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| − | Click on the appropriate letter of the alphabet below to find the relevant list. | + | Click on the appropriate letters of the alphabet in the sub-list below. |
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | + | [[ESAT Bibliography Taa-Taz|Taa-Taz]] [[ESAT Bibliography Tea-Tho|Tea-Tho]] [[ESAT Bibliography Thr-Toz|Thr-Toz]] [[ESAT Bibliography Tra-Tz|Tra-Tz]] |
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| | + | To return to any other letter, click on the list below |
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| | + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] |
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| | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] |
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| | + | Return to [[The ESAT Entries]] |
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| − | Take six [new faces in South African theatre]. 1970. Fair lady, 6(20): 64-73. November 25.
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| − | Taljaard, S. 1983. Teatertegnici. My loopbaan, 34 : 51-54.
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| − | Tang, Acty 2007. Corporeal knowledge and pleasure in theatre research: the case of looking at theatre photographs. South African theatre journal, 21: 241-252.
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| − | Taunton N. 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. Shakespeare in Southern Africa,13: 41.
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| − | Taylor, Anne 1984. Durban’s new theatre complex. Scenaria, (47): 23-25.
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| − | Taylor, A. 1984. Durban’s new theatre complex. Scenaria, (47) : 23-25.
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| − | Taylor, Gorry Bowes. 1999. Stage-struck Toerien fights the good fight. In: Sunday Independent, August, 22, 1999: 10.
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| − | Taylor, Jane 2003. Taking stock: the making of a bourgeois life – The confessions of Zeno. South African theatre journal, 17: 234-244.
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| − | Taylor, M. 1984. Improvisation for the actor in training. Teaterforum, 5(2) : 72-82.
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| − | Taylor, Norah 1960. The First Speech and Drama Teachers of Southern Africa. The South African Guild of Speech Teachers Members’ Book. Johannesburg (December 1960).
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| − | Taylor, N. 1980. Place of drama in education. Crux, 14(1): 9-11.
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| − | Taylor, Norah 1986. From small beginnings [speech – study and teaching]. Education and culture, 19(1) : 32-33.
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| − | Taylor, Norah 1988.Enriching education. Crux, 22(1): 42-44. January.
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| − | Taylor, Norah 1989.Towards a history of the South African Guild of Speech and Drama Teachers. Johannesburg: Norah Taylor / The Guild.
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| − | Teater vir Kaapstad. 1946. Huisgenoot, 30(1260): 3. March 17.
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| − | Teizeira, A. 2007 Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African connexion, 14(22): 34-35.
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| − | Ten years of the Leonard Schach cockpit players. 1960. South African panorama, 5(7): 20-21. July.
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| − | Terblanche, Nic. 2003. The Performing Arts and Marketing: Concepts and challenges. South African theatre journal, 17: 153-176.
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| − | Terry P. 1982. Plact playwork. Scenaria, 30: 37-39. March.
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| − | Terry Paddy 1982. John Norman. SAADYT Journal, 3(2): 3-7.
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| − | Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1): 19-63.
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| − | Terry, Paddy 1993. At the market: ten lessons for second language learners. KYK: 0636018164 of 063601987X
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| − | Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African theatre journal, 23: 235-240.
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| − | Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37): 32-34.
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| − | Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1): 64-66.
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| − | Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8) : 30-33.
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| − | Theatre in the hills. 1973. Fiat lux, 8(5): 20-21.
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| − | Theatre of the little people. [Puppet plays]. 1963. South Africfan panorama, 8(9): 32-33. September.
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| − | Theatre: quality calling audiences back. Forum. 4(34): 18.
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| − | Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11) : 26-27.
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| − | Theatres of South Africa, no 12 : the Space. 1979. Scenaria, (12): 22-23.
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| − | Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13): 36-37.
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| − | Theatrical masterpiece – Alexander Theatre: leading project. 2007. Leading architecture and design, 25(7/8): 6-8, 10, 13-15.
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| − | Theron, Ida 1942. Voor die tentoonstelling. Eendrag. 14(62): 7-11. September.
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| − | Theron, W. 2007. Voetligte en applous, deur D. Botha Reviewed in: Tydskrif vir geesteswetenskappe, 47(2): 279-280.
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| − | Theys, L. Take off for theatre at Black schools. Informa, 31(9): 11-12.
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| − | Thomas, Ceridwen 1990. A dream of people. Plays and players, (441): 7-9.
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| − | Thomas, J. 1985. Dorothy Ann Gould : waking up in the dream factory. Fair lady, 20(12) : 98-101. June 26.
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| − | Thomson, C. 1988. All the world’s a stage. Neon, 8(54): 56-58.
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| − | Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning mediumin speech and drama and selected school subjects. Durban: University of Natal. (MA thesis).
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| − | THOMPSON, BRIDGET. 1996. Making Heart and Stone: A film about Govan Mbeki’s life (personal report). South African theatre journal, 10(2):187-191.
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| − | TF A. 1964. Hamlet comes to Maynardville. Femina, 66-75. February 13.
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| − | Three stages for Pretoria opera house. 1971. Construction in Southern Africa, 16(8): 83-87. November.
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| − | Thurman, Christopher 2006. 1956-2006: fifty years at Maynardville. Shakespeare in Southern Africa, 18(2): 57-61.
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| − | Thurman, Christopher 2006. Sher and Doran’s ‘Titus Andronicus’ [1995]: importing
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| − | Shakespeare, exporting South Africa. Shakespeare in Southern Africa, 18(2): 29-36.
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| − | Thurman, Christopher 2008. Romeo and Juliet. Shakespeare in Southern Africa, 20: 64-66.
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| − | Thurman, Christopher 2008. Shakespeare at the National Arts Festival. Shakespeare in Southern Africa, 20: 63-64.
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| − | Thuynsma, Peter 1987. Xhosa ntsomi: the language of gesture. English Academy review, (4): 77–89.
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| − | Tien jaar toegewyde toneelarbeid. 1943. Huisgenoot. 28(1134): 5. Desember 17.
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| − | The Time-image: William Kentridge Interviewed by Cheryl Kaplan. PAJ: A Journal
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| − | of Performance & Art [serial online]. May 2005;27(80):28-44.
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| − | To be or not to be : that is the question : [air conditioning in the Natal Playhouse]. 1985. African refrig aircond, 1(3) : 10-12.
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| − | Toerien hangs out dirty linen. 1977. Scenaria, June/July : 15.
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| − | Toeskouer skuilnaam 1960. Slag van die Kaapse Vlakte. Standpunte, 14(2): 4-13.
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| − | Tomaselli, K. 1987. South African Theatre. Four plays and an introduction, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African theatre journal, 1(1):142-146.
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| − | Tomaselli, K.G. 1981. Semiotics of alternative theatre in South Africa. Critical arts, 2(1): 14-33.
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| − | TOMASELLI, KEYAN G. 1981. The Semiotics of Alternative Theatre in South Africa. Critical Arts 2 (1): 14 – 33.
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| − | TOMASELLI, KEYAN G. 1981. Black South African Theatre: Text and Context. In: English in Africa. VIII, No. 1 (March 1981)
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| − | Tomaselli, Keyan & Muller, Johan 1987. Class, race, and oppression: metaphor and metonymy in’Black’ South African theatre. Critical arts, 4(3): 40-58.
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| − | Tomkins, Joanne 1995. “One point of sanity”: an interview with Barney Simon. South African theatre journal,, 9(2): 83-96.
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| − | Toneel en die publiek. 1950. Huisgenoot, 34(1459): 80. March 10.
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| − | Toneel uit eie bodem? Ons eie boek, 20(1): 5-11.
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| − | Toneelgeselskap se groot prestasie. 1944. Huisgenoot, 28(1162): 3. June 30.
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| − | TRACY, Hugh. 1948. Lalela Zulu. Roodepoort: Africa Music Society.
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| − | Trials of Keeno [literary criticism]. 1983. Teaterforum, 4(1) : 94-100.
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| − | A tribute to Wena Naudé. 1978. Scenaria, (9) : 18-19.
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| − | Trichardt, Carel 1984. Regisseur in Suid-Afrika (‘n betoog oor regisseursopleiding). Teaterforum, 5(1): 17-29.
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| − | Trichardt, Carel 1984. Die regisseur in Suid-Afrika (‘n betoog oor regisseurs-opleiding). Teaterforum, 5(1): 17-29.
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| − | Trichardt, Carel 1985. Die Suid-Afrikaanse Film- en Teaterunie. (SAFTU) ["South African Film and Theatre Union") In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 115-116.
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| − | Trichardt, Karel 1977. [Acting]. Speak, 1(1): 58-60. December.
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| − | The Trojan women/ Vroue van Troje. 1977. Scenaria, June/July: 28-29.
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| − | Tromp, Peter. 2004. Salaam Stories is hitting the right spot. In: Cape Times, March, 4, 2004: 12.
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| − | TRUK is mondig! 1985. Lantern, 34(1): 69. ???
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| − | TRUMP, Martin. 1993. Rendering Things Visible. Johannesburg: Ravan Press.
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| − | TRÜMPELMANN, G.P.J. 1969. “Die H.B. Thom Teater”. In: Kotze, D.J. (ed), Professor H.B. Thom. Stellenbosch:Universiteit van Stellenbosch
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| − | Truter, H.J. 1972. Afrikaanse drama. Unie, 69:169-171.November.
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| − | Tsumele, Edward. 2001a. Awakening the sleeping giant. In: The Sowetan, January 12, 2001: 17.
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| − | Tsumele, Edward. 2001b. Playing to empty houses in the townships. In: The Sunday Independent, April 15, 2001: 10.
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| − | Tucker 1984.Scenaria, (41) : 17-19.
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| − | TUCKER, PERCY. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.
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| − | Tucker, P. 2006. Jewish giants of South African theatre. Jewish affairs, 61(4): 24-61.
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| − | Turner, B. 1973. June Dixon and Donald Monat. Fair lady, 9(9): 54-58. June 27.
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| − | Turner, B. 1976. Meet the mine boss. [Gordon Mulholland]. Fair lady, 12(4): 116-118. May 12.
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| − | Turner, B. 1977. Star quality. [Rika Sennett]. Fair lady, 13(9): 42-47. August 17.
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| − | Turner, B. 1978. First person Prinsloo. Fair lady, 14(7): 90-92. August 16.
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| − | Turner, G. & Kaoma, N. 2006. Salute the sisters! Comedy festival set to entertain. Rootz Africa, 20(10): 134-136.
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| − | Turner, V. (1969) The ritual process: structure and anti-structure. Chicago: Aldine Publishing Co.
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| − | Twiggs, Laura. 1999a. Army demons exorcised to great applause. In: The Sunday Independent, March, 14, 1999: 11.
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| − | Twiggs, Laura. 1999b. Compelling look at nexus of ‘coloured’ identities. In: The Sunday Independent, June, 13, 1999: 12
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| − | Click on the appropriate letter of the alphabet below to find the relevant list.
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
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| − | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | |
