Lewis Nkosi took over the role, to make it an all-black cast according to the laws of the time). First published in 1958??*. Included in a variety of play collections over the years. (Kruger:88-89) Published in Dimetos and Two Early Plays by Oxford University Press.
His first major play, No-Good Friday was staged at the Bantu Men’s Social Centre in conjunction with the Union of Southern African Artists. Fugard himself appeared in the play, together with his black cast – Bloke Modisane, Dan Poho, Steve Moloi, Ken Gampu, Gladys Sibisa and Zakes Mokae in 1958. This play was later transferred to the Brooke Theatre for a ‘whites only’ run.
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